Review: Craig Taborn’s ‘Dream Archives’

The first release by Craig Taborn since being named a MacArthur Fellow in late 2025, Dream Archives (ECM, 2026) finds the pianist/composer leading an unusual trio with noted cellist Tomeka Reid and in-demand drummer-vibraphonist Ches Smith. All three are acclaimed bandleaders in their own right, with Reid having an extensive history of collaboration through her […]

Review: Kris Davis and the Lutosławski Quartet’s ‘The Solastalgia Suite’

Coined by the philosopher Glenn Albrecht, the term ‘solastalgia” centers on the theme of homesickness while still at home with a focus towards surveying environmental damage. “Our environment is transforming around us, and we grieve for the landscapes and ecologies we knew,” says Albrecht. These feelings inspire The Solastalgia Suite (Pyroclastic, 2025), Grammy-winning pianist and […]

Review: Jerome Sabbagh’s ‘Stand Up!’

Over the last few years, tenor saxophonist Jerome Sabbagh has released recordings thst featured his dulcet tones with several jazz elders – Kenny Barron (Vintage (Sunnyside, 2023)) and the late drummer Al Foster (Heart (Analog Tone Factory, 2024)). With Stand Up! (Analog Tone Factory, 2025), Sabbagh returns with this twenty-year running quartet with guitarist Ben Monder, bassist Joe Martin, and newly added drummer Nasheet […]

Review: John O’Gallagher’s ‘Ancestral’

With Ancestral (Whirlwind, 2025), alto saxophonist and composer John O’Gallagher explores the late-period work of John Coltrane, specifically Interstellar Space (Impulse!, 1974) and Stellar Regions (Impulse!, 1995). These examinations build upon O’Gallagher’s doctoral work, which argues that so-called “free” music is not actually free as the term is commonly used.  Or, in O’Gallagher’s words, researching […]

Review: Simón Willson’s ‘Feel Love’

In many ways, the burgeoning improvised music community in Brooklyn resembles downtown New York’s loft movement of the ‘70s. But it differs in one important way: Brooklyn seems to have an even stronger sense of community, with musicians often collaborating on each other’s albums. Such is the case for Chilean-born, Brooklyn-based bassist and composer Simón […]

Review: Mark Turner’s ‘Reflections on: The Auto-Biography of an Ex-Colored Man’

A more cerebral artist, saxophonist and composer Mark Turner, never makes it too easy for the listener. However, he may have reached his zenith with Reflections on: The Autobiography of an Ex-Colored Man (Giant Step Arts, 2025), a work that combines verbal narrative and music. As its title suggests, the album reflects upon the named […]