Review: Domo Branch’s ‘Hands of Gifts’

The gratitude of drummer-composer Domo Branch, an in-demand rising star of contemporary jazz, is evident in many ways as on Hand of Gifts (Albina Music Trust, 2025). Artists often honor tradition, as Branch does here, while going beyond simply honoring his mentors.  Albina Music Trust, a new label to most, is a non-profit organization and […]

Review: Bob Schlesinger’s ‘Falling From Earth’

To say that Colorado-based pianist/composer Bob Schlesinger’s Falling from Earth (Digmatic, 2025) was a long time coming is a vast understatement. The project – the sixty-eight year old keyboardist’s leader debut – had been simmering for half a decade. Tracks were recorded in two separate sessions, Sear Sound in New York City and Coupe Studios […]

Review: Armen Donelian’s ‘Stargazer’

Stargazer (Sunnyside, 2025) is a reissue of an album by a trio of pianist Armen Donelian with bassist Eddie Gomez and drummer Billy Hart that first appeared forty-five years ago, in 1980. Originally released and distributed on Atlas Records in Japan, it was available only as an import elsewhere. Soon thereafter, Atlas went out of […]

Jazz Detective Zev Feldman Begins Yet Another Journey with New Imprint, Time Traveler Recordings, and Resurrecting Three Largely Forgotten Gems from the Muse Records Catalog

By now, most readers know that the Jazz Detective, Zev Feldman, does not limit his archival work to Black Friday and Record Store Day. Recently, he unveiled the terrific Charlie Rouse Brazilian recording, Cinnamon Flower (Resonance, 2025). As the archival consultant for Blue Note Records, he has another great one – Horace Silver’s Silver in […]

Review: Sarah Elizabeth Charles’s ‘Dawn’

While it’s been done in pop, appearing noticeably pregnant on an album cover is a rarity for improvisation-based music. Indeed, vocalist and composer Sarah Elizabeth Charles’ Dawn (Ropeadope, 2025) may be one of the first. The album’s cover is striking – the artist in a stunning silhouette, leaving no doubt that she is indeed with […]

Review: Mike Clark’s ‘Itai Doshin’

The title of Mike Clark’s latest record, Itai Doshin (Wide Hive, 2025) comes from the drummer’s Buddhist beliefs, a worldview shared with his onetime bandleader, Herbie Hancock. The title translates into the saying of  “many in body, one in mind.” That’s the equivalent in musical speak of ‘in the pocket.” Or, in plainer language, a […]