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PostGenre’s Best of 2024

The albums we collectively felt were the best of 2024 (technically from Thanksgiving 2023 to Thanksgiving 2024) show a beautiful range of diverse voices. I don’t think any of us consciously chose our albums based on identifiers like race, gender, or nationality. The fact it is replete with musicians from around the globe – from […]

April 2023 Capsule Reviews

For April, Brian Kiwanuka and Rob Shepherd provide capsule reviews of four recordings by saxophonists who are pushing music in new directions: Ingrid Laubrock’s The Last Quiet Place (Pyroclastic, 2023) [which you can also read more about here], James Brandon Lewis’ Eye of I (Anti, 2023), Ben Wendel’s All One (Edition, 2023), and John Zorn’s New Masada Vol. 2 (Tzadik, […]

March 2023 Capsule Reviews

For March, Brian Kiwanuka and Rob Shepherd provide capsule reviews of three recordings – Cécile McLorin Salvant’s Melusine (Nonesuch, 2023), Tomas Fujiwara’s March On (Firehouse 12, 2023), and Rubin Kodheli’s Departure (self-release, 2023)- and a SXSW performance venue – the Qobuz Sessions at KMFA Studios. Cécile McLorin Salvant- Melusine Cécile McLorin Salvant’s Mélusine is the first Salvant album […]