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A History of the Newport Jazz Festival – Chapter X: Smooth Sailing?, 1984-1989

Created in 1927, The Victor Talking Machine Company of Japan, Limited – more commonly known as Japan Victor Company (JVC) – was originally a Japanese subsidiary of America’s Victor Talking Machine Company. The parent was the most prominent photograph and record company of the era, renown for its Victrola record players. By 1929, the Victor […]

A History of the Newport Jazz Festival – Chapter IX: Homecoming, 1981-1983

“We’re Back” announced the front page of The Providence Journal, complete with a photo of a smiling George Wein, upon the news of the Newport Jazz Festival’s return to America’s First Resort. And while it was indeed a cause for celebration, the newly reborn festival differed significantly from its predecessor. These differences emerged primarily from […]

Moving Forward: A Conversation with Marcus Miller (Part Two)

We continue our dialogue with legendary bassist Marcus Miller with a focus on his current and more recent projects from his many film scores to the supergroup Mega Nova with Carlos Santana, Herbie Hancock, Wayne Shorter, and Cindy Blackman Santana. He also shares his thoughts on genre and how his Sirius XM show “Miller Time” […]

Moving Foward: A Conversation with Marcus Miller (Part One)

Some of the greatest musical artists are those you can identify after only a few notes, whether Miles Davis’ trumpet or BB King’s guitar. Marcus Miller’s distinctive double thump technique on the electric bass places him among this group. For the past four decades, Miller has charted a career where his unique sound has explored […]

Exploring the Violin’s Versatility

Historians believe the first violin dates to sometime in the early 16th Century. Gaudenzio Ferrari’s paintings show a three-string variant as early as the 1530s. As the Renaissance turned Baroque, Classical, then Romantic, the violin became a prominent figure in Western music. Perhaps too preeminent in orchestral settings. When asked to match instruments to a […]

Review: Archie Shepp & Jason Moran’s ‘Let My People Go’

Albert Murray once noted that “the blues is not the creation of a crushed-spirited people [but rather] the product of a forward-looking, upward-striving people.” Throughout his career, Archie Shepp has explored the connection between the blues and aspiration for a brighter future. He’s done so significantly by branching the sonic qualities of the form to […]