Review: The Regina Carter Freedom Band’s ‘Swing States: Harmony in the Battleground’

American presidential campaigns are often very narrowly focused. One study showed that in the 2016 election a whopping ninety-four percent of events were held within twelve states with little, if any, attention paid to the remaining thirty-eight. The modern campaigning process often trades compassion among the populace for political power. The Regina Carter Freedom Band’s […]

A History of the Newport Jazz Festival – Chapter IV: Revival, 1961-1964

Following the riots of the prior summer, there was no Newport Jazz Festival in 1961. However, the city had not abandoned the idea of being a cultural center for jazz. Instead, promoter Sid Bernstein hosted “Music at Newport.” In some ways, it emulated the original. It was set in both the same venue and time […]

A History of the Newport Jazz Festival – Chapter III: Goodbye Newport Blues, 1957-1960

The 1957 Festival extended to four days – Thursday, July 4 to Sunday, July 7- with every minute captured by Voice of America. Most were also recorded, though much remains unreleased, by Norman Granz’s Verve Records. The first evening centered around Louis Armstrong’s purported 57th birthday* with plans to feature many artists who performed with […]

A History of the Newport Jazz Festival – Chapter II: Diminuendo and Crescendo, 1956

The 1956 Newport Jazz Festival’s schedule was adjusted slightly compared to the prior two outings. While still a three-day event with a focus on nighttime performances, it was moved up a day to begin on Thursday and end on Saturday while also having an earlier start time. Much of the festival took place under torrential […]

A History of the Newport Jazz Festival – Chapter I: A New Tradition, 1954-1955

By 9:18 PM on the evening of July 17, 1954, Eddie Condon’s tribute to Dixieland finally began its delayed performance. Next was vocalist Lee Wiley, a jam session, and then a series of musicians who in hindsight left an indelible mark of music: the Modern Jazz Quartet with Horace Silver filling in for John Lewis, […]

A History of the Newport Jazz Festival – Prologue: Born in Storyville, 1950-1954

In September of 1950, twenty-four-year-old George Wein used his college savings to open a nightclub, Storyville, at Boston’s Copley Square Hotel. The venue boldly planned to present jazz in a new light. Taking its name from the legendary New Orleans district of debauchery, brothels, and flophouses from whence the music came, the budding entrepreneur planned […]

Musical Mentors: Gary Bartz & Maisha’s ‘Night Dreamer’ and Archie Shepp, Raw Poetic & Damu the Fudgemunk’s ‘Ocean Bridges’

The term “mentor” comes from a character in Homer’s Odyssey, an epic written in the 8th Century BCE. However, the concept of mentorship dates back to an even earlier era. Some historians suggest that the concept may be as old as humanity itself. Though hardly novel, there can be significant benefits to both parties. From […]

Review: Roy Ayers, Adrian Younge & Ali Shaheed Muhammad’s ‘Roy Ayers JID 002’

Humanity has a longstanding fascination with incorporating the latest technological developments into music. This interest is perhaps most evident in the history of sampling. In the 1940s, Pierre Schaeffer started producing sonic collages by splicing and manipulating sound recordings. His works formed the base of an experimental form known as musique concrète, an avant-garde progenitor […]

Beating with Heart: Alexander Flood’s Percussive Exploration of Cultures and Technology

In 2015, Christian Scott Atunde Adjuah created the Stretch Music imprint with Ropeadope Records to support jazz rooted genre blind music that encompasses a wide range of other musical forms and cultures. While its releases have aptly fulfilled this goal, thus far they have been confined solely to the trumpeter’s own boundary-defying works. Before even […]

Review: Norah Jones’ ‘Pick Me Up Off the Floor’

When many think of Texas, the first musicians that may come to mind are Bob Wills, Stevie Ray Vaughn, or Willie Nelson. However, these legendary figures are, in some ways, each mere reflective points. Historical emergence from the melding of countless Native, Latin, African, and European cultures has produced a rich yet underreported musical heritage. […]