Moving Forward: A Conversation with Marcus Miller (Part Two)

We continue our dialogue with legendary bassist Marcus Miller with a focus on his current and more recent projects from his many film scores to the supergroup Mega Nova with Carlos Santana, Herbie Hancock, Wayne Shorter, and Cindy Blackman Santana. He also shares his thoughts on genre and how his Sirius XM show “Miller Time” […]

Moving Foward: A Conversation with Marcus Miller (Part One)

Some of the greatest musical artists are those you can identify after only a few notes, whether Miles Davis’ trumpet or BB King’s guitar. Marcus Miller’s distinctive double thump technique on the electric bass places him among this group. For the past four decades, Miller has charted a career where his unique sound has explored […]

Exploring the Violin’s Versatility

Historians believe the first violin dates to sometime in the early 16th Century. Gaudenzio Ferrari’s paintings show a three-string variant as early as the 1530s. As the Renaissance turned Baroque, Classical, then Romantic, the violin became a prominent figure in Western music. Perhaps too preeminent in orchestral settings. When asked to match instruments to a […]

Review: Archie Shepp & Jason Moran’s ‘Let My People Go’

Albert Murray once noted that “the blues is not the creation of a crushed-spirited people [but rather] the product of a forward-looking, upward-striving people.” Throughout his career, Archie Shepp has explored the connection between the blues and aspiration for a brighter future. He’s done so significantly by branching the sonic qualities of the form to […]

Premiere: Mike Casey and Blori’s Single “Breathe In”

To those who have been paying attention to younger artists the last few years, Mike Casey should be a somewhat familiar name. Since beginning is career in 2017, the saxophonist’s online streams have passed the nine million mark. In part his popularity has come from his openness to other sounds. Although mostly considering himself a […]

Review: Joe Lovano Trio Tapestry’s ‘Garden of Expression’

Neo-traditionalists like Wynton Marsalis and Stanley Crouch have long desired the classification of “jazz” as “America’s classical music.” While this idea may bring more stature to the art form in certain social circles, it also largely marginalizes significant works by artists that do not fit their set preconceptions, particularly those in the avant-garde. Ironically, since […]