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Review: Charles Lloyd’s ‘8: Kindred Spirits (Live from the Lobero)’

For one unfamiliar with Charles Lloyd’s illustrious discography, an octogenarian NEA Jazz Master may seem like an odd focal point for a site focused on music that pushes beyond categorical lines. However, the saxophonist has spent his entire career defying convention. From his early sideman recordings with Chico Hamilton to his more recent Marvels group, […]

Review: George Burton’s ‘Reciprocity’

Ralph Waldo Emerson once noted that “to be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.” Whether one’s expectations on another person, of an artist’s output as a certain type, or one’s inflated self-perception, far too often images are depicted and enforced which do not align […]

Five Genre-Defying Selections from the Newport Jazz Festival’s First Wave of 2020 Performers

The historic Newport Jazz Festival has released a list of 36, out of approximately 60, groups which will appear across its four stages at Fort Adams this summer. As the first modern music festival, one may mistakenly assume that most of the acts reflect a more traditional view of jazz. While some masters of this […]

Review: Ben Williams’ ‘I AM A MAN’

On February 1, 1968, a malfunctioning garbage truck fatally crushed two black Memphis sanitation workers – Echol Cole and Robert Walker. Their passing was in many ways directly the fault of Henry Loeb, the city’s white supremacist mayor. Loeb previously served as the Memphis’ Public Works Commissioner, a role in which he undertook several steps […]

Review: Dave Liebman’s Expansions Group’s ‘Earth’

Scientists estimate that the earth vibrates at varying frequencies between 7.83 and 33.8 Hz. Of course, music also consists of rhythmic waves, though they are limited to our unaided hearing range from 20 to 20,000 Hz. As a result, many of our planet’s tones are wholly incapable of being perceived. Earth, the latest Expansions album […]

Review: Captain Supernova’s ‘The Voyage Never Ends…’

In his early writings, philosopher Søren Kierkegaard utilized various pseudonyms to present distinctive viewpoints and to interact with each other in complex dialogues. Throughout its history, jazz musicians have also adopted similar approaches – particularly relying on cosmic iconography – to better push their personal creative boundaries. One recent example is the three members of […]

Rob Shepherd’s Favorite Jazz Albums: 2009-2019

Editorial Note: Although PostGenre is the home of more than just “jazz” music, much of “jazz” consists of an amalgamation of various styles and approaches to music. This list, a republication of one that appeared on Nextbop on December 24, 2019, particularly shows the eclecticism of much of today’s “jazz.” Practically none of the ten […]

Review: Tyshawn Sorey & Marilyn Crispell’s ‘The Adornment of Time’

A single fully-improvised piece of over an hour in length, percussionist Tyshawn Sorey and pianist Marilyn Crispell’s The Adornment of Time is a challenging work. It is not simple, danceable, easily listenable, or intended as background music. It is highly unlikely the listener will fully grasp its importance upon first approach. However, further delving into […]

Review: Miles Davis’ ‘Rubberband’

Recorded mostly in 1985, the height of Miles Davis’ most critically maligned era, Rubberband is unlikely to be appreciated by one who generally disfavors the artist’s 1980s oeuvre. However, for a listener open to Davis’ music from that period, there is much to enjoy. Full appreciation partly requires an understanding of the album’s history. At […]