Far too often, people equate avant-garde expressionism to high-volume proclamations with flurries of notes. To an uninitiated listener, this perspective is understandable when one considers John Coltrane’s sheets of sound, Cecil Taylor’s densely clustered notes, and Peter Brotzmann’s rough, bluesy cries. But an isolated focus lessens the significance of the artists who have made this […]
Often the greatest artists have an identifiable voice. This is not to say their works are identical. Instead, no matter their changed surroundings, a shared identifiable quality continues to reflect their artistic essence. Consider Miles Davis. Birth of the Cool (Columbia, 1957) and On the Corner (Columbia, 1973) could not be more different in both […]
A fifth of the way into the twenty-first century, James Brown’s question of “Ain’t It Funky Now?” Is perhaps best read as “Where’s It Funky Now?” Most funk icons are gone, retired, or mere shadows of their musical former selves. The Godfather of Soul died in 2006. George Clinton continually hosts retirement tours that do […]
Artificial Intelligence (AI) is going to kill us all. Or, at least, that is what some theorize. Many commentators portray the emergence of AI as inevitably leading to some technological dystopia where a master computer controls everyone and everything. In the words of Neil deGrasse Tyson, now is the “Time to behave, so when Artificial […]
In Brian Kiwanuka’s excellent review of Kris Davis’ latest Diatom Ribbons album, he outlines how the music presented fits within the context of the pianist’s output to date. It’s a compelling analysis, but an equally worthy one is where to place the work within the history of the venue where recorded. Where does Diatom Ribbons […]
What is music? What is art? How is art experienced aurally connected to its visual manifestations? To most people, these are seemingly answerable inquiries. But when pressed, they struggle to provide concrete responses. It is in this ineffable gray area that Fluxus thrives. Derived from the Latin word for “flowing”, Fluxus is a collection of […]
Often, many place a wall between the secular and the religious, as though neither influences the other. In reality, both can find value in one another’s efforts to find or provide meaning to the world. James Brandon Lewis, the son of a science teacher and a pastor, is uniquely positioned to understand the complementary nature […]
On Friday, August 4, 2023, the historic Newport Jazz Festival presented a highly pleasurable afternoon of music, as it has for almost seven decades. But across the day, one sensed something more. While audience members enjoyed themselves, a more significant message emerged from Fort Adams’ stages. Intentionally or otherwise, the event’s organizers presented an exposition […]
We conclude our series of 2023 Newport Jazz Festival pre-event interviews with a conversation with Christian McBride. Fittingly, our third interview with McBride covers his three roles at the Newport Jazz Festival: bass heavyweight, skilled educator, and curator. McBride’s bona fides as an artist are beyond reproach. He’s worked with legends of jazz – Gary […]
Jazz music has long had an interesting, albeit complicated, relationship with more popular musical forms. Swing bands were the pop music craze of the 1930s and 40s. With the emergence of bop, particularly during the postwar era, the lines between artful improvisation-based music and more commercial sentimentality became increasingly stark. But many artists – Ray […]
