fbpx

Opportunity to Make Something Special: A Conversation with George Benson

To many, George Benson needs little introduction. During his career thus far, the guitarist-vocalist has been nominated for twenty-five Grammy Awards, winning ten. He has a star on the Hollywood Walk of Fame. And in 2009, the National Endowment of the Arts awarded them one of the highest recognitions: the title of Jazz Master. Much […]

Music at the Heart: A Conversation with Erik Friedlander

During the seventeenth and eighteenth centuries, the cello established itself as a mainstay in Western European classical music due to its capacity to provide both an intimacy to small chamber ensembles and grandeur to large symphony orchestras. The instrument’s appeal in this space is undeniable; few can listen to Bach’s Cello Suites, specifically the prelude, […]

Mixing Vocabularies: A Conversation with Mike Dillon on Punkadelick

Artistic expression has a unique power to flourish even when the soil is arid and lacking nutrients. The COVID pandemic, which destroyed many societal bonds, structures, and lives, nevertheless presented opportunities for artists to craft new works and explore additional avenues of creative expression. Even as social distancing made congregation difficult, many artists were able […]

Quiet Within: A Conversation with Ingrid Laubrock

Throughout its history, creative music has always been on a conceptual search for freedom. Ornette Coleman sought to move his music beyond traditional chords. Other artists- Wadada Leo Smith and Anthony Braxton, for instance – abandon notions of Western notation by utilizing graphic scores. But even the removal of such burdens, by themselves, is often […]

Interview: A Conversation with an Anonymous Artist

If you are reading this, there is a substantial likelihood you arrived here under false pretenses. Apologies for the deception. This space was initially intended – as a means for this site to celebrate its third anniversary – to host a two-part interview with a significant artist. Since the beginning of our correspondences, this artist […]

Harlem Hellfighter: A Conversation with Jason Moran on James Reese Europe (Part Two)

We continue our conversation with Jason Moran by going deeper into the songs on his James Reese Europe inspired album, From the Dancehall to the Battlefield (Yes, 2023). These discussions lead us through WC Handy, Albert Ayler, Geri Allen, and student musicians at Historically Black Colleges and Universities. We also uncover the meditative aspects of […]

Harlem Hellfighter: A Conversation with Jason Moran on James Reese Europe (Part One)

The passage of time can leave the legacy of important figures underrecognized. For every figure like Duke Ellington, Charlie Parker, or John Coltrane who remains indelibly etched in our collective consciousness, dozens more have furthered the music in significant ways yet too often remain overlooked in the history books. One great example can be found […]

Singing Through the Horn: A Conversation with Billy Harper (Part Two)

We continue our conversation with the great Billy Harper by discussing the beginning of his professional career in New York, his work with Lee Morgan and Gil Evans, the representation of Black artists in popular culture, and his compositional process. You can check out part one of the interview here. PostGenre: A little earlier, you […]

Singing Through the Horn: A Conversation with Billy Harper (Part One)

The lineage of jazz has long drawn upon ideas from gospel music, whether Louis Armstrong’s presentation of spirituals or Duke Ellington’s or Mary Lou Williams’ sacred music compositions. However, to some, the connection between faith-based songs and contemporary improvised music seems more tenuous. Artists are more likely to find a space between jazz and hip […]

Narrative Freedom: A Conversation with Anthony Davis (Part Two)

In the second part of our conversation with composer Anthony Davis, we do a deeper dive into his work, X: The Life and Times of Malcolm X. Part one of our discussion can be found here. PostGenre: X was first presented in 1986. What was behind your decision to revisit the work over thirty years later? Anthony […]