Poisonous Beauty: A Conversation with Mary Halvorson (Part Two)
We continue our conversation with Mary Halvorson (Part One here) with a focus on her compositional process, the origin of her new sextet, the selection of the Mivos Quartet, and how Belladonna (Nonesuch, 2022) and Amaryllis (Nonesuch, 2022) connect to some of her other projects. PostGenre: One of the more fascinating things about Belladonna and […]