Follow Us
Facebook
Instagram
X
Home
Interviews
Reviews
Album Reviews
Film Review
Live Reviews
Special Series
A History of the Newport Jazz Festival
Bitches Brew 50th Anniversary Celebration
The Cellar Door Sessions at Fifty-Five
Jazz Is Dead
PG Hall of Fame
Other Content
Articles
Columns
Scott Haas’ Jazz from A to G
Shepherd Tone with Rob Shepherd
Forward Motion with George Burton
Lists
2025 Best of Lists
2024 Best of Lists
2023 Best of Lists
2022 Best Of Lists
2021 Best of Lists
2020 Best of Lists
Pre-PostGenre Best of Lists
Other Lists
Premieres
About
PostGenre Team
Contact
Search
Support Us
Category:
Album Reviews
John Chacona
Review: Butcher Brown’s ‘#KingButch’
Rob Shepherd
Review: Azymuth, Adrian Younge & Ali Shaheed Muhammad’s ‘Azymuth JID 004′
Colin Stanhope
Review: ‘Blue Note Re:imagined’
Rob Shepherd
Review: Josh Johnson’s ‘Freedom Exercise’
Brian Kiwanuka
Review: Cat Toren’s Human Kind’s ‘Scintillating Beauty’
Rob Shepherd
Review: Bob James’ ‘Once Upon A Time: The Lost 1965 New York Studio Sessions’, Admas’ ‘Sons of Ethiopia’, and Takuya Kuroda’s ‘Fly Moon Die Soon’
Colin Stanhope
Review: Jesse Fischer’s ‘Resilience’
Rob Shepherd
Review: Christian Scott aTunde Adjuah’s ‘Axiom’
Rob Shepherd
Review: Marcos Valle, Adrian Younge & Ali Shaheed Muhammad’s ‘Marcos Valle JID 003’
Rob Shepherd
Review: Idris Ackamoor & The Pyramids’ ‘Shaman!’
Previous Page
1
…
10
11
12
13
14
15
Next Page
Search
Recent
Review: Dave Douglas’s ‘Four Freedoms’
Review: Tigran Hamasyan’s ‘Manifeste’
Considering the Composer’s Black Box: A Conversation with Ted Gordon
Review: ‘Take A.M.E.’
Review: Julian Lage Quartet’s ‘Scenes from Above’
Categories
Album Reviews
Articles
Best of Lists
Columns
Film Review
Forward Motion with George Burton
Hall of Fame
Interviews
Lists
Live Reviews
Premieres
Profile
Special Series
Loading Comments...
Write a Comment...
Email (Required)
Name (Required)
Website