The fourth cut on Thumbscrew’s Multicolored Midnight (Cuneiform, 2022) is entitled “Shit Changes.” You don’t have to be a climate scientist or Sam Bankman-Fried to appreciate the truth of that phrase, and it could just be another of bassist Michael Formanek’s cheekily subversive titles. Yet despite ten years of consistently provocative and satisfying music making, the cooperative […]
With the start of a new year, we also start a new feature on this site. These capsule reviews aim to provide very brief reviews – a few hundred words at most – of albums of note which have come out around the month at issue. For this month, only one of these albums – […]
“From the snowy, windswept peaks of Lapland to the desert of the Empty Quarter, Three Seconds | Kolme Toista is an adventure unlike any other!” Okay, that’s not Jussi Reijonen’s stated program behind Three Seconds | Kolme Toista (Challenge Records, 2022), which is at once more ambitious and more personal. Yet the music conceived by the Boston-based […]
In an interview with Ethan Iverson on his Do the M@th blog, writer Ben Ratliff related an anecdote that Paul Motian once told him. “Hank Jones said to [Motian] one day, after they’d been playing, ‘I know your secret.’ [Ratliff] said, ‘Oh yeah? And what do you think he meant?’ And [Motian] said, ‘I don’t […]
Did any artist have a better 2021 than Tyshawn Sorey? The 2017 MacArthur Fellow was the subject of a New York Times Magazine profile, premiered recordings of two large ensemble compositions, and received acclaim for albums with saxophonist Hafez Modirzadeh, DJ/producer King Britt. Not to mention his role in the powerful trio with pianist Vijay […]
If Wayne Shorter is widely acknowledged as the most important living composer in jazz, who is the runner-up? Guitarist Steve Cardenas, bassist Ben Allison, and reedist Ted Nash on Healing Power – The Music of Carla Bley (Sunnyside Records, 2022) present a strong case for their album’s namesake. That Bley’s work should need any advocacy proceeds from […]
The debut recording of Tomas Fujiwara’s Triple Double was extraordinary. The two-drum (Fujiwara and Gerald Cleaver), two-guitar (Mary Halvorson and Brandon Seabrook), and two-horn (Taylor Ho Bynum on cornet and Ralph Alessi on trumpet) structure of the band is something rarely seen. Even in the bold avant-garde scene that Fujiwara frequents. After the release of […]
“I’m so close,” poet Camae Ayewa, a/k/a Moor Mother, intones on “Lágrimas del Mar” off of Irreversible Entanglements’ Open the Gates (International Anthem/Don Giovanni, 2021). The hope in her voice is so palpable you can almost see her eyes widen with expectation. “I’m so close to the good news, the silver and gold, the daily bread.” A […]
Has there ever been a musician whose musical imagination is as universal and as omnivorous as William Parker’s? Perhaps Alexander Scriabin, a composer and virtuoso instrumentalist whose unfinished “Mysterium” was conceived to be performed over a week’s time by an orchestra, choir, dancers, visuals, and incense in the foothills of the Himalaya. Or possibly Don […]
Jonny Greenwood is primarily known as the guitarist of Radiohead, but he also has a superb discography of film scores. Based on the sublime Phantom Thread (Nonesuch, 2018), and the alluring anxiety of The Master (Nonesuch, 2012), in many ways Greenwood was the perfect composer for Spencer (Mercury KX, 2021). These brilliant compositions do a […]
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