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Going Beyond What We Know: A Conversation with Evan Parker and Matt Wright on Trance Map

In the late 1850s, two decades before Thomas Edison’s phonograph, French inventor Édouard-Léon Scott de Martinville created the first sound recording device. In the generations since, the interrelation between recorded sound and new creation have continually been a matter of great controversy. When recorded music first emerged, many musicians became dismayed that it would end […]

PostGenre’s Best of 2024

The albums we collectively felt were the best of 2024 (technically from Thanksgiving 2023 to Thanksgiving 2024) show a beautiful range of diverse voices. I don’t think any of us consciously chose our albums based on identifiers like race, gender, or nationality. The fact it is replete with musicians from around the globe – from […]

Dream House: A Conversation with Kalia Vandever

Western literature has long noted the disconnection between perception and reality. In 1175, French monk Alain de Lille “Do not hold everything gold that shines like gold.” Geoffrey Chaucer and William Shakespeare carried this thought through The Canterbury Tales (1387-1400) and The Merchant of Venice (1596-1598), respectively. Now, centuries later, the division of what seems […]

Normal Give or Take: A Conversation with Fred Frith (Part One)

When first learning about music, students are often taught to classify instruments by their sound. In the abstract, this basic exercise appears helpful. Woodwind reeds will inevitably produce a different tone than one can get on a brass mouthpiece. Tapping fingers on a string will likely not sound close to that produced by the same […]

Slicing through Silence: A Conversation with Jessica Pavone

Pablo Picasso once noted that “Without great solitude, no serious work is possible.” In music, artists can converse in ways often words alone cannot. But there is also a great power in being alone. This power is known well by Jessica Pavone. Across her two decades of live performances and unaccompanied albums, the violist has […]

Jazz Master: A Conversation with Terry Gibbs (Part One)

Since 1982, the National Endowment for the Arts has bestowed its Jazz Master award to living legends of the music. The designation is considered by many to be the highest honor an American jazz musician can receive. Generally, the NEA has made wise choices when selecting new Masters. Sonny Rollins (1983), Ron Carter (1998), George […]