For the second part of our conversation with Michael Leonhart on The Normyn Suites (Sunnyside, 2022), we discuss Elvis Costello, the Avant-Garde, scoring Red Dead Redemption II (Rockstar, 2018), and how the beauty of “Catharsis” with Bill Frisell came to life. Check out part one here. PostGenre: How did Elvis Costello get involved with The […]
Sometimes the most complicated things in life are those that appear deceptively simple. We all understand, at a surface level, our emotions. We learn, from an early age, what it means to be happy, sad, or angry. But the reality is that these sensations are often far more complex than they seem. While we all […]
We continue our conversation with Jim Anderson (click here for our prior discussion with him and Ulrike Schwarz on immersive audio) by covering some of his prior recordings. Our selections show that while Anderson defines most of his work within the jazz tradition, that category is broad. Its breadth encompasses everything from a funky lost […]
On the interplay between music and technology, discussions generally emphasize two areas. The first is the emergence of new instruments, from the electric guitar to the synthesizer to the turntable. The second couches itself in terms of formatting; how streaming overcame physical media or the arguable resurgence of vinyl. But technology’s influences go deeper. Another […]
Who exactly is Pat Metheny? “Smooth jazz” enthusiasts claim him as one of their own. But the guitarist eschews that label and has even eviscerated their king, Kenny G, on several occasions. Metheny has ties to the avant-garde – recording albums with Ornette Coleman and John Zorn, and his own Zero Tolerance for Silence (Geffen, […]
The debut recording of Tomas Fujiwara’s Triple Double was extraordinary. The two-drum (Fujiwara and Gerald Cleaver), two-guitar (Mary Halvorson and Brandon Seabrook), and two-horn (Taylor Ho Bynum on cornet and Ralph Alessi on trumpet) structure of the band is something rarely seen. Even in the bold avant-garde scene that Fujiwara frequents. After the release of […]
In this second part of our conversation with Sonny Rollins, we do a deeper dive into one specific area we circled in the first. Music plays a significant role, including some coverage of his various outings as a sideman and his retirement from performance. But in our continued discussion, the focus is more on Rollins’ […]
Fans have long recognized Sonny Rollins as among the upper echelon of figures in improvised music. Some have even ventured to call him “the greatest living improviser.” Critics and those in the music industry seemingly concur. Not only has Rollins been awarded several honorary doctorates, but he is the recipient of the Grammy Award for […]
One can summarize much of the COVID-19 pandemic in one word: isolation. Travel restrictions made walls between countries seem higher. Shutdowns and social distancing only further underscored divides within local communities. And quarantine itself was the direct removal of individuals from those around them. With this backdrop, South Australian drummer Alexander Flood’s latest, The Space Between (Stretch […]
“I’m so close,” poet Camae Ayewa, a/k/a Moor Mother, intones on “Lágrimas del Mar” off of Irreversible Entanglements’ Open the Gates (International Anthem/Don Giovanni, 2021). The hope in her voice is so palpable you can almost see her eyes widen with expectation. “I’m so close to the good news, the silver and gold, the daily bread.” A […]
