Stargazer (Sunnyside, 2025) is a reissue of an album by a trio of pianist Armen Donelian with bassist Eddie Gomez and drummer Billy Hart that first appeared forty-five years ago, in 1980. Originally released and distributed on Atlas Records in Japan, it was available only as an import elsewhere. Soon thereafter, Atlas went out of […]
By now, most readers know that the Jazz Detective, Zev Feldman, does not limit his archival work to Black Friday and Record Store Day. Recently, he unveiled the terrific Charlie Rouse Brazilian recording, Cinnamon Flower (Resonance, 2025). As the archival consultant for Blue Note Records, he has another great one – Horace Silver’s Silver in […]
Drummer/composer Phil Haynes constantly leaves listeners anticipating what he will do next. In the past three years alone, he has presented No Fast Food – his trio with Dave Leibman and Drew Gress, Transitions – a duet album with Ben Monder, the romantic piano trio called Daydream, the complete American recordings of Four Horns & […]
Music has a unique ability to convey emotions that transcend written or spoken language. Things lost in translation cannot be lost in sound. In the words of Henry Wadsworth Longfellow, “Music is the universal language of mankind.” Because of music’s cross-cultural power, it is easy to minimize a particular work’s origins. After all, if music […]
While it’s been done in pop, appearing noticeably pregnant on an album cover is a rarity for improvisation-based music. Indeed, vocalist and composer Sarah Elizabeth Charles’ Dawn (Ropeadope, 2025) may be one of the first. The album’s cover is striking – the artist in a stunning silhouette, leaving no doubt that she is indeed with […]
Saxophonist-composer Donny McCaslin is determined to move way beyond conventional concepts of jazz, jazz-rock fusion, or any label you want to ascribe to his music. Just when we didn’t think his music could be louder and more rock-influenced than I Want More (Edition, 2023), he kicks it up a couple of notches with Lullaby for […]
The title of Mike Clark’s latest record, Itai Doshin (Wide Hive, 2025) comes from the drummer’s Buddhist beliefs, a worldview shared with his onetime bandleader, Herbie Hancock. The title translates into the saying of “many in body, one in mind.” That’s the equivalent in musical speak of ‘in the pocket.” Or, in plainer language, a […]
Tribute albums have been an ubiquitous part of modern music. They generally fall into two categories. Some honor a specific recording, with artists hoping to put their own spin on a landmark work of years past, whether the George Benson covering the Beatles [The Other Side of Abbey Road (A&M, 1970)] or Nels Cline and […]
With Quartets and Solos (Contagious, 2025), bassist and composer Noah Garabedian appears for the first time on saxophonist Dayna Stephens’ label. As one might expect, Stephens is a vital member of the quartet, wielding his tenor saxophone and EWI. Rounding out the ensemble are pianist Carmen Staaf, drummer Jimmy MacBride, and Samuel Adams on synths, […]
Trio of Bloom (Pyroclastic, 2025) is the first meeting of three titans of creative music, artists to whom genres and boundaries hold little meaning. You can regularly find each of them in conventional or edgy sessions, or within the turf that lies between. The term in the promotional notes is a better one – genre […]
