Carmen Staaf’s Sounding Line (Sunnyside, 2025) is the second album recently covered on this site that envisions a conversation between Thelonious Monk and another pianist-composer. Just a few weeks ago, trumpeter Josh Lawrence positioned Chopin with Monk. Here, Staff has Monk conversing with a contemporary, Mary Lou Williams. Just about every jazz pianist and many […]
As a vehicle to facilitate group improvisation – or collaborative creation in the moment, as some artists refer to it- musicians have long relied on the concept of a “head” piece. A precomposed melody, the head provides a set baseline for free creation. Often, these pieces have been standards, frequently reused songs penned by others. […]
One of our few links to bands of Miles, McCoy Tyner, Pharaoh Sanders, Lee Morgan, and Roy Hargrove, NEA Jazz Master and soon-to-be-eighty-five-year-old Gary Bartz has earned the right to do whatever he pleases. Damage Control (OYO, 2025) is the first installment in The Eternal Tenure of Sound trilogy, self-funded by Bartz and produced by […]
This is the year that some of us learned that tenor saxophonist Charlie Rouse was a leader of other bands rather than simply a member of Thelonious Monk’s quartet. Earlier this year, Strata-East reissued 1974’s guitar-driven, funky Two Is One (Mack Avenue, 2025). Now comes Cinnamon Flower: The Expanded Edition (Resonance, 2025), a double LP […]
A fierce expansion on the percussive focus of More Touch (Pyroclastic Records, 2022) and the addition of intricate saxophone parts made Breaking Stretch (Pyroclastic Records, 2024) a bold step forward for vibraphonist Patricia Brennan. The progression from More Touch to Breaking Stretch sounded natural, but the difference between those albums and Of The Near And […]
Under the Same Stars (Motéma, 2025) is the second installment of Mongolian-born and Germany-based pianist-composer Shuteen Erdenebaatar’s planned trilogy drawing inspiration from the mythology of her Mongolian homeland surrounding the sun, moon, and stars. The first, Rising Sun (Motema, 2023), was an acclaimed quartet recording that evoked vitality, positivity, and optimism – a fitting choice […]
Go ahead and try this – Ask your friends who the most prominent female jazz vocalists have been in the past five years. Or, do a Google search with the question. More often than not, you won’t find Nicole Zuraitis’s name on the list. That’s criminal. Consider the Grammy Awards. Samara Joy has won five […]
With Alloy (Greenleaf, 2025), trumpeter, composer, and forward thinker Dave Douglas unveils his latest unique ensemble. Joined by two young trumpeters – UK native Alexandra Ridout and New Hampshire native Dave Adewumi, both of whom now live in New York – he creates, for lack of a better term, a trumpet choir. The group’s rhythm […]
In a musical environment that too often propagates concepts of genre, one label in particular often stands out as problematic: “folk music.” What exactly is folk music? A cursory definition would state that the form is music “of the people.” In the abstract, this idea seems sensical. When Béla Bartók transcribed the works of Transylvanian […]
There are no written rules for NEA Jazz Masters. Clearly, they have earned the right to undertake their long-dreamed-of projects. Or to buck the music establishment with something unexpected. Or to fulfill a “bucket list” item. George Coleman with Strings (High Note, 2025), unequivocally the most gorgeous album of the tenor saxophonist’s storied career, meets […]
