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Review: Miguel Zenon Quartet’s ‘Vanguardia Subterránea: Live at the Village Vanguard’

Vanguardia Subterránea: Live at the Village Vanguard (Miel Music, 2025) is alto saxophonist-composer Miguel Zenón’s first live album with his quartet and eighteenth overall. Its eight tracks were recorded over two nights in September 2024 at the hallowed jazz shrine in Greenwich Village. Zenon employs his longstanding quartet of pianist Luis Perdomo, bassist Hans Glawischnig, […]

Hanging in the Clouds: A Conversation with Rob Mazurek and Chad Taylor on Chicago Underground Duo

There is a particular power in the creation that comes out of long-term artistic relationships. While there is an excitement in the novelty of working with new collaborators, often it is within the comfort of the familiar that artists are most able to expand and conquer new realms. It is within this space with a […]

Review: Jacob Garchik’s ‘Ye Olde 2: At The End of Time’

Strap yourself in for an exhilarating ride. Trombonist and composer Jacob Carchik’s Ye Olde 2: At the End of Time (Yestereve, 2025) is the follow-up to the first Ye Olde (Yestereve, 2015) from a decade earlier. The older album imagined a band of heroes journeying through an imaginary medieval Brooklyn. For the second voyage, many […]

Review: Linda May Han Oh’s ‘Strange Heavens’

The comparison of a familiar hell to a strange heaven drives Australian-born bassist and composer Linda May Han Oh’s thinking for her trio album Strange Heavens (Biophilia, 2025). It is far too easy to be lulled by society  into complacency and benign acceptance of social and political conditions. Strange Heavens stands opposed to this status […]

Review: Aruán Ortiz’s ‘Créole Renaissance’

The well-decorated Cuban-born, Brooklyn-based pianist Aruán Ortiz has developed his reputation in the avant-garde or free jazz world. Typically, when thinking of a free jazz pianist, Cecil Taylor, or more recently, Matthew Shipp, comes to most people’s minds.  Ortiz only barely resembles either, rarely taking free-form rollicking excursions on this album. He is far more […]

Review: Eric Alexander and Vincent Herring’s ‘Split Decision’

Tenorist Eric Alexander and altoist Vincent Herring celebrate the twentieth anniversary of their first saxophone ‘battle’ on Split Decision (SMOKE Sessions, 2025),  recorded live at NYC’s SMOKE Jazz Club. This is the third time on record that the two giants have sparred, with each session growing a little friendlier since 2005’s The Battle (Highnote, 2005). […]