Review: Itai Kriss’ ‘Daybreak’

10 months ago

New York-based flutist Itai Kriss leads his quartet and special guests on Daybreak (JoJo, 2025), an album sequenced to follow…

Review: James Brandon Lewis Quartet’s ‘Abstraction Is Deliverance’

10 months ago

Tenor saxophonist James Brandon Lewis has established himself as the most versatile tenorist on the scene today in a relatively…

Review: Julian “J3PO” Pollack’s ‘Soul & Circuitry’

10 months ago

With Soul & Circuitry (Ropeadope, 2025), Los Angeles-based pianist/keyboardist/electronics wizard/producer Julian “J3PO” Pollack issues his second album on one of…

Review: Amina Claudine Myers’ ‘Solace of the Mind’

10 months ago

Every so often, an album moves beyond music, carrying the listener to an array of deeply reflective moods. Last year,…

For Those Who Need to Hear It: A Conversation with Chris Weller on Hanging Hearts

10 months ago

The great Cameroonian musician Manu Dibango once sagely noted that “Although music is business, [] you don't start thinking about…

Review: Joshua Redman’s ‘Words Fall Short’

10 months ago

Joshua Redman did not follow suit after his first vocal album, where are we (Blue Note, 2024).  Sure, vocalist Gabrielle…

Review: Matthew Shipp’s ‘The Cosmic Piano’

10 months ago

Pianist and composer Matthew Shipp seems to be garnering as much publicity for his criticisms of André 3000’s piano album…

Review: Ivo Perelman and the Matthew Shipp String Trio’s ‘Armageddon Flower’

10 months ago

If you have not yet read the two-part interview with saxophonist Ivo Perelman and pianist Matthew Shipp regarding Armageddon Flower…

Trusting Fate: A Conversation with Brandee Younger

10 months ago

Across cultures and ages, the harp has long been associated with peace and tranquility. Its light tones are painted as…

Letting the Spirit In: A Conversation with Amina Claudine Myers on ‘Solace of the Mind’

10 months ago

In a music so heavily built around collective communication, there is something inherently special about a solo performance. Far too…