Hearing the Future: A Conversation with Gary Bartz on ‘The Eternal Tenure of Sound: Damage Control’

5 months ago

As a vehicle to facilitate group improvisation - or collaborative creation in the moment, as some artists refer to it-…

Review: Gary Bartz’s ‘The Eternal Tenure of Sound: Damage Control’

5 months ago

One of our few links to bands of Miles, McCoy Tyner, Pharaoh Sanders, Lee Morgan, and Roy Hargrove, NEA Jazz…

Review: Charlie Rouse’s ‘Cinnamon Flower: The Expanded Edition’

5 months ago

This is the year that some of us learned that tenor saxophonist Charlie Rouse was a leader of other bands…

Review: Patricia Brennan’s ‘Of the Near and Far’

5 months ago

A fierce expansion on the percussive focus of More Touch (Pyroclastic Records, 2022) and the addition of intricate saxophone parts…

Review: Shuteen Erdenebaatar and Nils Kugelmann’s ‘Under the Same Stars’

5 months ago

Under the Same Stars (Motéma, 2025) is the second installment of Mongolian-born and Germany-based pianist-composer Shuteen Erdenebaatar’s planned trilogy drawing…

Review: Nicole Zuraitis’ ‘Live at Vic’s Las Vegas’

5 months ago

Go ahead and try this - Ask your friends who the most prominent female jazz vocalists have been in the…

Review: Dave Douglas’ ‘Alloy’

5 months ago

With Alloy (Greenleaf, 2025), trumpeter, composer, and forward thinker Dave Douglas unveils his latest unique ensemble. Joined by two young…

Folklore: A Conversation with Ben LaMar Gay

5 months ago

In a musical environment that too often propagates concepts of genre, one label in particular often stands out as problematic:…

Review: ‘George Coleman with Strings’

5 months ago

There are no written rules for NEA Jazz Masters. Clearly, they have earned the right to undertake their long-dreamed-of projects.…

Keeping the Roots Growing: A Conversation with Kassa Overall

5 months ago

Here is a fun exercise for a reader’s consideration. Consider these two quotes: “[It is] just a bunch of notes…