{"id":106,"date":"2020-02-13T02:40:28","date_gmt":"2020-02-13T02:40:28","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?page_id=106"},"modified":"2020-08-15T23:36:56","modified_gmt":"2020-08-16T04:36:56","slug":"summary","status":"publish","type":"page","link":"https:\/\/postgenre.org\/staging\/4567\/content\/summary\/","title":{"rendered":"Interviews"},"content":{"rendered":"<ul class=\"wp-block-latest-posts__list wp-block-latest-posts\"><li><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/postgenre.org\/staging\/4567\/review-lage-scenes-above\/\">Review: Julian Lage Quartet\u2019s  \u2018Scenes from Above\u2019<\/a><div class=\"wp-block-latest-posts__post-excerpt\">Julian Lage&nbsp;is unafraid to switch gears. While the guitarist has held together his trio with bassist&nbsp;Jorge Roeder&nbsp;and drummer&nbsp;Dave King, over the last four years, recently he\u2019s been l branching out. First, there was the Joe Henry-produced Speak to Me (Blue Note, 2024) with keyboardists&nbsp;Patrick Warren&nbsp;and Kris Davis, and saxophonist Levon Henry. Last&nbsp;year, Lage toured with\u2026 <a class=\"wp-block-latest-posts__read-more\" href=\"https:\/\/postgenre.org\/staging\/4567\/review-lage-scenes-above\/\" rel=\"noopener noreferrer\">Read more<span class=\"screen-reader-text\">: Review: Julian Lage Quartet\u2019s  \u2018Scenes from Above\u2019<\/span><\/a><\/div><\/li>\n<li><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/postgenre.org\/staging\/4567\/rex-christopher-hoffman\/\">Echoes of Chickadee Valley: A Conversation with Christopher Hoffman on \u2018Rex\u2019<\/a><div class=\"wp-block-latest-posts__post-excerpt\">When one thinks of the great artistic cataloging of North American bird paintings, John James Audubon&#8217;s name often first comes to mind. That connection makes sense given that his best-known work, the multi-volume The Birds of America (1827-1838), featured four hundred and thirty-five paintings covering four hundred and eighty-nine species. Painting that many birds was\u2026 <a class=\"wp-block-latest-posts__read-more\" href=\"https:\/\/postgenre.org\/staging\/4567\/rex-christopher-hoffman\/\" rel=\"noopener noreferrer\">Read more<span class=\"screen-reader-text\">: Echoes of Chickadee Valley: A Conversation with Christopher Hoffman on \u2018Rex\u2019<\/span><\/a><\/div><\/li>\n<li><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/postgenre.org\/staging\/4567\/review-john-ellis-fireball\/\">Review: John Ellis and Doublewide\u2019s \u2018Fireball\u2019<\/a><div class=\"wp-block-latest-posts__post-excerpt\">Despite the name of woodwind specialist John Ellis\u2019s Double Wide, suggesting a large ensemble, the group is a quintet, with slightly unusual instrumentation. The name reflects less the size of the group and more the breadth of&nbsp;sounds with Ellis (clarinet, soprano saxophone, bass clarinet, tenor saxophone) on the high end, and a robust&nbsp;bottom featuring sousaphonist&nbsp;Matt\u2026 <a class=\"wp-block-latest-posts__read-more\" href=\"https:\/\/postgenre.org\/staging\/4567\/review-john-ellis-fireball\/\" rel=\"noopener noreferrer\">Read more<span class=\"screen-reader-text\">: Review: John Ellis and Doublewide\u2019s \u2018Fireball\u2019<\/span><\/a><\/div><\/li>\n<li><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/postgenre.org\/staging\/4567\/finding-cues-elias-stemeseder\/\">Finding Cues: A Conversation with Elias Stemeseder on \u2018Studies in Prolation, for S-L plus Ensemble\u2019<\/a><div class=\"wp-block-latest-posts__post-excerpt\">Often, great treasures can be found in mines already long before dug. This is certainly the case with the lautenwerk. A now rare European keyboard from the Baroque era, the lautenwerk combines the mechanics of a harpsichord with lute-like strings.&nbsp; A favorite of Johann Sebastian Bach, the instrument largely fell out of favor as the\u2026 <a class=\"wp-block-latest-posts__read-more\" href=\"https:\/\/postgenre.org\/staging\/4567\/finding-cues-elias-stemeseder\/\" rel=\"noopener noreferrer\">Read more<span class=\"screen-reader-text\">: Finding Cues: A Conversation with Elias Stemeseder on \u2018Studies in Prolation, for S-L plus Ensemble\u2019<\/span><\/a><\/div><\/li>\n<li><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/postgenre.org\/staging\/4567\/review-dream-archives-craig-taborn\/\">Review: Craig Taborn\u2019s \u2018Dream Archives\u2019<\/a><div class=\"wp-block-latest-posts__post-excerpt\">The first release by Craig Taborn since being named a MacArthur Fellow in late 2025, Dream Archives (ECM, 2026) finds the pianist\/composer leading an unusual trio with noted cellist Tomeka Reid and in-demand drummer-vibraphonist Ches Smith. All three are acclaimed bandleaders in their own right, with Reid having an extensive history of collaboration through her\u2026 <a class=\"wp-block-latest-posts__read-more\" href=\"https:\/\/postgenre.org\/staging\/4567\/review-dream-archives-craig-taborn\/\" rel=\"noopener noreferrer\">Read more<span class=\"screen-reader-text\">: Review: Craig Taborn\u2019s \u2018Dream Archives\u2019<\/span><\/a><\/div><\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":2,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"iawp_total_views":38,"footnotes":""},"class_list":["post-106","page","type-page","status-publish","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PeRkRR-1I","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":935,"url":"https:\/\/postgenre.org\/staging\/4567\/interviews\/","url_meta":{"origin":106,"position":0},"title":"Interviews","author":"Rob Shepherd","date":"June 14, 2020","format":false,"excerpt":"INTERVIEWS","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":301,"url":"https:\/\/postgenre.org\/staging\/4567\/contributors\/","url_meta":{"origin":106,"position":1},"title":"PostGenre Team","author":"Rob Shepherd","date":"February 20, 2020","format":false,"excerpt":"Rob Shepherd, Founder, CEO, and Editor-in-Chief Rob is a proud voting member of the Jazz Journalists Association. His writings formerly appeared at Nextbop, Jazz Speaks, the official blog of New York City's The Jazz Gallery, and All About Jazz. Rob is also a Tax and Estate Planning Attorney and CPA.\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/12\/ADH-headshot-by-Anthony-JojoDancerPhotos-Garcia-Nov-2019.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/12\/ADH-headshot-by-Anthony-JojoDancerPhotos-Garcia-Nov-2019.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/12\/ADH-headshot-by-Anthony-JojoDancerPhotos-Garcia-Nov-2019.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/12\/ADH-headshot-by-Anthony-JojoDancerPhotos-Garcia-Nov-2019.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":113,"url":"https:\/\/postgenre.org\/staging\/4567\/about\/","url_meta":{"origin":106,"position":2},"title":"About","author":"Rob Shepherd","date":"February 13, 2020","format":false,"excerpt":"Welcome to PostGenre.Org, the home of PostGenre Media. Started by Rob Shepherd in February 2020, we strive to provide our readers with the opportunity to consider, hear, and appreciate music beyond traditional categories. In the era of primarily physical recording formats, categorization was king. This was more to adapt to\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"Rob","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/rob.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/pages\/106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=106"}],"version-history":[{"count":1,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/pages\/106\/revisions"}],"predecessor-version":[{"id":107,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/pages\/106\/revisions\/107"}],"up":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/pages\/2"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}