{"id":2758,"date":"2021-05-18T11:02:06","date_gmt":"2021-05-18T16:02:06","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?page_id=2758"},"modified":"2021-08-24T21:10:17","modified_gmt":"2021-08-25T02:10:17","slug":"forward-motion-with-george-burton","status":"publish","type":"page","link":"https:\/\/postgenre.org\/staging\/4567\/forward-motion-with-george-burton\/","title":{"rendered":"Forward Motion with George Burton"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p>Award-winning musician, composer, and natural curator of the under-discovered, George Burton is known for, ushering the jazz idiom into non-jazz realms, and vice-versa.<\/p>\n\n\n\n<p>Forward Motion, George\u2019s biweekly show airing Fridays from 4-6pm EST on Soho Radio, pulls from his wide range of inspiration and experiences, promising to take listeners on a musical and cultural exploration, from jazz\u2019s historical influence to current trends of the genre and beyond.<\/p>\n\n\n<ul class=\"wp-block-latest-posts__list wp-block-latest-posts\"><li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/postgenre.org\/staging\/4567\/forward-motion-ndegeocello\/\" aria-label=\"Forward Motion: Meshell Ndegeocello\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/08\/BeFunky-design.jpg?fit=300%2C200&amp;ssl=1\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"\" srcset=\"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/08\/BeFunky-design.jpg?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/08\/BeFunky-design.jpg?resize=300%2C200&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" data-attachment-id=\"3199\" data-permalink=\"https:\/\/postgenre.org\/staging\/4567\/forward-motion-ndegeocello\/befunky-design\/\" data-orig-file=\"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/08\/BeFunky-design.jpg?fit=750%2C500&amp;ssl=1\" data-orig-size=\"750,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"BeFunky-design\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/08\/BeFunky-design.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/08\/BeFunky-design.jpg?fit=750%2C500&amp;ssl=1\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/postgenre.org\/staging\/4567\/forward-motion-ndegeocello\/\">Forward Motion: Meshell Ndegeocello<\/a><div class=\"wp-block-latest-posts__post-excerpt\">This episode features George in conversation with bassist-vocalist Meshell Ndegeocello. Ndegeocello\u2019s artistic genius has been long documented. So has her expansive scope. Funk, soul, jazz, hip hop, reggae, rock, and more all have a place in her music. As one critic noted, she even helped \u201cspark the neo-soul movement.\u201d Her wide range\u2026 <a class=\"wp-block-latest-posts__read-more\" href=\"https:\/\/postgenre.org\/staging\/4567\/forward-motion-ndegeocello\/\" rel=\"noopener noreferrer\">Read more<span class=\"screen-reader-text\">: Forward Motion: Meshell Ndegeocello<\/span><\/a><\/div><\/li>\n<\/ul>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Award-winning musician, composer, and natural curator of the under-discovered, George Burton is known for, ushering the jazz idiom into non-jazz realms, and vice-versa. Forward Motion, George\u2019s biweekly show airing Fridays from 4-6pm EST on Soho Radio, pulls from his wide range of inspiration and experiences, promising to take listeners on a musical and cultural exploration, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3193,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"iawp_total_views":19,"footnotes":""},"class_list":["post-2758","page","type-page","status-publish","has-post-thumbnail","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PeRkRR-Iu","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1191,"url":"https:\/\/postgenre.org\/staging\/4567\/newport-jazz-history\/","url_meta":{"origin":2758,"position":0},"title":"A History of the Newport Jazz Festival","author":"Rob Shepherd","date":"July 18, 2020","format":false,"excerpt":"In 1954, George Wein created an event that changed not just the history of jazz but of music in general, shaping all forms of the modern festival while providing a space in which art could be approached in a serious and respectful - yet not limited- manner. 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Started by Rob Shepherd in February 2020, we strive to provide our readers with the opportunity to consider, hear, and appreciate music beyond traditional categories. In the era of primarily physical recording formats, categorization was king. This was more to adapt to\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"Rob","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/rob.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1596,"url":"https:\/\/postgenre.org\/staging\/4567\/jazz-is-dead\/","url_meta":{"origin":2758,"position":2},"title":"Jazz Is Dead","author":"Rob Shepherd","date":"August 16, 2020","format":false,"excerpt":"","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/https_2F2Fcdn.evbuc_.com2Fimages2F501462312F2287995586652F12Foriginal-1200x630-cropped-e1597607123235.jpg?fit=750%2C394&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/https_2F2Fcdn.evbuc_.com2Fimages2F501462312F2287995586652F12Foriginal-1200x630-cropped-e1597607123235.jpg?fit=750%2C394&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/https_2F2Fcdn.evbuc_.com2Fimages2F501462312F2287995586652F12Foriginal-1200x630-cropped-e1597607123235.jpg?fit=750%2C394&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/https_2F2Fcdn.evbuc_.com2Fimages2F501462312F2287995586652F12Foriginal-1200x630-cropped-e1597607123235.jpg?fit=750%2C394&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1547,"url":"https:\/\/postgenre.org\/staging\/4567\/haas-jazz-from-a-to-g\/","url_meta":{"origin":2758,"position":3},"title":"Scott Haas&#8217; Jazz from A to G","author":"Scott Haas","date":"August 10, 2020","format":false,"excerpt":"With 'The Way In,' Scott examines how his interest in the music of Elvis Costello and the Rolling Stones led to a love of jazz and his removal of musical barriers. 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Although the trumpeter had been increasingly trending towards merging jazz with rock since at least Miles in The Sky (Columbia Records, 1968), Brew destroyed any divide between the\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"Bitches Brew I: Composition","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/BB_mainart_compositions.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/BB_mainart_compositions.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/BB_mainart_compositions.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/BB_mainart_compositions.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/pages\/2758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=2758"}],"version-history":[{"count":5,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/pages\/2758\/revisions"}],"predecessor-version":[{"id":3214,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/pages\/2758\/revisions\/3214"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/3193"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=2758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}