{"id":10553,"date":"2025-06-05T07:37:35","date_gmt":"2025-06-05T12:37:35","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=10553"},"modified":"2025-06-05T11:49:47","modified_gmt":"2025-06-05T16:49:47","slug":"review-book-of-isaiah","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-book-of-isaiah\/","title":{"rendered":"Review: Isaiah J. Thompson&#8217;s &#8216;The Book of Isaiah: Modern Jazz Ministry&#8217;"},"content":{"rendered":"\n<p>My review of emerging piano great Isaiah J. Thompson\u2019s <em>Power of the Spirit<\/em> (Blue Engine, 2023) ended thusly: <em><a href=\"https:\/\/glidemagazine.com\/289423\/isaiah-j-thompson-proves-to-be-next-piano-jazz-force-on-the-power-of-spirit-album-review\/\">\u201ca must-have for enthusiasts of straight-ahead, blood-pumping soul-jazz, 21st-century style. Thompson will be a force to be reckoned with well into the foreseeable future.\u201d <\/a><\/em>While there is still plenty of soul-jazz present in <em>The Book of Isaiah: Modern Jazz Ministry <\/em>(Mack Avenue, 2025)<em>,<\/em> as the title directly indicates, Thompson has taken a major turn toward spirituality, invoking works of jazz divinity by Mary Lou Williams, Duke Ellington, John Coltrane, and heck, why not put Pharaoh Sanders in this grouping. The entire album is an eight-movement suite, a result of digging deep into the writings of his namesake, the Bible\u2019s Book of Isaiah. He went so far as to pursue his spiritual education in a seminary after intense hours of independent study.\u00a0 His wife is a ministry director and noted worship singer with several generations of ministry in her family, so between that and his name, the move could be deemed natural.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_D9jEMdJGhs0\"><div id=\"lyte_D9jEMdJGhs0\" data-src=\"\/\/i.ytimg.com\/vi\/D9jEMdJGhs0\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/D9jEMdJGhs0\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/D9jEMdJGhs0\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Thompson, like Aaron Diehl, Sullivan Fortner, and Emmett Cohen before him, is a recipient of the prestigious American Piano Award. He has also worked with Wynton Marsalis, the JLCO, and Christian McBride. And he is a member of John Pizzarelli\u2019s trio. He has two degrees from Juilliard. But despite such an impressive career, he still felt something was missing in his life. A dedicated pianist beyond reason, he spent so much time practicing that he put his career at risk by developing tendonitis in both arms. Yet, he applied that same level of diligence to his rehabilitation, as you hear in this passionate work.&nbsp;<\/p>\n\n\n\n<p>For <em>The Book of Isaiah<\/em>, Thompson tapped the frequent collaborators in his quartet: tenorist Julian Lee, bassist Marty Jaffe, and drummer Miguel Russell. Pianist Cyrus Chestnut co-produced the project, although it is Thompson on piano throughout. Drummer great Herlin Riley contributes tambourine and vocals on select tracks, and vocalist Vuyo Sotashe sings on three. As expected, Thompson\u2019s wife, Kaitlin Obien-Thompson, adds vocals on the closing track, \u201cThe Prophet.\u201d<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_G7VEcLIrN7w\"><div id=\"lyte_G7VEcLIrN7w\" data-src=\"\/\/i.ytimg.com\/vi\/G7VEcLIrN7w\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/G7VEcLIrN7w\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/G7VEcLIrN7w\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>The hard-swinging opener, \u201cThe Cakewalk Dilemma,\u201d sounds like an extension of the <em>Power of the Spirit<\/em> with spirited turns from Thompson, Jaffe, and Lee. The spiritual side first appears in \u201cThe Highest Calling (Ase, Yahweh),\u201d the first of three with Sotashe on lead vocal, this time with five background vocalists, including Thompson\u2019s full quartet and Riley. This one, too, has a soul-jazz instrumental rhythm and motif underneath, but the vocal and chanting backgrounds give it a church-like sheen. Lee, who is brilliant throughout the album, launches a fervent solo following Thompson\u2019s percussive piano turn before the ensemble reprises the theme instrumentally, with the vocalists finally returning to take it out. \u201cSpring Flower, Spring Flower\u201d is a reflective piano trio piece with Thompson\u2019s inherent swing over Jaffe\u2019s walking bassline and Russell\u2019s gentle, in-the-pocket kit work.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=757569269\/album=2723708454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p>\u201cIn the Temple (Spiritual Warfare)\u201d puts us somewhere between Cannonball\u2019s soul-jazz and Trane\u2019s spiritual yearnings. It serves as a major feature for the inspired and vigorous Lee, with Thompson pounding the keys with blissful fervor. Sotashe returns for the uplifting Negro spiritual-like flow of \u201cThe Feeling of Freedom,\u201d powered by great rhythm work from Thompson, Jaffe, and Russell, as well as Lee\u2019s economical bursts during the vocal break and aggressive soloing midway through, which inspires Thompson to do the same. Sotashe takes his final turn on a jazz-inspired take on \u201cOur Father Who Art in Heaven (The Lord\u2019s Prayer), which the ensemble renders with their usual swinging flair without retreating into a too-reverent mode, employing creative syncopation toward the end.&nbsp; On the other hand, the trio rendered \u201cThe Prayer\u201d is as reverent as the ensemble gets, sending up a gorgeous vibe with Jaffe using both pizzicato and arco techniques on his reverberating bass.<\/p>\n\n\n\n<p>The closer, \u201cThe Prophet,\u2019 is the clear standout. Hand-clapped rhythms, Riley\u2019s vocal, and an infectious groove evoke the feeling of Max Roach-Oscar Brown Jr.-Abbey Lincoln\u2019s<em> \u201cWe Insist!\u201d<\/em> Civil Rights landmark.&nbsp; Lee reaches high spiritual ground on his tenor. Thompson says, <em>\u201c\u2018The Prophet\u2019 is a modern-day blues and chant inspired by composers like Charles Mingus and Cannonball Adderley\u2026elicits the feeling of the African-American\u2019s struggle for freedom to symbolize the adversity that the believer will face in becoming truly free through faith.\u201d<\/em> This song, six minutes in length, could have easily been extended for a few more minutes. The abrupt ending leaves us wanting more.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=3647769279\/album=2723708454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p>If you\u2019re already a fan of Thompson\u2019s work, you\u2019ll enjoy this record, and don\u2019t be swayed as it may sound overly religious. That aspect is here, but so is the bluesy, soulful, swinging, hard-hitting jazz that brought us to Thompson in the first place.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>\u2018<em>The Book of Isaiah: Modern Jazz Ministry\u2019 will be out on Mack Avenue Records on June 6, 2025. It can be <a href=\"https:\/\/isaiahjthompson.bandcamp.com\/album\/the-book-of-isaiah-modern-jazz-ministry\">purchased on Bandcamp<\/a>. <\/em><\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Photo credit: Paolo Soriani<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>My review of emerging piano great Isaiah J. Thompson\u2019s Power of the Spirit (Blue Engine, 2023) ended thusly: \u201ca must-have for enthusiasts of straight-ahead, blood-pumping soul-jazz, 21st-century style. Thompson will be a force to be reckoned with well into the foreseeable future.\u201d While there is still plenty of soul-jazz present in The Book of Isaiah: [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":10554,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":178,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-10553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/05\/Isaiah_Thompson-Paolo-Soriani_fma-1.jpg?fit=1350%2C900&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-2Kd","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11207,"url":"https:\/\/postgenre.org\/staging\/4567\/review-chapter-one-caelan-cardello\/","url_meta":{"origin":10553,"position":0},"title":"Review: Caelan Cardello\u2019s \u2018Chapter One\u2019","author":"Jim Hynes","date":"August 31, 2025","format":false,"excerpt":"Caelan Cardello is breaking out. 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By the end of the century, it could be found in orchestras through scores by Richard Wagner, Hector Berlioz, and others. Jazz was\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/08\/img_0846.jpg?fit=1100%2C732&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/08\/img_0846.jpg?fit=1100%2C732&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/08\/img_0846.jpg?fit=1100%2C732&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/08\/img_0846.jpg?fit=1100%2C732&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/08\/img_0846.jpg?fit=1100%2C732&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8441,"url":"https:\/\/postgenre.org\/staging\/4567\/filter-isaiah-collier\/","url_meta":{"origin":10553,"position":2},"title":"Filter: A Conversation with Isaiah Collier on \u2018The Almighty\u2019","author":"Rob Shepherd","date":"May 16, 2024","format":false,"excerpt":"John Coltrane once noted he would\u00a0\u201clike to point out to people the divine in a musical language that transcends words\u2026 to speak to their souls.\u201d\u00a0The idea is for an artist to produce art not to win acclaim or respond to a momentary issue in their life but to use their\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/05\/original-5B4D8778-21D5-478D-82ED-41E9F06A590A.jpeg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/05\/original-5B4D8778-21D5-478D-82ED-41E9F06A590A.jpeg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/05\/original-5B4D8778-21D5-478D-82ED-41E9F06A590A.jpeg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/05\/original-5B4D8778-21D5-478D-82ED-41E9F06A590A.jpeg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11024,"url":"https:\/\/postgenre.org\/staging\/4567\/review-jimmy-greenes-as-we-are-now\/","url_meta":{"origin":10553,"position":3},"title":"Review: Jimmy Greene\u2019s \u2018As We Are Now\u2019","author":"Jim Hynes","date":"July 22, 2025","format":false,"excerpt":"Saxophonist and composer Jimmy Greene is recognized by many as a vital member of Ron Carter\u2019s Foursight Quartet, which will be appearing at the 2025 Newport Jazz Festival. 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While the Festival had made such touching presentations in years past, they were particularly noticeable at\u2026","rel":"","context":"In &quot;Live Reviews&quot;","block_context":{"text":"Live Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/live\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/08\/sMp6uHCA.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/08\/sMp6uHCA.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/08\/sMp6uHCA.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/08\/sMp6uHCA.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/10553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=10553"}],"version-history":[{"count":5,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/10553\/revisions"}],"predecessor-version":[{"id":10585,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/10553\/revisions\/10585"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/10554"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=10553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=10553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=10553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}