{"id":10765,"date":"2025-06-22T21:01:49","date_gmt":"2025-06-23T02:01:49","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=10765"},"modified":"2025-06-22T21:01:49","modified_gmt":"2025-06-23T02:01:49","slug":"review-solace-of-the-mind-amina-claudine-myers","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-solace-of-the-mind-amina-claudine-myers\/","title":{"rendered":"Review: Amina Claudine Myers\u2019 \u2018Solace of the Mind\u2019"},"content":{"rendered":"\n<p>Every so often, an album moves beyond music, carrying the listener to an array of deeply reflective moods. Last year, we were gifted such an album in <a href=\"https:\/\/postgenre.org\/staging\/4567\/tranquility-wadada-leo-smith-amina-claudine-myers\/\"><em>Central Park&#8217;s Mosaics of Reservoir, Lake, Paths and Gardens <\/em>(Red Hook, 2024) by pianist Amina Claudine Myers and trumpeter Wadada Leo Smith.<\/a> Now, with the latest release on the same label, we feel similar reflective moments with NEA Jazz Master and AACM giant Myers&#8217; solo piano, <em>Solace of the Mind<\/em> (Red Hook, 2025). Here, Myers is on piano, Hammond B3 organ, and voice, with some new material and revisits of past pieces in an entirely different way, using space often as her duet partner.&nbsp; Myers finds another silent partner in producer Sun Chung, who learned the value of space in his many years at ECM Records. If they didn\u2019t know better, one might think this is an ECM recording akin to a solo piano outing by Keith Jarrett. Yet, this is arguably far more meditative; it goes to deeper recesses of feeling. It\u2019s a stunning example of \u201cthe right notes, not many notes.\u201d It\u2019s not about chops, it\u2019s about reaching one\u2019s soul or heart.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_AK9h5xVOXy8\"><div id=\"lyte_AK9h5xVOXy8\" data-src=\"\/\/i.ytimg.com\/vi\/AK9h5xVOXy8\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/AK9h5xVOXy8\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/AK9h5xVOXy8\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>On our site, there is a <a href=\"https:\/\/postgenre.org\/staging\/4567\/letting-spirit-amina-claudine-myers\/\">recent interview<\/a> with Myers that will shed far more perspective than these words about her approach to the record. She revisits her compositions \u201cAfrican Blues,\u201d \u201cSong for Mother E,\u201d&nbsp; \u201cCairo,\u201d and the traditional \u201cSteal Away.\u201d Honestly, it\u2019s difficult to express it any better than noted jazz journalist Howard Mandel, who says this in the liners: \u201cShe relies on fine touch, inner calm and pure feeling to soothe the soul\u2013hers and ours \u2013 using pure pianistic melody.\u201d Only an artist with decades of experience, six in her case, could make such a record. Long an icon of the avant-garde, this is a record that doesn\u2019t come from that field. It comes mostly from the Black Church, her beginnings in Arkansas choirs. Myers has roots in Baptist and Methodist church music, gospel, and rhythm and blues. She hits certain notes and chords that linger in the air, inexplicably powerful. Her deliberate pacing and spatial arrangements are, to use a sports term, \u201ca thing of beauty.\u201d<\/p>\n\n\n\n<p>She\u2019s alone at the piano for the opener, \u201cAfrican Blues,\u201d primarily a series of carefully spaced low and mid-register chords accented with right-hand trills that set the tone for the album. She originally wrote the piece during the height of apartheid, and careful listening will reveal darkness in this piece, commemorating the suffering of the South African people. With \u201cSong for Mother E,\u201d she returns to a song originally recorded with drummer Pheeroan AkLaff to convey a myriad of emotions that grow intense in the lower register. Yet she makes a concerted effort to stay positive with more right-handed delivery than in the previous piece. We all have give-and-take with our moms, the music reflecting such, with the definitive last chord being especially striking.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_seFV94tND8I\"><div id=\"lyte_seFV94tND8I\" data-src=\"\/\/i.ytimg.com\/vi\/seFV94tND8I\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/seFV94tND8I\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/seFV94tND8I\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>The aptly named \u201cSensuous\u201d is a new piece that beautifully alternates calm with animated sequences. She also reimagines \u201cSteal Away,\u201d a piece that she confesses to hating as a child because it was so slow and sad. Now, it\u2019s one of her favorites. She finds a special peace in it now, which is clearly felt in this rendering. She speaks eloquently about how her ancestors continue to inspire her over light organ in \u201cOde to my Ancestors,\u201d while likely conjuring their many spirits in the spatially gorgeous \u201cVoices\u2019 where she demonstrates a masterful command of dynamics. The brief \u201cHymn for John Lee Hooker\u201d is rather solemn, steering clear of any hints of Hooker\u2019s famous boogie riffs. \u201cTwilight\u201d does more than justice to its title, a glistening tune where Myers stays mostly in the upper register, contrasting with \u201cAfrican Blues.\u201d&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_4lsrmD8h_gQ\"><div id=\"lyte_4lsrmD8h_gQ\" data-src=\"\/\/i.ytimg.com\/vi\/4lsrmD8h_gQ\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/4lsrmD8h_gQ\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/4lsrmD8h_gQ\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>\u201cCairo\u201d first appeared on <em>In Touch<\/em> (Novus, 1989), produced by Lenny White and featuring Jerome Harris on bass and guitar, Reggie Nicholson and Flare Funston on drums and percussion, and Pete Levin on synthesizer. Hence, there was a synthesized background to the original versus this solo piano rendition, which purely captures the essence of the piece. Closer, \u201cBeneath the Sun,\u201d is like a bookend in echoing the tonality of opener \u201cAfrican Blues.\u201d&nbsp;<\/p>\n\n\n\n<p>Invest the forty minutes for a deep listen. Sampling individual tracks won\u2019t give this major effort its due. And, leaving you with some good news, Myers reported in her interview that another album with Wadada Leo Smith is in the works. Meanwhile, there is enough here to satisfy your quiet moments for a long time.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>\u2018Solace of the Mind\u2019 is out now on Red Hook Records. You can purchase it on&nbsp;<a href=\"https:\/\/redhookrecords.bandcamp.com\/album\/solace-of-the-mind\">Bandcamp.&nbsp;<\/a><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every so often, an album moves beyond music, carrying the listener to an array of deeply reflective moods. Last year, we were gifted such an album in Central Park&#8217;s Mosaics of Reservoir, Lake, Paths and Gardens (Red Hook, 2024) by pianist Amina Claudine Myers and trumpeter Wadada Leo Smith. Now, with the latest release on [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":10767,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":297,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-10765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2698-1.jpg?fit=880%2C660&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-2ND","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":10646,"url":"https:\/\/postgenre.org\/staging\/4567\/letting-spirit-amina-claudine-myers\/","url_meta":{"origin":10765,"position":0},"title":"Letting the Spirit In: A Conversation with Amina Claudine Myers on &#8216;Solace of the Mind&#8217;","author":"Rob Shepherd","date":"June 12, 2025","format":false,"excerpt":"In a music so heavily built around collective communication, there is something inherently special about a solo performance. Far too often, playing unaccompanied is perceived as a show of virtuosity. While true mastery is requisite for a solo performance to reach its full potential, the same can be said for\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/17717ae3-6c74-4ad8-82c4-9aa4743ca9aa-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/17717ae3-6c74-4ad8-82c4-9aa4743ca9aa-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/17717ae3-6c74-4ad8-82c4-9aa4743ca9aa-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/17717ae3-6c74-4ad8-82c4-9aa4743ca9aa-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8292,"url":"https:\/\/postgenre.org\/staging\/4567\/tranquility-wadada-leo-smith-amina-claudine-myers\/","url_meta":{"origin":10765,"position":1},"title":"Tranquility and Rest to the Mind: Conversations with Wadada Leo Smith and Amina Claudine Myers on &#8216;Central Park\u2019s Mosaics of Reservoir, Lake, Paths and Gardens&#8217;","author":"Rob Shepherd","date":"April 29, 2024","format":false,"excerpt":"Thirty-seven\u00a0and a half\u00a0million people visit New York City\u2019s Central Park every year. That, by itself, is a fascinating statistic when one considers the entire population of the metropolis is less than a quarter of that amount.\u00a0What brings\u00a0so\u00a0many New Yorkers and tourists\u00a0alike\u00a0to the nation\u2019s first landscaped\u00a0park?\u00a0Park architect Frederick Law Olmstead answered\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/04\/IMG_8341.jpeg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/04\/IMG_8341.jpeg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/04\/IMG_8341.jpeg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/04\/IMG_8341.jpeg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11651,"url":"https:\/\/postgenre.org\/staging\/4567\/best-2025\/","url_meta":{"origin":10765,"position":2},"title":"PostGenre&#8217;s Best of 2025","author":"PostGenre Writing Staff","date":"December 9, 2025","format":false,"excerpt":"Deeming any album the \"best\" of a given year is inherently fraught with problems. First, there are the logistical issues. Generally, thousands of recordings are released annually. Given that a year has only 8,760 hours, it is logistically impossible to listen to everything. Often, classifications can help limit the scope.\u2026","rel":"","context":"In &quot;Best of Lists&quot;","block_context":{"text":"Best of Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/img_2649.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/img_2649.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/img_2649.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/img_2649.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9901,"url":"https:\/\/postgenre.org\/staging\/4567\/rob-shepherd-favorite-2024\/","url_meta":{"origin":10765,"position":3},"title":"Rob Shepherd\u2019s Favorite Albums of 2024","author":"Rob Shepherd","date":"December 22, 2024","format":false,"excerpt":"In pieces reviewing a year past, writers often try to find a few narratives and blanketly apply them. The problem with this approach, however. While providing some coherence, such simplification completely overlooks much of what happened that year. One can posit how, through albums like Mary Halvorson\u2019s \u2018Cloudward\u2019 or David\u2026","rel":"","context":"In &quot;Best of Lists&quot;","block_context":{"text":"Best of Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/12\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/12\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/12\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/12\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11754,"url":"https:\/\/postgenre.org\/staging\/4567\/rob-shepherd-favorite-albums-of-2025\/","url_meta":{"origin":10765,"position":4},"title":"EIC Rob Shepherd&#8217;s Favorite Albums of 2025","author":"Rob Shepherd","date":"December 16, 2025","format":false,"excerpt":"2025 was a year of great growth for our site. In addition to Brian Kiwanuka and John Chacona\u2019s reviews, friend turned staff writer Jim Hynes, joined us in a big way. That includes his review of the Big Ears Festival, an event I\u00a0 have long wanted to attend, but for\u2026","rel":"","context":"In &quot;Best of Lists&quot;","block_context":{"text":"Best of Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/img_3222-2.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/img_3222-2.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/img_3222-2.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/img_3222-2.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":12000,"url":"https:\/\/postgenre.org\/staging\/4567\/review-dream-archives-craig-taborn\/","url_meta":{"origin":10765,"position":5},"title":"Review: Craig Taborn\u2019s \u2018Dream Archives\u2019","author":"Jim Hynes","date":"January 13, 2026","format":false,"excerpt":"The first release by Craig Taborn since being named a MacArthur Fellow in late 2025, Dream Archives (ECM, 2026) finds the pianist\/composer leading an unusual trio with noted cellist Tomeka Reid and in-demand drummer-vibraphonist Ches Smith. All three are acclaimed bandleaders in their own right, with Reid having an extensive\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2026\/01\/img_3839.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2026\/01\/img_3839.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2026\/01\/img_3839.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2026\/01\/img_3839.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/10765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=10765"}],"version-history":[{"count":5,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/10765\/revisions"}],"predecessor-version":[{"id":10784,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/10765\/revisions\/10784"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/10767"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=10765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=10765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=10765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}