{"id":10838,"date":"2025-07-03T09:27:00","date_gmt":"2025-07-03T14:27:00","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=10838"},"modified":"2025-07-05T19:55:55","modified_gmt":"2025-07-06T00:55:55","slug":"review-etienne-charles-gullah-roots","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-etienne-charles-gullah-roots\/","title":{"rendered":"Review: Etienne Charles\u2019 \u2018Gullah Roots\u2019"},"content":{"rendered":"\n<p>Trumpeter\/percussionist\/bandleader\/composer\/educator Etienne Charles is mostly known for his Creole Soul band and orchestrations. On <em>Gullah Roots<\/em> (Culture Shock, 2025), the Trinidadian explores another culture with a rich history in Africa and the Trans-Atlantic slave trade between the sixteenth and nineteenth centuries. Gullah culture &#8211; also called Gullah Geechee &#8211; resides in a narrow strip of the Lowcountry, mostly on islands, from North Carolina to Georgia. If you\u2019re able to buy a physical copy of the album, the liner notes will provide a great overview of the history of the Gullah culture.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_zSO5pcPfhnk\"><div id=\"lyte_zSO5pcPfhnk\" data-src=\"\/\/i.ytimg.com\/vi\/zSO5pcPfhnk\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/zSO5pcPfhnk\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/zSO5pcPfhnk\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Awareness of this culture has likely grown in recent years, at least in jazz circles. Charles\u2019 Gullah Roots adds to this legacy that includes the Grammy-winning band, Ranky Tanky and albums from its collaborators, drummer Quentin E. Baxter and trumpeter Charlton Singleton.&nbsp; There is also the comprehensive project, <em>Low Country<\/em> (Ropeadope, 2023), which featured the Gullah singers and storytellers Gracie Gadsen, Rosa Murray, Joseph Murray, and Ron Daise, alongside composer\/trumpeter Matt White, saxophonist Chris Potter, and percussionist Quentin E. Baxter. Baxter is also a co-producer with Charles on <em>Gullah Roots<\/em>, as well as a musical contributor.&nbsp;<\/p>\n\n\n\n<p>Charles became somewhat familiar with the Gullah culture in his native Trinidad. But it was not until the Savannah Music Festival commissioned him to compose and perform for its 2018 edition that he fully immersed himself in it. Four years later, the trumpeter recorded <em>Gullah Roots<\/em> with an ensemble featuring altoist Godwin Louis, pianist Christian Sands, bassist Russell Hall, drummer Harvel Nakundi, and in post-production, a large coterie of guests, mostly vocalists. By that time, Charles had added an original, \u201cWeeping Time,\u201d and a stirring vocal arrangement of the Gullah gospel classic, \u201cKumbaya.\u201d&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_M3koFII0Np8\"><div id=\"lyte_M3koFII0Np8\" data-src=\"\/\/i.ytimg.com\/vi\/M3koFII0Np8\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/M3koFII0Np8\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/M3koFII0Np8\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>The opening title track features percolating Caribbean percussion, a Charles hallmark of searing trumpet, and the ensemble conjuring wild, danceable energy morphing to calmer sections and then back. The piece serves as an overture to what follows. Renowned bassist Hall takes the intro to \u201cBilali,\u201dmusic stemming from North and West Africa, featuring Samir Langus on guembi, a Gnawa 3-string instrument, and krabeb (Moroccan castanets), with guitarist Alex Wintz adding resounding lines.&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>\u201cWatch Night\u201d coming in two parts, reflects on a tradition, also known as Freedom&#8217;s Eve, dating back to 1862 when President Lincoln signed the Emancipation Proclamation. The first part, \u201cPrayer,\u201d features a gorgeous chorale arrangement. The joyous \u201cRing Shout\u201d is powered by interlocking rhythms and washboard percussion, the latter from Baxter, all leading into an exuberant vocal chorus of four, singing \u201cFreedom Day.\u201d Louis and Charles weave in their animated solos while Sands plays roof-raising piano.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_IqRenSaCGUI\"><div id=\"lyte_IqRenSaCGUI\" data-src=\"\/\/i.ytimg.com\/vi\/IqRenSaCGUI\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/IqRenSaCGUI\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/IqRenSaCGUI\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Charles acknowledges more historical moments in \u201cWeeping Time\u201d&nbsp; and in his two-part \u201cIgbo Landing.\u201d&nbsp; The former, a cross between mournful and angry, is inspired by the sale in 1859 of some six hundred slaves in Savannah. It\u2019s meant to shed light on other tragedies and genocides, led by Charles\u2019 deeply expressive trumpet. \u201cIgbo Landing\u201d also exudes sad and dark tones from Louis and Charles with robust bass from Hall. It commemorates the story of seventy African captives who, rather than accepting slavery,&nbsp; committed mass suicide off the coast of St. Simon\u2019s Island, Georgia. The piece grows in intensity as it evolves.&nbsp; Baxter is prominent in percussion in Part 2, where Louis also shines.&nbsp; \u201cGullypso\u201d is the tune most listeners will associate with Charles\u2019 Creole Soul stylings as he deftly merges his own Caribbean culture with that of the Lowcountry.&nbsp;<\/p>\n\n\n\n<p>The album closes in the only way it could, with a stirring choir version of \u201cKumbaya.\u201d Mykal Kilgore leads a choir in New York, where the overdubbed vocals were recorded. Charles authored an arrangement far different than the traditional version, one where he initially envisioned a male choir. The choir is interspersed with the ensemble delivering triumphant, celebratory tones, leading to the female voices of Olanna Goodeau and Chenee Campbell joining the males. It\u2019s a stunning reimagining of a familiar song.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Etienne Charles proves the diaspora is wide. Africa meets the low country, which meets the Caribbean. Although Charles stepped slightly away from his comfort zone, he brought it all together masterfully.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>\u2018Gullah Roots\u2019 is out now on Charles\u2019 Culture Shock imprint. It can be purchased <a href=\"https:\/\/etiennecharles.bandcamp.com\/album\/gullah-roots\">on Bandcamp.<\/a> Charles will be performing at the Newport Jazz Festival on Sunday, August 3, 2025. More information is available on <a href=\"http:\/\/www.newportjazz.org\">the Festival\u2019s website<\/a>.<\/em><\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Trumpeter\/percussionist\/bandleader\/composer\/educator Etienne Charles is mostly known for his Creole Soul band and orchestrations. On Gullah Roots (Culture Shock, 2025), the Trinidadian explores another culture with a rich history in Africa and the Trans-Atlantic slave trade between the sixteenth and nineteenth centuries. Gullah culture &#8211; also called Gullah Geechee &#8211; resides in a narrow strip of [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":10837,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":100,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-10838","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/07\/img_2911-1.jpg?fit=750%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-2OO","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":7731,"url":"https:\/\/postgenre.org\/staging\/4567\/bark-out-chief-adjuah-part-one\/","url_meta":{"origin":10838,"position":0},"title":"Past, Present, and Future: A Conversation with Chief Xian aTunde Adjuah, Chieftain of the Xodokan Nation of Maroons and Grand\u00a0Griot\u00a0of New Orleans (Part One)","author":"Rob Shepherd","date":"January 31, 2024","format":false,"excerpt":"Many attribute the phrase \u201cHistory is a series of lies that people have agreed upon\u201d to Napoleon Bonaparte, allegedly stated after his defeat at Waterloo in June 1815. Perhaps fittingly, there is some\u00a0controversy on the origins of the quote. However, the substance behind the sentiment is undeniable. As Chief Xian\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/01\/16-chief-mountain-3-scaled.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/01\/16-chief-mountain-3-scaled.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/01\/16-chief-mountain-3-scaled.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/01\/16-chief-mountain-3-scaled.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/01\/16-chief-mountain-3-scaled.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":5207,"url":"https:\/\/postgenre.org\/staging\/4567\/roots-infinity-harrison-i\/","url_meta":{"origin":10838,"position":1},"title":"Roots to Infinity: A Conversation with Donald Harrison, Jr. (Part One)","author":"Rob Shepherd","date":"November 14, 2022","format":false,"excerpt":"While the history of improvised music is replete with works of artistic brilliance, such recordings seldom reach outside the confines of their usual audiences. It is not merely difficult but near impossible for improvisation-laced instrumental music to resonate with the larger popular culture. But there are always exceptions. One of\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/10\/bill-mike-donald-standing-credit-michael-weintrob.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/10\/bill-mike-donald-standing-credit-michael-weintrob.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/10\/bill-mike-donald-standing-credit-michael-weintrob.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/10\/bill-mike-donald-standing-credit-michael-weintrob.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":7829,"url":"https:\/\/postgenre.org\/staging\/4567\/review-triple-fever\/","url_meta":{"origin":10838,"position":2},"title":"Review: &#8216;Triple Fever&#8217;","author":"John Chacona","date":"February 11, 2024","format":false,"excerpt":"Just when you think we\u2019ve reached peak piano trio, a new recording arrives to demonstrate the infinite elasticity of the venerable formation. It happens so often as to become routine. Yet surprises still abound, and this is one, a digital-only EP from a hitherto unknown label - to me, at\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/02\/Untitled-.jpg?fit=1084%2C723&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/02\/Untitled-.jpg?fit=1084%2C723&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/02\/Untitled-.jpg?fit=1084%2C723&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/02\/Untitled-.jpg?fit=1084%2C723&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/02\/Untitled-.jpg?fit=1084%2C723&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":6305,"url":"https:\/\/postgenre.org\/staging\/4567\/tide-witness-cautious-clay-newport-2023\/","url_meta":{"origin":10838,"position":3},"title":"Tide is My Witness: Cautious Clay Previews his 2023 Newport Jazz Festival Performance and New Blue Note Album","author":"Rob Shepherd","date":"July 31, 2023","format":false,"excerpt":"Jazz music has long had an interesting, albeit complicated, relationship with more popular musical forms. Swing bands were the pop music craze of the 1930s and 40s. With the emergence of bop, particularly during the postwar era, the lines between artful improvisation-based music and more commercial sentimentality became increasingly stark.\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/07\/original-262D0BBF-B2F0-4B97-B2D3-31F109CD6BC9.jpeg.jpeg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/07\/original-262D0BBF-B2F0-4B97-B2D3-31F109CD6BC9.jpeg.jpeg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/07\/original-262D0BBF-B2F0-4B97-B2D3-31F109CD6BC9.jpeg.jpeg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/07\/original-262D0BBF-B2F0-4B97-B2D3-31F109CD6BC9.jpeg.jpeg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/07\/original-262D0BBF-B2F0-4B97-B2D3-31F109CD6BC9.jpeg.jpeg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":11167,"url":"https:\/\/postgenre.org\/staging\/4567\/review-aruan-ortiz-creole-renaissance\/","url_meta":{"origin":10838,"position":4},"title":"Review: Aru\u00e1n Ortiz\u2019s \u2018Cr\u00e9ole  Renaissance\u2019","author":"Jim Hynes","date":"August 25, 2025","format":false,"excerpt":"The well-decorated Cuban-born, Brooklyn-based pianist Aru\u00e1n Ortiz has developed his reputation in the avant-garde or free jazz world. 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Records: Music, Message &#038; The Moment&#8217; and Sons of Kemet&#8217;s &#8216;Black to the Future&#8217;","author":"Rob Shepherd","date":"May 15, 2021","format":false,"excerpt":"In 1960, Creed Taylor founded Impulse! Records, which he dubbed \"The New Wave in Jazz.\" While over time, Impulse! established itself as one of the premier labels in the genre, it was always happiest around categorical edges. Ray Charles\u2019\u00a0Genius + Soul = Jazz\u00a0(Impulse!, 1960) blurred lines between the two styles.\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/05\/Impulse-60-Sons-of-Kemet.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/05\/Impulse-60-Sons-of-Kemet.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/05\/Impulse-60-Sons-of-Kemet.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/05\/Impulse-60-Sons-of-Kemet.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/10838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=10838"}],"version-history":[{"count":2,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/10838\/revisions"}],"predecessor-version":[{"id":10840,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/10838\/revisions\/10840"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/10837"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=10838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=10838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=10838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}