{"id":11231,"date":"2025-09-03T09:36:00","date_gmt":"2025-09-03T14:36:00","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=11231"},"modified":"2025-10-02T21:20:47","modified_gmt":"2025-10-03T02:20:47","slug":"review-cantica-profana-ban-maneri-surman","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-cantica-profana-ban-maneri-surman\/","title":{"rendered":"Review: Lucian Ban, Mat Maneri, and John Surman\u2019s \u2018Cantica Profana &#8211; The B\u00e9la Bart\u00f3k Field Recordings\u2019"},"content":{"rendered":"\n<p>Despite its jagged start, listen to <em>Cantica Profana &#8211; The B\u00e9la Bart\u00f3k Field Recordings <\/em>(Sunnyside, 2025) its whole way through as it\u00a0 evolves into gorgeously flowing music. On the album- those who purchase the two LP set will also receive <em>The Athenaeum Concert <\/em>(Sunnyside, 2025) by the same artists &#8211; pianist Lucian Ban, violist Mat Maneri, and woodwind maestro John Surman explore the folk music of Transylvania, collected by B\u00e9la Bart\u00f3k over a century ago. The trio culled it from three different concerts across Europe over two years. These are peasant songs put to music in a way that most would not conceive.\u00a0 Some of this material first appeared on the trio\u2019s initial recording, <em>Transylvanian Folk Songs <\/em>(Sunnyside, 2020), but it sounds much different in the live setting. The pairing of piano, viola, and Surnan\u2019s soprano saxophone or bass clarinet is an unusual combination but fits these melodies well.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_trbjPTv-5NA\"><div id=\"lyte_trbjPTv-5NA\" data-src=\"\/\/i.ytimg.com\/vi\/trbjPTv-5NA\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/trbjPTv-5NA\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/trbjPTv-5NA\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>The reference to \u2018jagged\u201d above is specifically to \u201cViolin Song,\u201d two versions of which appear on the album. For it, Ban places his hand inside the piano to provide modified tones reminiscent of the African ngoni, serving as a percussionist and a bassist, which are ostensibly absent from the trio. Surman\u2019s soprano and Maneri\u2019s viola intertwine with each other in a dance-like way, with Maneri exuding influences from Arabic scales. By comparison, \u201cFirst Return\u201d and \u201cLast Return\u201d are far more meditative with Surman on both bass clarinet and soprano, as the trio conjures a repetitive, solemn refrain that oozes in and out of the piece. The restrained interplay evokes the same saxophonist\u2019s prior collaborations with Paul Bley and Paul Motian.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=259694376\/album=3218456701\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<p>The album also provides two versions of \u201cDowry Song,\u201d where Surman\u2019s soprano and bass clarinet, as well as Maneri\u2019s viola, perform a melodic dance over Ban\u2019s simpatico chords. It\u2019s uncanny how the rhythmic motion in the early stages of the piece flows into a sweeping, seemingly airborne motif in the latter half. \u201cUp There\u201d showcases Surman in a masterclass of bass clarinet playing &#8211; one of the more difficult instruments to play in terms of tone and fluidity &#8211; which he handles deftly. Not only that, he creates an unusual drama in the piece. \u201cA Messenger Is Born\u201d begins with a reference to \u201cgorgeously flowing music\u201d and, true to form, finds Ban leading with an unhurried, calming piano solo and gathering some gentle momentum when his trio mates join, only to carefully move toward a solemn whisper. \u201cDark Forest,\u201d with techniques from contemporary classical and chamber music, follows similarly, though it has some interruptive sequences.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_xphO-LsfATc\"><div id=\"lyte_xphO-LsfATc\" data-src=\"\/\/i.ytimg.com\/vi\/xphO-LsfATc\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/xphO-LsfATc\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/xphO-LsfATc\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>The music on Cantica Profana is also visually evocative. In the title piece, the bass clarinet mimics one of the first woodwind instruments, the long, narrow alphorn, which has been used by shepherds in the highlands of Switzerland for generations. The bass clarinet melody joins a spirited dialogue of pizzicato viola and the hand-muted piano. The piece conjures the mountain dwellers and shepherds of the Carpathian Mountains communicating through sound and spirit. On \u201cEvening in the Village,\u201d the muted piano note rings under the microtonal viola to bring both Japanese Court Music and, later, a Moroccan melody. Maneri dug deep into the roots of his history and memories of his youth, when his father &#8211; the late master Joe Maneri &#8211; played a Greek Doina or Sephardic dance.&nbsp; These transcultural linkages are all in furtherance of Bartok\u2019s vision that there is \u201cconnective tissue\u201d that ties all folk music around the globe. As the trio studied this music in various locales throughout Europe, they concluded that music moves ahead through rhythm, not harmony. It\u2019s the flow, more than anything else, that they are after.<\/p>\n\n\n\n<p>In their final bow, the trio delivers \u201cTransylvanian Dance,\u201d building the music to a crescendo, an ode to peasant dances that reaches a definitive finale. We fittingly hear the overwhelming audience response, aurally for the first time on the disc, and deservedly so.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_8KOw8j5iGkE\"><div id=\"lyte_8KOw8j5iGkE\" data-src=\"\/\/i.ytimg.com\/vi\/8KOw8j5iGkE\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/8KOw8j5iGkE\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/8KOw8j5iGkE\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>In 1921, Bart\u00f3k stated the following: \u201cA future generation might conceivably discover and embody in their art music properties of the peasant music which have altogether escaped us.\u201d How prescient a&nbsp;statement.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>\u2018Cantica Profana &#8211; The B\u00e9la Bart\u00f3k Field Recordings\u2019 will be released on September 5, 2025 on Sunnyside Records. It can be purchased <a href=\"https:\/\/lucianban.bandcamp.com\/album\/cantica-profana\">on Bandcamp<\/a>. <\/em><\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Despite its jagged start, listen to Cantica Profana &#8211; The B\u00e9la Bart\u00f3k Field Recordings (Sunnyside, 2025) its whole way through as it\u00a0 evolves into gorgeously flowing music. On the album- those who purchase the two LP set will also receive The Athenaeum Concert (Sunnyside, 2025) by the same artists &#8211; pianist Lucian Ban, violist Mat [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":11233,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":142,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[1325,1327,1326,262,1270],"class_list":["post-11231","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-bela-bartok","tag-john-surman","tag-lucian-ban","tag-mat-maneri","tag-sunnyside-records"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1279.jpg?fit=750%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-2V9","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11600,"url":"https:\/\/postgenre.org\/staging\/4567\/same-cell-ban-maneri\/","url_meta":{"origin":11231,"position":0},"title":"Living Proof of the Same Cell: A Conversation with Lucian Ban and Mat Maneri on &#8216;Cantica Profana&#8217; and &#8216;The Athenaeum Concert&#8217;","author":"Rob Shepherd","date":"December 3, 2025","format":false,"excerpt":"Folk music is often broadly defined as being a music \u201cof the people.\u201d But what does that really mean? Of course, the generally understood definition implies that it is music not of the conservatory or the upper strata of society, but from the average person, one of the commoners. But\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/Ban-Maneri-by-Serban-Mestecaneanu-1-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/Ban-Maneri-by-Serban-Mestecaneanu-1-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/Ban-Maneri-by-Serban-Mestecaneanu-1-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/Ban-Maneri-by-Serban-Mestecaneanu-1-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9474,"url":"https:\/\/postgenre.org\/staging\/4567\/ban-maneri-transylvanian-dance\/","url_meta":{"origin":11231,"position":1},"title":"Thread of Humanity: A Conversation with Lucian Ban and Mat Maneri on \u2018Transylvanian Dance\u2019","author":"Rob Shepherd","date":"August 24, 2024","format":false,"excerpt":"Artists inevitably bring their own perspectives and biases into their interpretation of any work. It is impossible to completely divorce current work from the tinctures of one\u2019s background. A great example is the work of B\u00e9la Bart\u00f3k. Often considered one of the most important composers of the Twentieth Century, Bart\u00f3k\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/08\/img_9443-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/08\/img_9443-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/08\/img_9443-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/08\/img_9443-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10709,"url":"https:\/\/postgenre.org\/staging\/4567\/review-armageddon-flower-perelman-shipp\/","url_meta":{"origin":11231,"position":2},"title":"Review: Ivo Perelman and the Matthew Shipp String Trio\u2019s \u2018Armageddon Flower\u2019","author":"Jim Hynes","date":"June 17, 2025","format":false,"excerpt":"If you have not yet read the two-part interview with saxophonist Ivo Perelman and pianist Matthew Shipp regarding Armageddon Flower (TAO Forms, 2025), it provides important context to the recording. The album features a quartet with those two joined by bassist William Parker and violist Mat Maneri, in a chamber-like,\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2607-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2607-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2607-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2607-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9901,"url":"https:\/\/postgenre.org\/staging\/4567\/rob-shepherd-favorite-2024\/","url_meta":{"origin":11231,"position":3},"title":"Rob Shepherd\u2019s Favorite Albums of 2024","author":"Rob Shepherd","date":"December 22, 2024","format":false,"excerpt":"In pieces reviewing a year past, writers often try to find a few narratives and blanketly apply them. The problem with this approach, however. While providing some coherence, such simplification completely overlooks much of what happened that year. One can posit how, through albums like Mary Halvorson\u2019s \u2018Cloudward\u2019 or David\u2026","rel":"","context":"In &quot;Best of Lists&quot;","block_context":{"text":"Best of Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/12\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/12\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/12\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/12\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11454,"url":"https:\/\/postgenre.org\/staging\/4567\/review-stargazer-donelian\/","url_meta":{"origin":11231,"position":4},"title":"Review: Armen Donelian\u2019s \u2018Stargazer\u2019","author":"Jim Hynes","date":"October 21, 2025","format":false,"excerpt":"Stargazer (Sunnyside, 2025) is a reissue of an album by a trio of pianist Armen Donelian with bassist Eddie Gomez and drummer Billy Hart that first appeared forty-five years ago, in 1980. Originally released and distributed on Atlas Records in Japan, it was available only as an import elsewhere. Soon\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2114.jpg?fit=750%2C499&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2114.jpg?fit=750%2C499&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2114.jpg?fit=750%2C499&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2114.jpg?fit=750%2C499&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4770,"url":"https:\/\/postgenre.org\/staging\/4567\/human-nature-wooley-i\/","url_meta":{"origin":11231,"position":5},"title":"Human Nature: A Conversation with Nate Wooley (Part One)","author":"Rob Shepherd","date":"July 18, 2022","format":false,"excerpt":"Throughout history, humans have struggled to understand their place in nature. Often, however, perspectives on nature have at least bordered on antagonistic. Even the most cursory reading of Thomas Hobbes reveals the perspective that, in nature, human lives are \u201cbrutish and short.\u201d But the reality of mankind\u2019s relationship with nature\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/Photo_Nate_Wooley_Quartet_by_Chris_Weiss2.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/Photo_Nate_Wooley_Quartet_by_Chris_Weiss2.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/Photo_Nate_Wooley_Quartet_by_Chris_Weiss2.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/Photo_Nate_Wooley_Quartet_by_Chris_Weiss2.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=11231"}],"version-history":[{"count":3,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11231\/revisions"}],"predecessor-version":[{"id":11404,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11231\/revisions\/11404"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/11233"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=11231"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=11231"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=11231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}