{"id":11282,"date":"2025-09-10T22:17:00","date_gmt":"2025-09-11T03:17:00","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=11282"},"modified":"2025-09-11T18:17:45","modified_gmt":"2025-09-11T23:17:45","slug":"review-alloy-dave-douglas","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-alloy-dave-douglas\/","title":{"rendered":"Review: Dave Douglas\u2019 \u2018Alloy\u2019"},"content":{"rendered":"\n<p>With <em>Alloy<\/em> (Greenleaf, 2025), trumpeter, composer, and forward thinker Dave Douglas unveils his latest unique ensemble. Joined by two young trumpeters &#8211; UK native Alexandra Ridout and New Hampshire native Dave Adewumi, both of whom now live in New York &#8211; he creates, for lack of a better term, a trumpet choir. The group\u2019s rhythm section excludes both piano and guitar, but instead adds the renowned Patricia Brennan on vibes\/electronics and equally acclaimed Rudy Royston on drums. The new talent on bass, Kate Pass, hails from Perth, Australia. <em>Alloy<\/em> was created for The Festival of New Trumpet Music, now in its twenty-third season in New York.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_A827v7nLCDM\"><div id=\"lyte_A827v7nLCDM\" data-src=\"\/\/i.ytimg.com\/vi\/A827v7nLCDM\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/A827v7nLCDM\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/A827v7nLCDM\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>In metallurgy, an alloy is a blending of elements to create a new and stronger substance. An alloy brings together disparate particles in a unified expression. As such, the album taking its name features fanfares and several unison and harmonic passages more than solos. As the promotional materials for the record state, \u201cThis Alloy is the sound of three trumpets together. Each sound is personal, each tone unique\u2026<em>Alloy<\/em> is the alchemy of contrasting voices creating a new anatomy.\u201d<\/p>\n\n\n\n<p>\u201cAnnouncement: Vigilance\u201d opens with the individual voices of the three horns as they improvise over an introduction. Upon Royston\u2019s rim shot, Douglas, Adewumi, and Ridout solo in succession. Royston keeps the heat on a low simmer, Brennan\u2019s vibes peek through, and the piece concludes with a restatement of the theme. There\u2019s an air of watchfulness to the piece, also later heard on \u201cStanding Watch.\u201d<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_cYVv3CnkPb4\"><div id=\"lyte_cYVv3CnkPb4\" data-src=\"\/\/i.ytimg.com\/vi\/cYVv3CnkPb4\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/cYVv3CnkPb4\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/cYVv3CnkPb4\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Brennan is more prominent on \u201cFriendly Gargoyle,\u201d a piece born as a compositional challenge Douglas shared with his Master\u2019s degree seminar. In the original incarnation, his students were asked to pick an image and describe it in two ways. For a gargoyle, those descriptors can be either friend or foe. Accordingly, the trumpets on the piece are both bright and dark, fierce and gentle. Brennan adds a teeming, resonating solo that ends with the horns joining in fanfare. The title track begins with Douglas on a cupped trumpet before trading lines with Ridout. Soon, the other two trumpets join to create a dazzling harmonic seemingly three octaves deep. They then improvise fiercely over one another, with the low-register trumpet contrasting with one that is soaring while the other fills in the middle. Royston\u2019s insistent beats push the three to higher heights, to the point where he solos vigorously before giving way to the \u2018choir\u2019 which ends the piece in a rather solemn fashion.<\/p>\n\n\n\n<p>\u201cField\u201d has the trumpets blowing wildly until they regain their footing around Royston\u2019s groove. Again, the harmonics created are both unexpected and thrilling. The opening ferocity recedes into tempered tones that give way to Brennan\u2019s effects-laden vibraphone. When resuming on the other side, the \u2018choir\u2019 is more emboldened and brighter. The conclusion to the piece sounds calm, except for one squealing trumpet, serving perhaps as a birdcall.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_X75GLS_nHpo\"><div id=\"lyte_X75GLS_nHpo\" data-src=\"\/\/i.ytimg.com\/vi\/X75GLS_nHpo\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/X75GLS_nHpo\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/X75GLS_nHpo\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>\u201cAntidote\u201d unfolds in multiple sections with each trumpeter reading a different chart. As such, this is one of the most solo-filled pieces, and one of the more fiery ones, highlighted not only by the aggressive trumpet playing, but also Royston\u2019s kit work. Douglas takes the opening solo followed by Adewumi and&nbsp; Brennan. \u201cThe Illusion of Control\u201d finds horns blowing feverishly over a bed of electronic manipulated vibes. Yet, just when it seems the ensemble may be running off the rails, it bands together in a scalar motif. This occurs in a few sections before they give way to Brennan, and then join in a confident, definitive close. \u201cFuture Community Furniture\u201d is by far the lengthiest piece on the record, running close to eleven minutes. It gives more space to both Brennan and bassist Pass, while the trumpets are softer and less in the forefront in the first four-and-a-half minutes before becoming a consuming force as a unit and as individual soloists in the second half.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_2ggBmYxAy3k\"><div id=\"lyte_2ggBmYxAy3k\" data-src=\"\/\/i.ytimg.com\/vi\/2ggBmYxAy3k\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/2ggBmYxAy3k\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/2ggBmYxAy3k\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>\u201cStanding Watch,\u201d one of four singles, urges us to be wary even while keeping the faith. It\u2019s an ode to both teamwork and unity. Yet, all three trumpeters and Brennan take a solo over a bluesy structure. As is true on several preceding tracks, Brennan shines. Be sure to hang in for the sublimely tender finale.<\/p>\n\n\n\n<p>Douglas has long proved to be one of the leading drivers in creative music. <em>Alloy<\/em>\u2019s novel concept is one of his best, a rather lofty statement, given his extensive catalog.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>\u2018Alloy\u2019 is out now on Greenleaf Music. It can be <a href=\"https:\/\/davedouglas.bandcamp.com\/album\/alloy\">purchased on Bandcamp<\/a>. <\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>With Alloy (Greenleaf, 2025), trumpeter, composer, and forward thinker Dave Douglas unveils his latest unique ensemble. Joined by two young trumpeters &#8211; UK native Alexandra Ridout and New Hampshire native Dave Adewumi, both of whom now live in New York &#8211; he creates, for lack of a better term, a trumpet choir. The group\u2019s rhythm [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":11281,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":131,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-11282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1418-1.jpg?fit=750%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-2VY","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2029,"url":"https:\/\/postgenre.org\/staging\/4567\/kiwanuka-2019-list\/","url_meta":{"origin":11282,"position":0},"title":"Brian Kiwanuka\u2019s Favorite Jazz Albums of 2019","author":"Brian Kiwanuka","date":"November 27, 2020","format":false,"excerpt":"As the PostGenre Team is working on their list(s) of Favorites from 2020, here is a flashback to Brian Kiwanuka\u2019s 2019 list. This list originally appeared at Nextbop. 10. Brandee Younger \u2013 Soul Awakening (Self Release) The harp is a spellbinding instrument and throughout Soul Awakening Brandee Younger is a\u2026","rel":"","context":"In &quot;Lists&quot;","block_context":{"text":"Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/11\/BeFunky-collage4.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/11\/BeFunky-collage4.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/11\/BeFunky-collage4.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/11\/BeFunky-collage4.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":660,"url":"https:\/\/postgenre.org\/staging\/4567\/miles-davis-bitches-brew-50th-anniversary-celebration-part-four-non-jazz\/","url_meta":{"origin":11282,"position":1},"title":"Miles Davis\u2019 Bitches Brew 50th Anniversary Celebration- Part Four: \u201cNon-Jazz\u201d","author":"Rob Shepherd","date":"March 30, 2020","format":false,"excerpt":"This is the final segment of our four-part series celebrating the legacy of the landmark Bitches Brew on its Fiftieth Anniversary. Our prior pieces emphasized the album\u2019s compositions, production techniques, and recent \u201cjazz\u201d albums it influenced. Each adopts the list format and follows two general guidelines: that the artist presented\u2026","rel":"","context":"In &quot;Bitches Brew 50th Anniversary&quot;","block_context":{"text":"Bitches Brew 50th Anniversary","link":"https:\/\/postgenre.org\/staging\/4567\/category\/special-series\/bitches-brew-50th-anniversary\/"},"img":{"alt_text":"Bitches Brew Non-Jazz","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/BB_mainart_nonjazz.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/BB_mainart_nonjazz.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/BB_mainart_nonjazz.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/BB_mainart_nonjazz.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":613,"url":"https:\/\/postgenre.org\/staging\/4567\/miles-davis-bitches-brew-50th-anniversary-celebration-part-three-influence-on-jazz\/","url_meta":{"origin":11282,"position":2},"title":"Miles Davis\u2019 Bitches Brew 50th Anniversary Celebration- Part Three:  &#8220;Jazz&#8221;","author":"Rob Shepherd","date":"March 26, 2020","format":false,"excerpt":"This is the penultimate chapter of our four-part series celebrating the legacy of the landmark Bitches Brew on its Fiftieth Anniversary. Our first piece focused on the album\u2019s compositions, the second on production techniques, and our forthcoming final feature will emphasize its influence on\u00a0 \u201cnon-jazz\u201d artists. Each adopts the list\u2026","rel":"","context":"In &quot;Bitches Brew 50th Anniversary&quot;","block_context":{"text":"Bitches Brew 50th Anniversary","link":"https:\/\/postgenre.org\/staging\/4567\/category\/special-series\/bitches-brew-50th-anniversary\/"},"img":{"alt_text":"Bitches Brew \"Jazz\"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/BB_mainart_jazz.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/BB_mainart_jazz.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/BB_mainart_jazz.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/BB_mainart_jazz.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11347,"url":"https:\/\/postgenre.org\/staging\/4567\/binney-crane-the-isle\/","url_meta":{"origin":11282,"position":3},"title":"La Belle Ville: A Conversation with David Binney and Tommy Crane on \u2018The Isle\u2019","author":"Rob Shepherd","date":"November 10, 2025","format":false,"excerpt":"Music has always pulsed through Montr\u00e9al\u2019s DNA, from its origins to the present. Legend tells that when the city's founder, Paul de Chomedey, sieur de Maisonneuve, battled loneliness in the then-frontier outpost by picking up a lute. Seventeenth-century missionaries spread faith through the territory by relying upon choral singing and\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1723.jpg?fit=1186%2C790&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1723.jpg?fit=1186%2C790&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1723.jpg?fit=1186%2C790&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1723.jpg?fit=1186%2C790&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1723.jpg?fit=1186%2C790&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":11298,"url":"https:\/\/postgenre.org\/staging\/4567\/review-cinnamon-flower-rouse\/","url_meta":{"origin":11282,"position":4},"title":"Review: Charlie Rouse\u2019s \u2018Cinnamon Flower: The Expanded Edition\u2019","author":"Jim Hynes","date":"September 18, 2025","format":false,"excerpt":"This is the year that some of us learned that tenor saxophonist Charlie Rouse was a leader of other bands rather than simply a member of Thelonious Monk\u2019s quartet. Earlier this year, Strata-East reissued 1974\u2019s guitar-driven, funky Two Is One (Mack Avenue, 2025). Now comes Cinnamon Flower: The Expanded Edition\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1549.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1549.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1549.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1549.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1549.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=11282"}],"version-history":[{"count":1,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11282\/revisions"}],"predecessor-version":[{"id":11283,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11282\/revisions\/11283"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/11281"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=11282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=11282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=11282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}