{"id":11285,"date":"2025-09-15T07:08:19","date_gmt":"2025-09-15T12:08:19","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=11285"},"modified":"2025-09-17T19:42:48","modified_gmt":"2025-09-18T00:42:48","slug":"vics-zuraitis-review","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/vics-zuraitis-review\/","title":{"rendered":"Review: Nicole Zuraitis\u2019 \u2018Live at Vic\u2019s Las Vegas\u2019"},"content":{"rendered":"\n<p>Go ahead and try this &#8211; Ask your friends who the most prominent female jazz vocalists have been in the past five years. Or, do a Google search with the question. More often than not, you won\u2019t find Nicole Zuraitis\u2019s name on the list. That\u2019s criminal. Consider the Grammy Awards. Samara Joy has won five Grammys, and Cecile McLorin Salvant three. Although yet to win, Jazzmeia Horn has been nominated thrice. Zuraitis has herself won two &#8211;&nbsp; Best Jazz Vocal Album for <em>How Love Begins<\/em> (La Reserve, 2024) and,&nbsp; year later, Best Large Jazz Ensemble for <em>Bianca Reimagined: Music for Paws and Persistence<\/em> (Outside in Music, 2024). Yet, you do not hear her name as often as the others though she is arguably as talented &#8211; across her singing, composing, arranging and piano playing &#8211;&nbsp; as them all. All her talents are on vivid display on <em>Live at Vic\u2019s Las Vegas<\/em> (La Reserve, 2025) from which she could be poised for yet another win. The album is that strong!<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_7r37zaxVIPw\"><div id=\"lyte_7r37zaxVIPw\" data-src=\"\/\/i.ytimg.com\/vi\/7r37zaxVIPw\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/7r37zaxVIPw\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/7r37zaxVIPw\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p><em>Live at Vic<\/em>\u2019s bristles with joy and energy as Zuraitis interprets jazz, pop, and other genres in an inventive mix of covers and originals. The trained opera singer not only displays her vast vocal range and acute phrasing, but also her creative arrangements. She performs with her long-running band of partner and drummer Dan Pugach, guitarist Idan Morim, and bassist Samuel Weber, alongside special guests Keyon Harrold (trumpet), Tom Scott (saxophone), and Rachel Eckroth (organ). The album was issued as a double LP with sixteen tracks. The CD version is culled from the performance with eleven, skipping \u201cRound Midnight,\u201d \u201cGeorgia on My Mind,\u201d \u201cRight In Front of Me,\u201d \u201cReverie,\u201d and \u201cSea Line Woman.\u201d<\/p>\n\n\n\n<p>The CD begins with the 1956 R&amp;B hit turned Blues standard, \u201cI Got My Mojo Working,\u201d written by Ann Cole and popularized by Muddy Waters. Yet, as you listen, Zuraitis\u2019s arrangement puts so much swing into the tune that one would not likely guess its origins. Eckroth\u2019s organ and Scott\u2019s &#8211; Yes, the Tom Scott who once worked with Joni Mitchell &#8211; saxophone bolster the tune. Usually, \u201cThe Nearness of You\u201d is rendered as a tender ballad as on Michael Brecker\u2019s album of the same name. Yet, Zuraitis makes it swing, infusing it with plenty of energy, as she scats, and gives improvising room for guitarist Morim and bassist Weber. The original \u201cAll Stars Lead to You\u201d runs past eleven minutes as Harold and Scott improvise their way through dynamic solos, driven by the steady hand of drummer Pugach.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Dolly Parton\u2019s \u201cJolene\u201d is quickly becoming a favorite for jazz musicians. Parlor Greens even did a version at the 2025 Newport Jazz Festival. Here, Zuraitis takes a reflective piano intro, slowing the tempo of the song to make it far more dramatic and wildly different from Parton\u2019s bouncy tune. Harold steps in for an emotive solo, and Zuraitis\u2019s vocal range is stratospheric. The also increasingly covered \u201cPure Imagination,\u201d from Willy Wonka &amp; The Chocolate Factory (Wolper, 1971) is taken in mellow form with Zuraitis on electric piano in duet with Morim on guitar as she sings with incredibly dreamy vocals. Another original is \u201cMiddle C,\u201d co-written with Billy Seidman, a blend of old school jazz &#8211; including a \u201840s style Scott solo &#8211; with clever lyrics &#8211; \u201c.You\u2019re the do, in do-re-me. Baby, you\u2019re my middle C.\u201d &nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_Ykb_l320gEY\"><div id=\"lyte_Ykb_l320gEY\" data-src=\"\/\/i.ytimg.com\/vi\/Ykb_l320gEY\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/Ykb_l320gEY\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/Ykb_l320gEY\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>The audience is fully engaged throughout the live outing but perhaps most so on the song Zuraitis says she learned from Oleta Adams and Quincy Jones, the Bernard Ighner standard \u201cEverything Must Change.\u201d She takes the first verse duetting with Morim, much like they did on \u201cPure Imagination,\u201d before the full band joins on the second verse, where the tune hits a groove and the band swells (perhaps too much) behind her powerful pipes. \u201cThe Coffee Song\u201d features some humorous banter and it\u2019s refreshing to see that not all is serious business. Zuraitis and the band deftly handle Stevie Nicks\u2019 \u201cRhiannon\u201d in yet another powerhouse vocal performance imbued by Morim\u2019s dazzling guitar.&nbsp;<\/p>\n\n\n\n<p>&nbsp;As strong as many of these arrangements are, Zuraitis\u2019s treatment of \u201cWichita Lineman\u201d is arguably the most brilliant of all. Tom Scott takes an impressive, bluesy solo, as does Morim. Zuraitis scats playfully to match Pugach\u2019s rhythms, and the band surprisingly ends abruptly. The closer, \u201cDo I Move You,\u201d is usually associated with Nina Simone\u2019s tender and sensuous rendering. Zuriatis, as is her wont, takes it in a different direction, turning it into a syncopated blues featuring her bright piano and commanding voice alongside Eckroth\u2019s swirling organ.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_6G6J71E_BKQ\"><div id=\"lyte_6G6J71E_BKQ\" data-src=\"\/\/i.ytimg.com\/vi\/6G6J71E_BKQ\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/6G6J71E_BKQ\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/6G6J71E_BKQ\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Zuraitis shows versatility, power, and creativity. What more could we ask for? Her talents are off the charts.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>\u2018Nicole Zuraitis &amp; Friends Live at Vic\u2019s Las Vegas\u2019 is out now on La Reserve<\/em><\/strong>. <strong><em>It can be purchased <a href=\"https:\/\/nicolezmusic.bandcamp.com\/album\/live-at-vics-las-vegas-disc-1\">on Bandcamp<\/a>. <\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Go ahead and try this &#8211; Ask your friends who the most prominent female jazz vocalists have been in the past five years. Or, do a Google search with the question. More often than not, you won\u2019t find Nicole Zuraitis\u2019s name on the list. That\u2019s criminal. Consider the Grammy Awards. Samara Joy has won five [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":11284,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":172,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-11285","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1498.jpg?fit=750%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-2W1","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":7350,"url":"https:\/\/postgenre.org\/staging\/4567\/best-2023\/","url_meta":{"origin":11285,"position":0},"title":"PostGenre&#8217;s Best of 2023","author":"PostGenre Writing Staff","date":"December 27, 2023","format":false,"excerpt":"Below are the albums we collectively felt were the best of 2023 (technically from Thanksgiving 2022 to Thanksgiving 2023). Ties are ordered alphabetically by the leader\u2019s last name. Following the list are honorable mentions; recordings multiple members of our small group thought worthy of merit but did not make the\u2026","rel":"","context":"In &quot;Best of Lists&quot;","block_context":{"text":"Best of Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/12\/original-4AA5FD17-5CE0-4D46-9496-99CA70683F50.jpeg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/12\/original-4AA5FD17-5CE0-4D46-9496-99CA70683F50.jpeg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/12\/original-4AA5FD17-5CE0-4D46-9496-99CA70683F50.jpeg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/12\/original-4AA5FD17-5CE0-4D46-9496-99CA70683F50.jpeg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5345,"url":"https:\/\/postgenre.org\/staging\/4567\/postgenres-best-of-2022\/","url_meta":{"origin":11285,"position":1},"title":"PostGenre\u2019s Best of 2022","author":"PostGenre Writing Staff","date":"December 14, 2022","format":false,"excerpt":"From the mixes of a beat scientist to a double work with a string quartet, our team's selections for the best albums of 2022 reflect the vibrancy of the contemporary improvised music scene. Some works pull your heartstrings, others are incredibly cerebral, yet others are super funky and make you\u2026","rel":"","context":"In &quot;Best of Lists&quot;","block_context":{"text":"Best of Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/12\/BeFunky-collage20.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/12\/BeFunky-collage20.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/12\/BeFunky-collage20.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/12\/BeFunky-collage20.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9901,"url":"https:\/\/postgenre.org\/staging\/4567\/rob-shepherd-favorite-2024\/","url_meta":{"origin":11285,"position":2},"title":"Rob Shepherd\u2019s Favorite Albums of 2024","author":"Rob Shepherd","date":"December 22, 2024","format":false,"excerpt":"In pieces reviewing a year past, writers often try to find a few narratives and blanketly apply them. The problem with this approach, however. While providing some coherence, such simplification completely overlooks much of what happened that year. One can posit how, through albums like Mary Halvorson\u2019s \u2018Cloudward\u2019 or David\u2026","rel":"","context":"In &quot;Best of Lists&quot;","block_context":{"text":"Best of Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/12\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/12\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/12\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/12\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9346,"url":"https:\/\/postgenre.org\/staging\/4567\/braxton-cook-newport-at-70\/","url_meta":{"origin":11285,"position":3},"title":"Room For It All: Braxton Cook Previews \u2018Newport at 70\u2019","author":"Rob Shepherd","date":"July 26, 2024","format":false,"excerpt":"As the legendary Newport Jazz Festival turns seventy years old, it is all too easy to look back at the ages passed and the brilliant artists who made their way to the City by the Sea. However, sole nostalgia does little to push the music forward. That is not to\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/07\/img_8985-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/07\/img_8985-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/07\/img_8985-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/07\/img_8985-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2137,"url":"https:\/\/postgenre.org\/staging\/4567\/rob-shepherd-best-of-2020\/","url_meta":{"origin":11285,"position":4},"title":"The Editor\u2019s Reflections on a Crazy Year and his Best of 2020","author":"Rob Shepherd","date":"December 15, 2020","format":false,"excerpt":"Historians will probably remember 2020 primarily for the COVID pandemic, movements for racial justice, and lots and lots of politics. While all of that is true, to me it will also mark the creation of this site. Postgenre was born on February 20, 2020, less than a month before state\u2026","rel":"","context":"In &quot;Lists&quot;","block_context":{"text":"Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/12\/BeFunky-collage8.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/12\/BeFunky-collage8.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/12\/BeFunky-collage8.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/12\/BeFunky-collage8.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4897,"url":"https:\/\/postgenre.org\/staging\/4567\/2022-newport-preview-friday\/","url_meta":{"origin":11285,"position":5},"title":"What to See at the 2022 Newport Jazz Festival &#8211; Friday","author":"Rob Shepherd","date":"July 25, 2022","format":false,"excerpt":"Especially after attending for nearly two decades, this author has a deep admiration and respect for the Newport Jazz Festival. Our site extensively covers the history of the legendary festival from before its formation to the present. Under normal circumstances, our site would feature coverage from Fort Adams of the\u2026","rel":"","context":"In &quot;Newport Jazz Festival History&quot;","block_context":{"text":"Newport Jazz Festival History","link":"https:\/\/postgenre.org\/staging\/4567\/category\/special-series\/newport-jazz-history\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/P80108471.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/P80108471.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/P80108471.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/P80108471.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=11285"}],"version-history":[{"count":3,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11285\/revisions"}],"predecessor-version":[{"id":11295,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11285\/revisions\/11295"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/11284"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=11285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=11285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=11285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}