{"id":11289,"date":"2025-09-16T09:30:00","date_gmt":"2025-09-16T14:30:00","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=11289"},"modified":"2025-09-17T19:49:02","modified_gmt":"2025-09-18T00:49:02","slug":"erdenebaatar-kugelmann-under-same-stars-review","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/erdenebaatar-kugelmann-under-same-stars-review\/","title":{"rendered":"Review: Shuteen Erdenebaatar and Nils Kugelmann\u2019s \u2018Under the Same Stars\u2019"},"content":{"rendered":"\n<p><em>Under the Same Stars<\/em> (Mot\u00e9ma, 2025) is the second installment of Mongolian-born and Germany-based pianist-composer Shuteen Erdenebaatar\u2019s planned trilogy drawing inspiration from the mythology of her Mongolian homeland surrounding the sun, moon, and stars. The first, <em>Rising Sun <\/em>(Motema, 2023), was an acclaimed quartet recording that evoked vitality, positivity, and optimism \u2013 a fitting choice for the album\u2019s bright sonic landscape. This second outing is a duo album with her partner, both musically and in life, Nils Kugelmann, providing the second voice. The two have performed together, mostly in duo and quartet settings, in over three hundred concerts, including a hundred in Europe and Asia in the past year. Stars \u2013 representing hope, dreams, and destiny \u2013 inspired this duo debut, and the album evokes a reflective, dreamy mix of jazz, classical, and cinematic music. The album also further builds anticipation for the forthcoming debut of Erdenebaatar\u2019s twenty-one-piece chamber jazz orchestra, which will portray the mystery and emotional depth of the moon on next summer\u2019s third installment.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_vqfMkXUsSaA\"><div id=\"lyte_vqfMkXUsSaA\" data-src=\"\/\/i.ytimg.com\/vi\/vqfMkXUsSaA\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/vqfMkXUsSaA\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/vqfMkXUsSaA\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>While Kugelmann is best known as a bassist \u2013 he\u2019s been a core member of Erdenebaatar\u2019s quartet since its founding four years ago, and has released two acclaimed albums as a bassist\/composer on the ACT label \u2013 on <em>Under the Same Stars<\/em>, he makes a remarkable debut on the rarely heard contra-alto clarinet. Erdenebaatar serendipitously discovered Kugelmann\u2019s talents as a clarinetist when they first started playing together as students in Munich. &nbsp; After years of searching for the right context, the duo found common ground to present&nbsp; Kugelmann\u2019s two instruments together. The contra-alto clarinet, every bit as large as the baritone saxophone, is an anomaly in improvised music and far more familiar to orchestral or chamber music settings.&nbsp; It has a sound of its own, deeper than the bass clarinet, and more rounded. Much softer and warmer than a baritone sax, the contra-alto clarinet lends itself well to Under the Same Stars\u2019 dreamy, cinematic repertoire. Erdenebaatar\u2019s piano is highly lyrical and bears similarity in some compositions to Jason Moran. Others may find similarity to Geri Allen, one of Shuteeen\u2019s major influences.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_-XtQ-eoFcOI\"><div id=\"lyte_-XtQ-eoFcOI\" data-src=\"\/\/i.ytimg.com\/vi\/-XtQ-eoFcOI\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/-XtQ-eoFcOI\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/-XtQ-eoFcOI\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Even the titles hint at the overall sound.&nbsp; Opener \u201cMirror Under Water\u201d offers quiet drama as contra-alto clarinet weaves gently in and out of the pianist\u2019s sparkling keys. Kugelmann\u2019s \u201cTrain to the Past\u201d features mesmerizing piano and deep undertones from his reed instrument, conjuring nostalgic thoughts of an imaginary train ride with sound becoming almost trance-like. We hear Kugelmann\u2019s upright bass on his joyfully dancing \u201cTiny Wonders,\u201d while the pianist\u2019s \u201cMystery of the Woods\u201d is meant to connote a sanctuary of peace. The piano is repetitively minimalist, and the contra-alto clarinet has an ethereal, atmospheric feel.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_zaygwMJ9Wl4\"><div id=\"lyte_zaygwMJ9Wl4\" data-src=\"\/\/i.ytimg.com\/vi\/zaygwMJ9Wl4\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/zaygwMJ9Wl4\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/zaygwMJ9Wl4\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Erdenebaatar\u2019s \u201cWhispers Beyond Time\u201d&nbsp; spotlights a special guest: the soulful Jakob Manz on alto recorder. Like a forgotten lullaby echoing across centuries, this delicate composition carries the weight of ancestral memory and is the first piece that Erdenebataar composed for the duo. Kugelmaan returns to his evocative double bass for the title track, another bright piece meant to suggest both unity and the idea of finding sparks of joy in humanity.&nbsp; \u201cWhat Will Remain\u201d features Shuteen\u2019s fellow countryman, Dalaijargal Daansuren, on the morin khuur, Mongolia\u2019s iconic horsehead fiddle. On this haunting Kugelmann composition, the piano offers a gentle ostinato beneath the morin khuur\u2019s poignant melody, while Kugelmann\u2019s contra-alto clarinet tones provide a mystical texture, much like shrouding fog.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_iUOki7xepbo\"><div id=\"lyte_iUOki7xepbo\" data-src=\"\/\/i.ytimg.com\/vi\/iUOki7xepbo\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/iUOki7xepbo\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/iUOki7xepbo\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>\u201cDesert Dream,\u201d perhaps the most cinematic of the pieces, is inspired by Shuteen\u2019s father, who grew up in the desert. Together, her resonating piano and Kugelmann\u2019s subtle tones create the feeling of vastness and spaciousness. \u201cMaybe the Clouds,\u201d by Kugelmann, seques nicely in cinematic parallel. Kugelmann returns to the bass for the closer, \u201cRoad Ahead.\u201d Shuteen\u2019s liner notes reflect it well: \u201cA joyful note\/A door opening\/New possibilities. Full of anticipation, the melody winks at things to come. Embrace the journey. Follow your heart with fearless curiosity!\u201d&nbsp; There are capsules like this for each piece throughout the album notes, as lovely as the music itself.<\/p>\n\n\n\n<p>Erdenebataar\u2019s music has a quiet way of creeping into your head to the point where you can\u2019t get enough of it. It\u2019s the perfect elixir for a good night\u2019s sleep, those last sounds you hear before you retire for the evening, or beautiful music to wake to as well.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>\u2018Under the Same Stars\u2019 is out now on Mot\u00e9ma Records. It can be purchased <a href=\"https:\/\/shuteenerdenebaatar.bandcamp.com\/album\/under-the-same-stars\">on Bandcamp<\/a>. <\/em><\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Photo credit: Dovile Sermokas<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Under the Same Stars (Mot\u00e9ma, 2025) is the second installment of Mongolian-born and Germany-based pianist-composer Shuteen Erdenebaatar\u2019s planned trilogy drawing inspiration from the mythology of her Mongolian homeland surrounding the sun, moon, and stars. The first, Rising Sun (Motema, 2023), was an acclaimed quartet recording that evoked vitality, positivity, and optimism \u2013 a fitting choice [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":11288,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":63,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-11289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1518.jpg?fit=750%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-2W5","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":10397,"url":"https:\/\/postgenre.org\/staging\/4567\/review-consentrik-quartet\/","url_meta":{"origin":11289,"position":0},"title":"Review: Nels Cline&#8217;s &#8216;Consentrik Quartet&#8217;","author":"Brian Kiwanuka","date":"April 16, 2025","format":false,"excerpt":"Considering guitarist Nels Cline's history, it's no surprise that the music of the Consentrik Quartet occasionally has shades of rock. \u201cSlipping Into Something\u201d starts subtly before bursting into a drum-driven groove fit for a rock song. 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Versatile too, especially Holland. Since both artists\u2019 rise - a decade apart - through their times with Miles Davis, they have respectively explored a wide area of music.\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/11\/img_2618.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/11\/img_2618.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/11\/img_2618.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/11\/img_2618.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/11\/img_2618.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":11754,"url":"https:\/\/postgenre.org\/staging\/4567\/rob-shepherd-favorite-albums-of-2025\/","url_meta":{"origin":11289,"position":2},"title":"EIC Rob Shepherd&#8217;s Favorite Albums of 2025","author":"Rob Shepherd","date":"December 16, 2025","format":false,"excerpt":"2025 was a year of great growth for our site. 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PostGenre: One of the more\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/05\/amaryllis.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/05\/amaryllis.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/05\/amaryllis.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/05\/amaryllis.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/05\/amaryllis.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=11289"}],"version-history":[{"count":2,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11289\/revisions"}],"predecessor-version":[{"id":11296,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11289\/revisions\/11296"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/11288"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=11289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=11289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=11289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}