{"id":11298,"date":"2025-09-18T16:37:58","date_gmt":"2025-09-18T21:37:58","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=11298"},"modified":"2025-09-18T16:37:58","modified_gmt":"2025-09-18T21:37:58","slug":"review-cinnamon-flower-rouse","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-cinnamon-flower-rouse\/","title":{"rendered":"Review: Charlie Rouse\u2019s \u2018Cinnamon Flower: The Expanded Edition\u2019"},"content":{"rendered":"\n<p>This is the year that some of us learned that tenor saxophonist Charlie Rouse was a leader of other bands rather than simply a member of Thelonious Monk\u2019s quartet. Earlier this year, Strata-East reissued 1974\u2019s guitar-driven, funky <em>Two Is One<\/em> (Mack Avenue, 2025). Now comes <em>Cinnamon Flower: The Expanded Edition<\/em> (Resonance, 2025), a double LP set of Rouse leading a Brazilian band, building upon the original 1977 release. The album is a limited-edition release, with only a thousand copies pressed to vinyl. The first LP is the originally released version of the album, while the second provides, for the first time, the music in undubbed form. The CD includes both versions. Given this re-release of <em>Cinnamon Flower<\/em> is out on Resonance &#8211; a label well-known for its extensive contextual packaging &#8211; the album includes voluminous liner notes by author James Gavin and a recollection by Rouse\u2019s son, Charlie \u201cChico\u201d Rouse Jr.&nbsp; As far as the music itself, Clifford Jordan, Rouse\u2019s tenor peer, made a prescient prediction in 1988: \u201cWhen someone dies, people stop and listen and realize that maybe he was a bit bigger than they thought. Now, people will start listening to Charlie Rouse.\u201d&nbsp; Perhaps, as noted by \u201cChico\u201d Rouse in the album notes, <em>Cinnamon Flower<\/em> was a little ahead of its time.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_GyxaShdUTNo\"><div id=\"lyte_GyxaShdUTNo\" data-src=\"\/\/i.ytimg.com\/vi\/GyxaShdUTNo\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/GyxaShdUTNo\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/GyxaShdUTNo\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p><em>Cinnamon Flower<\/em> was not Rouse\u2019s first excursion into Brazilian music, having  released <em>Bossa Nova Bacchanal<\/em> (Blue Note, 1962) about a decade and a half earlier. Originally, <em>Cinnamon Flower<\/em> was released by Douglas Records, the Casablanca imprint of producer Alan Douglas, who was known for adding instrumentation to posthumously released material by Jimi Hendrix. As such, you will see multiple players added to Rouse\u2019s eleven-piece band, which included such talents as trumpeter Claudio Roditi, pianist Dom Salvador, bassist Ron Carter, and drummer Portinho. As if that was not enough, Douglas augmented the ensemble with soul drummer Bernard \u201cPretty\u201d Purdie, keyboardist Roger Powell of Todd Rundgren\u2019s Utopia, and trombonist Clifford Adams of Kool &amp; the Gang.&nbsp; While the ensemble included tenor saxophone, trumpet, flute, two keyboardists, electric guitar, acoustic guitar, cello, bass, drums, and percussion, the album features different combinations of each by track. The album features seven tracks &#8211; each running four to six minutes &#8211; with some slightly longer in the undubbed version. The music fuses backcountry Brazilian rhythms with a rock steady foundation of R&amp;B for an exceptionally vibrant sound. Salvador and acoustic guitarist Amaury Tristao composed most of the material, with Milton Nascimento contributing \u201cClove and Cinnamon.\u201d<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=2929606162\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p>Opener, Salvador\u2019s \u201cBackwoods Echo,\u201d a rousing and brassy burner, is the set\u2019s most vibrant piece. The two Tristao pieces that follow are much different in terms of tempo and mood. His delicate acoustic guitar leads into \u201cDisenchantment,\u201d which also prominently features cello and flute. \u201cA New Dawn\u201d is an expansive, cinematic piece, showcasing strings and flute, with percolating percussion and short bursts from Rouse and Roditi, along with a vigorous solo by Rouse. Salvador\u2019s \u201cQuiet Pictures\u201d flows gently with the whole ensemble at play, with the bandleader at the forefront of the horns.<\/p>\n\n\n\n<p>Nascimento\u2019s standout, \u201cClove and Cinnamon,\u201d features punchy horns, bubbling percussion, and impressive rollicking piano. Tristao\u2019s \u201cRoots\u201d builds to an animated piece with ensemble horn parts and thumping rhythms from drummer Portinho, who does it alone without a percussionist. Roditi takes a scorching trumpet solo. Salvador\u2019s \u201cWaiting on the Corner\u201d is yet another bustling piece with strong contributions from the pianist, guitarist George Davis, and percussionists Steve Thornton and Carlos Martinez.&nbsp; The leader soars gleefully above the enthralling rhythms.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=616677366\/album=2929606162\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p>The \u201cSound Ideas Studio Versions\u201d of each track are obviously a bit less cluttered, and about the same length as their other renditions, except for \u201cClove and Cinnamon,\u201d which stretches out a glorious extra two minutes.&nbsp; Resonance founder and co-president George Klabin also added an unreleased bonus track to both LP and CD versions: \u201cMeeting House,\u201d written and performed by pianist Dom Salvador. It is a high-energy, uplifting piece imbued with congas and percussion, guitar, piano, and horns, though no personnel information is directly listed.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=1120190404\/album=2929606162\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p>While Rouse is the leader on <em>Cinnamon Flower<\/em>, his playing is far from dominant. The sum here is much bigger than any individual part. Importantly, the album radiates unbridled energy and joy.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>\u2018Cinnamon Flower: The Expanded Edition\u2019 will be released on September 19, 2025 on Resonance Records. It can be <a href=\"https:\/\/charlierouseband.bandcamp.com\/album\/cinnamon-flower-the-expanded-edition\">purchased on Bandcamp<\/a>. <\/em><\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Photo credit: Raymond Ross<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is the year that some of us learned that tenor saxophonist Charlie Rouse was a leader of other bands rather than simply a member of Thelonious Monk\u2019s quartet. Earlier this year, Strata-East reissued 1974\u2019s guitar-driven, funky Two Is One (Mack Avenue, 2025). Now comes Cinnamon Flower: The Expanded Edition (Resonance, 2025), a double LP [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":11297,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":95,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[1380,1383,1388,1390,1372,1373,1374,1376,1375,1378,1382,1393,1384,1377,1387,1389,1379,1392,143,1391,1381,1385,1386,1394],"class_list":["post-11298","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-albert-dailey","tag-amaury-tristao","tag-bernard-purdie","tag-carlos-martinez","tag-charlie-rouse","tag-cinnamon-flower","tag-cinnamon-flower-the-expanded-edition","tag-claudio-roditi","tag-clifford-adams","tag-dom-salvador","tag-george-davis","tag-george-klabin","tag-jesse-levy","tag-lou-orenstein","tag-portinho","tag-pretty-purdie","tag-resonance-records","tag-roger-powell","tag-ron-carter","tag-steve-thornton","tag-ted-dunbar","tag-ulysses-kirksey","tag-wilbur-bascomb","tag-zev-feldman"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1549.jpg?fit=2000%2C1333&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-2We","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11447,"url":"https:\/\/postgenre.org\/staging\/4567\/review-time-traveler-brooks-barron-garnett\/","url_meta":{"origin":11298,"position":0},"title":"Jazz Detective Zev Feldman Begins Yet Another Journey with New Imprint, Time Traveler Recordings, and Resurrecting Three Largely Forgotten Gems from the Muse Records Catalog","author":"Jim Hynes","date":"October 20, 2025","format":false,"excerpt":"By now, most readers know that the Jazz Detective, Zev Feldman, does not limit his archival work to Black Friday and Record Store Day. Recently, he unveiled the terrific Charlie Rouse Brazilian recording, Cinnamon Flower (Resonance, 2025). As the archival consultant for Blue Note Records, he has another great one\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2105.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2105.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2105.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2105.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":352,"url":"https:\/\/postgenre.org\/staging\/4567\/review-george-burtons-reciprocity\/","url_meta":{"origin":11298,"position":1},"title":"Review: George Burton&#8217;s &#8216;Reciprocity&#8217;","author":"Rob Shepherd","date":"February 23, 2020","format":false,"excerpt":"Ralph Waldo Emerson once noted that \u201cto be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.\u201d Whether one's expectations on another person, of an artist\u2019s output as a certain type, or one\u2019s inflated self-perception, far too often images are depicted and\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"George Burton","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/AZSXAZFARVE6PB6BB7EVHAPCNI.jpg?fit=1200%2C799&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/AZSXAZFARVE6PB6BB7EVHAPCNI.jpg?fit=1200%2C799&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/AZSXAZFARVE6PB6BB7EVHAPCNI.jpg?fit=1200%2C799&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/AZSXAZFARVE6PB6BB7EVHAPCNI.jpg?fit=1200%2C799&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/AZSXAZFARVE6PB6BB7EVHAPCNI.jpg?fit=1200%2C799&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":9831,"url":"https:\/\/postgenre.org\/staging\/4567\/keeping-flame-zev-feldman\/","url_meta":{"origin":11298,"position":2},"title":"Keeping the Flame: A Conversation with Archival King Zev Feldman","author":"Rob Shepherd","date":"November 20, 2024","format":false,"excerpt":"Far too often, history is perceived through a lens of minimizing the problems of the present. According to George Santayana, \u201cThose who cannot remember the past are condemned to repeat it.\u201d Or to Edmund Burke, \u201cPeople will not look forward to posterity, who never look backward to their ancestors.\u201d But\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/11\/img_0259-1.jpg?fit=1170%2C780&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/11\/img_0259-1.jpg?fit=1170%2C780&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/11\/img_0259-1.jpg?fit=1170%2C780&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/11\/img_0259-1.jpg?fit=1170%2C780&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/11\/img_0259-1.jpg?fit=1170%2C780&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1467,"url":"https:\/\/postgenre.org\/staging\/4567\/newport-jazz-part-viii\/","url_meta":{"origin":11298,"position":3},"title":"A History of the Newport Jazz Festival \u2013 Chapter VIII:  Fortress in the Wings, 1972-1980","author":"Rob Shepherd","date":"August 9, 2020","format":false,"excerpt":"After the destructive summer of 1971, George Wein wanted to keep the legacy of the Newport Jazz Festival alive but realized any continuation needed to take place elsewhere. He ultimately decided upon relocating the event 180 miles South West to New York City. By the early 1970s, the once-great home\u2026","rel":"","context":"In &quot;Newport Jazz Festival History&quot;","block_context":{"text":"Newport Jazz Festival History","link":"https:\/\/postgenre.org\/staging\/4567\/category\/special-series\/newport-jazz-history\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10709,"url":"https:\/\/postgenre.org\/staging\/4567\/review-armageddon-flower-perelman-shipp\/","url_meta":{"origin":11298,"position":4},"title":"Review: Ivo Perelman and the Matthew Shipp String Trio\u2019s \u2018Armageddon Flower\u2019","author":"Jim Hynes","date":"June 17, 2025","format":false,"excerpt":"If you have not yet read the two-part interview with saxophonist Ivo Perelman and pianist Matthew Shipp regarding Armageddon Flower (TAO Forms, 2025), it provides important context to the recording. The album features a quartet with those two joined by bassist William Parker and violist Mat Maneri, in a chamber-like,\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2607-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2607-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2607-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2607-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10574,"url":"https:\/\/postgenre.org\/staging\/4567\/perelman-shipp-armageddon-flower-ii\/","url_meta":{"origin":11298,"position":5},"title":"Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on \u2018Armageddon Flower\u2019 (Part Two)","author":"Rob Shepherd","date":"June 4, 2025","format":false,"excerpt":"We continue our conversation with Ivo Perelman and Matthew Shipp on \u2018Armageddon Flower\u2019 (TAO Forms, 2025). You can read Part One here. https:\/\/youtu.be\/jzsg2n04-hY?feature=shared PostGenre: As far as focusing on the heart, does that go back to getting out of the way, too? Obviously, you need mental and technical skills to\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=11298"}],"version-history":[{"count":3,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11298\/revisions"}],"predecessor-version":[{"id":11301,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11298\/revisions\/11301"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/11297"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=11298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=11298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=11298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}