{"id":11454,"date":"2025-10-21T13:21:00","date_gmt":"2025-10-21T18:21:00","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=11454"},"modified":"2025-10-25T18:21:02","modified_gmt":"2025-10-25T23:21:02","slug":"review-stargazer-donelian","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-stargazer-donelian\/","title":{"rendered":"Review: Armen Donelian\u2019s \u2018Stargazer\u2019"},"content":{"rendered":"\n<p><em>Stargazer<\/em> (Sunnyside, 2025) is a reissue of an album by a trio of pianist Armen Donelian with bassist Eddie Gomez and drummer Billy Hart that first appeared forty-five years ago, in 1980. Originally released and distributed on Atlas Records in Japan, it was available only as an import elsewhere. Soon thereafter, Atlas went out of business, and most copies vanished. Thus, although the title composition appears on three other albums by the leader for the label \u2014<em>A Reverie<\/em> (Sunnyside, 1995), <em>The Wayfarer<\/em> (Sunnyside, 1990), and <em>All or Nothing at All<\/em> (Sunnyside, 2006) \u2014<em>Stargazer<\/em> is the first time most will hear the original album bearing that name in its entirety.<\/p>\n\n\n\n<p>At the time of the recording, Donelian was only a twenty-nine years old protege of pianist Richie Beirach, percussionist Mongo Santamaria, and saxophonist Sonny Rollins. Gomez had built his reputation from providing his recognizable sound to recordings with Bill Evans and Hart his own with Herbie Hancock. But Donelian\u2019s choice to use both artists is not tied to these experiences of either.&nbsp; As the leader notes, \u201cI had played with Billy several times as a sideman in other bands, and met him working with vocalist Anne Marie Moss. Eddie was someone I had seen play with flutist Jeremy Steig and at Bradley\u2019s in various duos. I was fortunate to have personal contact with them, and I was young and foolish, and asked them. They said yes\u2026They propelled the music to places I\u2019d never gone to and really challenged me.\u201d These challenges paid off well. While the trio hadn\u2019t played together before this date, they quickly established an instant rapport.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_9yesnRi-pr8\"><div id=\"lyte_9yesnRi-pr8\" data-src=\"\/\/i.ytimg.com\/vi\/9yesnRi-pr8\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/9yesnRi-pr8\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/9yesnRi-pr8\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Donelian\u2019s title track, his most well-known composition, opens the record. The pianist composed the piece shortly after the death of his mother as a means of processing his loss. In its original form, the song was meant to be ruminative, but his trio mates give it drive and stunning dynamic turns. Gomez\u2019s bass solo is so melodic that one could mistake it as coming from a horn player. The final piece recorded at the session, \u201cFree at Last,\u201d appears second in the sequencing. It is the prime example of the improvising ability of these three. Donelian\u2019s playing stands out for his smooth, glittering right hand and ability to shift rhythms unexpectedly, as well as to venture into the kind of harmonic landscapes inspired by his mentor, Beirach.<\/p>\n\n\n\n<p>The tender ballad, \u201cSouthern Belle,\u201d was inspired by Donelian\u2019s fascination with a certain lady. It is another example of Gomez\u2019s legendary lyricism, as heard in his conversational solo that extends beyond into an almost call-and-response-like dialogue with the pianist. The versatility of the trio is on display in the joyous Brazilian samba, \u201cLove\u2019s Endless Spin,\u201d which Donelian had developed and played with Colombian saxophonist\/flutist Justo Almario and Brazilian drum great Portinho. The sheer exuberance of the piece is carried with gusto by Hart and Gomez.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_48k1kBnBzVE\"><div id=\"lyte_48k1kBnBzVE\" data-src=\"\/\/i.ytimg.com\/vi\/48k1kBnBzVE\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/48k1kBnBzVE\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/48k1kBnBzVE\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Hart delivers a narrative-like drum intro via brushes to \u201cMonday,\u201d a piece that later evolves into a burning counterpoint between Gomez\u2019s bass line and Donelian\u2019s melody. Again, Gomez shines in his solo. While it is essentially a bebop rhythm, Donelian plays a series of unexpected chords. \u201cSilent Afternoon,\u201d the album\u2019s original closer, is a tone poem in \u00be time, offering a sense of relaxation with an impending sense of tension. It is a prime example of the exploratory harmonic landscape learned from Beirach. On this rereleased version of Stargazer , \u201cQueen of Light,\u201d somehow left off the original version, closes. Gomez is front and center and the tune is filled with starts and stops, pregnant pauses, and restatements as if carefully navigating its way to a destination.<\/p>\n\n\n\n<p>Unfortunately, the trio on this record was&nbsp; short-lived and delivered solely this one recording and a performance at New York\u2019s Carnegie Recital Hall. Hearing the album attests to the fact that the group was indeed criminally overlooked.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>\u2018Stargazer\u2019 is out now on Sunnyside Records. It can be purchased <a href=\"https:\/\/armendonelian.bandcamp.com\/album\/stargazer\">on Bandcamp<\/a>. <\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stargazer (Sunnyside, 2025) is a reissue of an album by a trio of pianist Armen Donelian with bassist Eddie Gomez and drummer Billy Hart that first appeared forty-five years ago, in 1980. Originally released and distributed on Atlas Records in Japan, it was available only as an import elsewhere. Soon thereafter, Atlas went out of [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":11453,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":35,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Review: Armen Donelian\u2019s \u2018Stargazer\u2019","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-11454","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2114.jpg?fit=750%2C499&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-2YK","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11231,"url":"https:\/\/postgenre.org\/staging\/4567\/review-cantica-profana-ban-maneri-surman\/","url_meta":{"origin":11454,"position":0},"title":"Review: Lucian Ban, Mat Maneri, and John Surman\u2019s \u2018Cantica Profana &#8211; The B\u00e9la Bart\u00f3k Field Recordings\u2019","author":"Jim Hynes","date":"September 3, 2025","format":false,"excerpt":"Despite its jagged start, listen to Cantica Profana - The B\u00e9la Bart\u00f3k Field Recordings (Sunnyside, 2025) its whole way through as it\u00a0 evolves into gorgeously flowing music. 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Just about\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1684.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1684.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1684.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1684.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11670,"url":"https:\/\/postgenre.org\/staging\/4567\/review-stand-up-jerome-sabbagh\/","url_meta":{"origin":11454,"position":2},"title":"Review: Jerome Sabbagh\u2019s \u2018Stand Up!\u2019","author":"Jim Hynes","date":"December 5, 2025","format":false,"excerpt":"Over the last few years, tenor saxophonist Jerome Sabbagh has released recordings thst featured his dulcet tones with several jazz\u00a0elders - Kenny Barron\u00a0(Vintage (Sunnyside, 2023)) and the late drummer Al Foster\u00a0(Heart (Analog Tone Factory, 2024)). 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