{"id":11528,"date":"2025-11-06T18:30:00","date_gmt":"2025-11-07T00:30:00","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=11528"},"modified":"2025-11-07T06:31:23","modified_gmt":"2025-11-07T12:31:23","slug":"review-chad-taylor-smoke-shifter","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-chad-taylor-smoke-shifter\/","title":{"rendered":"Review: Chad Taylor\u2019s \u2018Smoke Shifter\u2019"},"content":{"rendered":"\n<p>Drummer&nbsp;<a href=\"https:\/\/postgenre.org\/staging\/4567\/hyperglyph-chicago-underground-duo\/\">Chad Taylor<\/a>&nbsp;is perhaps best known for his work as a sideman for the likes of <a href=\"https:\/\/postgenre.org\/staging\/4567\/?s=James+brandon+lewis\">James Brandon Lewis<\/a>, <a href=\"https:\/\/postgenre.org\/staging\/4567\/?s=Marc+ribot\">Marc&nbsp;Ribot<\/a>, <a href=\"https:\/\/postgenre.org\/staging\/4567\/?s=Luke+stewart\">Luke Stewart<\/a>, jaimie branch, and many others, but his latest,&nbsp;<em>Smoke Shifter<\/em> (Otherly Love), is his sixth album as a&nbsp;leader. Those aforementioned names suggest an edgy, \u2019out\u2019 approach. Instead, with <em>Smoke Shifter<\/em>, Taylor looks more to&nbsp;the inside, with a sound landing somewhere between the classic Blue Note albums of Bobby Hutcherson, Joe&nbsp;Chambers, and Andrew Hill, with modern sensibilities. It swings with dynamic solos, intricate arrangements,&nbsp;riveting bass lines, and, of course, Taylor\u2019s driving rhythms.&nbsp;<\/p>\n\n\n\n<p>Although he made his mark in Chicago, Taylor has lived in Philadelphia for close to a decade and also directs&nbsp;the jazz program at the University of Pittsburgh. Seeking a group sound with different compositional voices, for <em>Smoke Shifter<\/em>, he assembled a quintet of artists from the City of Brotherly Love who would both perform and compose. They are mostly off the mainstream radar. He was introduced to them &#8211; tenor saxophonist&nbsp;Bryan Rogers, vibraphonist&nbsp;Victor Viera-Branco, bassist&nbsp;Matt Engle &#8211; by local veteran alto saxophonist Bobby Zankel or&nbsp;label co-founder Stephen Buono. Rounding out the group is Philly outsider, trumpeter&nbsp;Jonathan Finlayson&nbsp;(Steve Coleman, Ravi&nbsp;Coltrane), a late addition who does not compose any of the pieces. <\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_e7oK4QhwWk4\"><div id=\"lyte_e7oK4QhwWk4\" data-src=\"\/\/i.ytimg.com\/vi\/e7oK4QhwWk4\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/e7oK4QhwWk4\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/e7oK4QhwWk4\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Written specifically for this project, Rogers\u2019 \u201cBroken Horse\u201d leads off with a muscular bass line, unison horns, and polyrhythms. Following an extensive head, the saxophonist-composer leads with low-register, brusque&nbsp;lines. Finlayson jumps in with high-energy, and Viera-Branco, who has been omnipresent throughout with&nbsp;his chordal comping, steps into the spotlight, as does Taylor to take it out. It\u2019s a great opener, full of drive and&nbsp;motion. Engle\u2019s \u201cAvian Shadow\u2019 features the leader laying down a metronomic beat akin to a hand-clapped&nbsp;rhythm with an element of deceptive simplicity. Taylor says it was one of the most difficult pieces to get&nbsp;\u201cright\u201d as it is a blend of the written and improvised. Be prepared for a rather spacey middle section where&nbsp;Viera-Branco\u2019s vibes send up kaleidoscopic colors between the horns\u2019 improvised solos.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe playlist\" id=\"WYL_OLAK5uy_lopKDG6kkf0QdRZ8tM5pEiHbXn2fTcxdg\"><div id=\"lyte_OLAK5uy_lopKDG6kkf0QdRZ8tM5pEiHbXn2fTcxdg\" data-src=\"\/\/i.ytimg.com\/vi\/OLAK5uy_lopKDG6kkf0QdRZ8tM5pEiHbXn2fTcxdg\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtube.com\/playlist?list=OLAK5uy_lopKDG6kkf0QdRZ8tM5pEiHbXn2fTcxdg\" rel=\"nofollow\"><br \/>Watch this playlist on YouTube<\/a><\/noscript><\/div><\/div>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Taylor composed the beautifully flowing \u201cWaltz for Meghan,\u201d which features Rogers and Finlayson in lyrical&nbsp;form. With the vibraphone linking the two sounds, the harmonics glow brightly. The leader also composed the&nbsp;title track, a buoyant piece with trumpet and tenor in counterpoint above a swinging rhythm that never lags,&nbsp;even through the solos. It ultimately trails off like wispy clouds, especially for Viera-Branco, who takes us into another&nbsp;realm. Yet the angular motif holds it together as the quintet swings tightly.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe playlist\" id=\"WYL_OLAK5uy_naT33tRLmTYlmGeFp6YyApvpQv4uSo11U\"><div id=\"lyte_OLAK5uy_naT33tRLmTYlmGeFp6YyApvpQv4uSo11U\" data-src=\"\/\/i.ytimg.com\/vi\/OLAK5uy_naT33tRLmTYlmGeFp6YyApvpQv4uSo11U\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtube.com\/playlist?list=OLAK5uy_naT33tRLmTYlmGeFp6YyApvpQv4uSo11U\" rel=\"nofollow\"><br \/>Watch this playlist on YouTube<\/a><\/noscript><\/div><\/div>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Viera-Branco composed the final two pieces &#8211; \u201cOctober 26th\u201d and \u201cParadise Lawns\/October 29th.\u201d The former has liliting, dream-like qualities, with resonating vibraphone&nbsp;standing out amidst the drawn-out horn lines. It segues directly into the latter medley piece, a feature for the leader\u2019s solo. It opens with a lively&nbsp;cyclical vibraphone motif that disperses into free playing by the horns. Viera-Branco reverses the role of the&nbsp;horn here; the major melody is in the bassline with the low end placed on top with the horns in a supportive role. The&nbsp;polyrhythmic figure that runs through harmonically and rhythmically is the glue holding it together. It\u2019s another&nbsp;that Taylor deemed very challenging to play, requiring lots of work to settle on an arrangement. This medley is&nbsp;intriguing; less accessible than the other tracks but indicative of the quintet\u2019s far-reaching versatility.&nbsp;<\/p>\n\n\n\n<p><em>Smoke Shifter<\/em>\u2019s strength lies in its lack of any singular predominant style. There are elements of hard bop, post-bop, and free jazz. There are tonal and atonal elements. Off-center moments converge with more conventional&nbsp;ones. That may sound chaotic or confusing, but it\u2019s coherent and engaging throughout. &nbsp;<br \/><\/p>\n\n\n\n<p><strong><em>\u2018Smoke Shifter\u2019 will be out on November 7, 2025 on Otherly Love Records. It can be <a href=\"https:\/\/chadtaylordrums.bandcamp.com\/album\/smoke-shifter\">purchased on Bandcamp<\/a>.<\/em><\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Photo credit: Grady Bajorek<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Drummer&nbsp;Chad Taylor&nbsp;is perhaps best known for his work as a sideman for the likes of James Brandon Lewis, Marc&nbsp;Ribot, Luke Stewart, jaimie branch, and many others, but his latest,&nbsp;Smoke Shifter (Otherly Love), is his sixth album as a&nbsp;leader. Those aforementioned names suggest an edgy, \u2019out\u2019 approach. Instead, with Smoke Shifter, Taylor looks more to&nbsp;the inside, [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":11527,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":115,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Review: Chad Taylor\u2019s \u2018Smoke Shifter\u2019","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-11528","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/11\/img_2468.jpg?fit=750%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-2ZW","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":10753,"url":"https:\/\/postgenre.org\/staging\/4567\/review-abstraction-jbl\/","url_meta":{"origin":11528,"position":0},"title":"Review: James Brandon Lewis Quartet&#8217;s &#8216;Abstraction Is Deliverance&#8217;","author":"Jim Hynes","date":"June 24, 2025","format":false,"excerpt":"Tenor saxophonist James Brandon Lewis has established himself as the most versatile tenorist on the scene today in a relatively short time. 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