{"id":11542,"date":"2025-11-11T23:01:00","date_gmt":"2025-11-12T05:01:00","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=11542"},"modified":"2025-11-17T19:33:23","modified_gmt":"2025-11-18T01:33:23","slug":"review-thomas-morgan-around-forest","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-thomas-morgan-around-forest\/","title":{"rendered":"Review: Thomas Morgan\u2019s \u2018Around You is a Forest\u2019"},"content":{"rendered":"\n<p class=\"MsoNormal\">As evidenced by <a href=\"https:\/\/postgenre.org\/staging\/4567\/review-jakob-bro-musasaki-montclair\/\">two recent collaborations with Wadada Leo Smith,<\/a> Jakob Bro\u2019s Loveland Music, is releasing some of the most interesting improvised music recently. Yet, also on the label comes<strong> <\/strong>Thomas Morgan\u2019s <em>Around You is a Forest<\/em> (Loveland, 2025), which may well be the most unique album made in a long time. Morgan long ago established his skills as a bassist, playing often with Bro, Bill Frisell, Craig Taborn, and many others. But the new revelation on <em>Around You<\/em> is that Morgan is a computer geek, advanced coder, and programmer. These skills enabled him to build a virtual instrument that he named WOODS. The booklet that accompanies the CD and vinyl does a deep dive into such without getting too technical. You can also find in-depth details in Ethan Iverson\u2019s Substack piece, found <a href=\"https:\/\/iverson.substack.com\/p\/guest-post-from-thomas-morgan-a-universe\">here<\/a>, if you lack access to the liner notes.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_-TLy2kc1OXk\"><div id=\"lyte_-TLy2kc1OXk\" data-src=\"\/\/i.ytimg.com\/vi\/-TLy2kc1OXk\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/-TLy2kc1OXk\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/-TLy2kc1OXk\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p class=\"MsoNormal\">WOODS combines qualities of West African lute-harps, Asian zithers, cimbalom, and marimba. It\u2019s a SuperCollider-based system that Morgan designed to generate timbres and patterns that sound natural despite their algorithmic origin. The first language is the pentatonic scale. As a mutational process transforms the melodic patterns, the harmonies become more abstract. Each track has its own mix of the wooden, metallic, and electronic timbres that follow from WOOD\u2019s parameters, but the general effect is a self-same texture, as if WOODS were an acoustic instrument. It sounds real on every track; there is nothing \u2018virtual\u2019-sounding about the instrument, which is remarkable. Morgan plays solo double bass with WOODS on the opening title track. But, from there, he pairs it with artists who share his creative spirit. They include Dan Weiss (tabla), Craig Taborn (keyboards and field recordings), Gerald Cleaver (drums), Henry Threadgill (flutes), Ambrose Akinmusire (trumpet), Bill Frisell (guitars), Immanuel Wilkins (alto saxophone), poet Gary Snyder (voice). Interestingly, Bro is not one of the musical collaborators, despite his helping produce the record in conjunction with Morgan and David Breskin. The album\u2019s title comes from a classic text adventure game<em>, Adventure<\/em>, and becomes a metaphor for the artistic community. As Morgan comments,<em> \u201cA forest is a place where nutrients and information are shared through root systems. In that sense, the musicians on this album are some of the trees that teach and nourish me.\u2019\u2019<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_GSFEzoNSoHE\"><div id=\"lyte_GSFEzoNSoHE\" data-src=\"\/\/i.ytimg.com\/vi\/GSFEzoNSoHE\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/GSFEzoNSoHE\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/GSFEzoNSoHE\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p class=\"MsoNormal\">Picture yourself in a forest. The bass could be your own footsteps, while WOODS generates all the animal and inexplicable sounds you hear while venturing into that deep cluster of trees on the title track. For \u201cEddies\u201d with Weiss, Morgan envisions a creek that runs through Portola Redwood State Park, a space he used to explore with a friend as a child. The shifting rhythms may represent the stream crossing back and forth on logs or rocks. \u201cDream Sequence\u201d with Taborn is more \u201cout there. \u201cIn his home studio, the keyboardist collaborator devised five distinct scenes, adding electric and electronic keyboards along with field recordings of rain, wind, crickets, and birds captured in a Balinese town surrounded by a rainforest. \u201cThrough the Trees\u201d with Cleaver was built over a long period of time by accumulating tiny mutations and adjusting them in real time, a process used throughout the album.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_jkhavTDJvqc\"><div id=\"lyte_jkhavTDJvqc\" data-src=\"\/\/i.ytimg.com\/vi\/jkhavTDJvqc\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/jkhavTDJvqc\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/jkhavTDJvqc\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p class=\"MsoNormal\">With \u201cIn the Dark,\u201d Threadgill recorded his first layer on bass flute and the second on flute without listening to the first. Thus, the title. Musically, it is probably something only the NEA Jazz Master could pull off in its placing the listener deep inside a vibrant rainforest. \u201cAssembly of All Beings\u201d features Akinmusire creating blurry textures on the trumpet that eventually come into focus, as in a movie. Morgan says the trumpet sound summons dinosaurs, elephants, and horses, or whatever animals one wants to imagine. Another important aspect of the overall sound that only the most discerning ears may detect its repeating patterns. Morgan refers to them as seeds and saved any new point in the development as a new seed then switched between the seeds in real time. He likens this to a tree-like structure, stretching out in different directions and hopping from branch to branch.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_RPmNvxJwWh0\"><div id=\"lyte_RPmNvxJwWh0\" data-src=\"\/\/i.ytimg.com\/vi\/RPmNvxJwWh0\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/RPmNvxJwWh0\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/RPmNvxJwWh0\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p class=\"MsoNormal\">\u201cRising from the West\u201d features Frisell on acoustic and eclectic guitars. Both Morgan and Frisell grew up in the West but now reside in Brooklyn. The idea of the track was to reverse the dawn-to-dusk order in which light moves, mirroring the guitarist\u2019s famed loop pedal effect, where time often moves backward. \u201cMurmuration\u201d with Wilkins layers the saxophonist eight times. WOODS serves as ngoni here, providing propulsion for Morgan\u2019s envisioned <em>\u201cflock of birds soaring, swirling, dispersing, clustering, and quickly changing direction.\u201d <\/em>Finally, comes Snyder reciting verses from his poem, \u201cHere,\u201d that Morgan felt appropriate for the project. The bassist poses the question, \u201cDo we need to question why were are here, or is it enough just to be here?\u201d The concept of \u201chere\u201d underlies in-the-moment improvisation, at which these gifted musicians excel.<\/p>\n\n\n\n<p class=\"MsoNormal\"><\/p>\n\n\n\n<p class=\"MsoNormal\"><em>Around You is a Forest<\/em> is beyond brilliant. It\u2019s staggering in so many ways that you may encounter new sounds each time that you listen.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>\u2018Around You is a Forest\u2019 is out now on Loveland Music. It can be<a href=\"https:\/\/lovelandcph.bandcamp.com\/album\/around-you-is-a-forest?from=discover_page\"> purchased on Bandcamp.<\/a> <\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As evidenced by two recent collaborations with Wadada Leo Smith, Jakob Bro\u2019s Loveland Music, is releasing some of the most interesting improvised music recently. Yet, also on the label comes Thomas Morgan\u2019s Around You is a Forest (Loveland, 2025), which may well be the most unique album made in a long time. Morgan long ago [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":11544,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":435,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Review: Thomas Morgan\u2019s \u2018Around You is a Forest\u2019","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-11542","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/11\/img_2508.jpg?fit=759%2C506&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-30a","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11472,"url":"https:\/\/postgenre.org\/staging\/4567\/review-jakob-bro-musasaki-montclair\/","url_meta":{"origin":11542,"position":0},"title":"Review: Jakob Bro\u2019s \u2018Murasaki\u2019 and \u2018The Montclair Sessions\u2019","author":"Jim Hynes","date":"October 25, 2025","format":false,"excerpt":"Danish guitarist Jakob Bro is the owner of the Copenhagen-based Loveland Records,, a label issuing two albums within a month of each other: the more recently recorded trio of Bro, trumpeter Wadada Leo Smith, and drummer Marcus Gilmore for Murasaki (Loveland, 2025), and The Montclair Sessions (Loveland, 2025), from a\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2234.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2234.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2234.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_2234.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1902,"url":"https:\/\/postgenre.org\/staging\/4567\/emi-makabe-anniversary\/","url_meta":{"origin":11542,"position":1},"title":"Review: Emi Makabe&#8217;s &#8216;Anniversary&#8217;","author":"John Chacona","date":"November 11, 2020","format":false,"excerpt":"The title cut of Emi Makabe's debut full-length release, Anniversary (Greenleaf Music, 2020), is a graceful, bittersweet waltz about the kind of partings and reunions that form the bar lines in the lives of touring musicians. It's a spare duet for voice and bass made all the more poignant by\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/11\/EmiMakabe_RGB.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/11\/EmiMakabe_RGB.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/11\/EmiMakabe_RGB.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/11\/EmiMakabe_RGB.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5217,"url":"https:\/\/postgenre.org\/staging\/4567\/once-around-bro-lovano\/","url_meta":{"origin":11542,"position":2},"title":"Review: Jakob Bro and Joe Lovano\u2019s \u2018Once Around the Room: A Tribute to Paul Motian\u2019","author":"John Chacona","date":"November 7, 2022","format":false,"excerpt":"In an interview with Ethan Iverson on his Do the M@th blog, writer Ben Ratliff related an anecdote that Paul Motian once told him. \u201cHank Jones said to [Motian] one day, after they\u2019d been playing, \u2018I know your secret.\u2019 [Ratliff] said, \u2018Oh yeah? 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Several of our staff have worked with Anthony on other projects in the past and greatly respect his insight and skills as both a writer and broadcaster. More information on Anthony\u2026","rel":"","context":"In &quot;Lists&quot;","block_context":{"text":"Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/12\/BeFunky-collage9.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/12\/BeFunky-collage9.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/12\/BeFunky-collage9.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/12\/BeFunky-collage9.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11754,"url":"https:\/\/postgenre.org\/staging\/4567\/rob-shepherd-favorite-albums-of-2025\/","url_meta":{"origin":11542,"position":4},"title":"EIC Rob Shepherd&#8217;s Favorite Albums of 2025","author":"Rob Shepherd","date":"December 16, 2025","format":false,"excerpt":"2025 was a year of great growth for our site. In addition to Brian Kiwanuka and John Chacona\u2019s reviews, friend turned staff writer Jim Hynes, joined us in a big way. That includes his review of the Big Ears Festival, an event I\u00a0 have long wanted to attend, but for\u2026","rel":"","context":"In &quot;Best of Lists&quot;","block_context":{"text":"Best of Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/img_3222-2.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/img_3222-2.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/img_3222-2.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/img_3222-2.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11515,"url":"https:\/\/postgenre.org\/staging\/4567\/review-hikmah-pat-thomas\/","url_meta":{"origin":11542,"position":5},"title":"Review: Pat Thomas\u2019 \u2018Hikmah\u2019","author":"Jim Hynes","date":"November 5, 2025","format":false,"excerpt":"Hikmah (TAO Forms) is the solo album from [Ahmed]\u2019s virtuoso pianist Pat Thomas, whom Matthew Shipp has identified in his recent book as among the Black Mystery School Pianists. While Thomas may be in that school, his playing bears only a few similarities to his contemporary, Shipp. Thomas\u2019s music is\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/11\/img_2432.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/11\/img_2432.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/11\/img_2432.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/11\/img_2432.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=11542"}],"version-history":[{"count":5,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11542\/revisions"}],"predecessor-version":[{"id":11564,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11542\/revisions\/11564"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/11544"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=11542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=11542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=11542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}