{"id":11582,"date":"2025-11-20T22:23:49","date_gmt":"2025-11-21T04:23:49","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=11582"},"modified":"2025-12-03T21:17:42","modified_gmt":"2025-12-04T03:17:42","slug":"review-memories-home-scofield-holland","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-memories-home-scofield-holland\/","title":{"rendered":"Review: John Scofield and Dave Holland\u2019s \u2018Memories of Home\u2019"},"content":{"rendered":"\n<p>Guitarist John Scofield and <a href=\"https:\/\/postgenre.org\/staging\/4567\/no-isolation-dave-holland-i\/\">NEA Jazz Master bassist Dave Holland<\/a> are not only both masters of their respective instruments but incredibly prolific. Versatile too, especially Holland. Since both artists\u2019 rise &#8211; a decade apart &#8211; through their times with Miles Davis, they have respectively explored a wide area of music. That includes intimate duo settings. While Scofield is especially renowned for his trio work, his duo work has been far less recorded. Most &#8211; whether with John Medeski or Steve Swallow &#8211; have either not been recorded at all or have made up only portions of an album. Holland, by contrast, is a champion of duo recordings. More than five decades ago, he played freely with guitarist Derek Bailey, bassist Barre Phillips, and multi-instrumentalist Sam Rivers and, more recently, with Spanish flamenco guitarist Pepe Habichuela and pianist Kenny Barron. With <em>Memories of Home<\/em> (ECM, 2025), Scofield and Holland bring to the studio the duo communications which they have been touring for the past few years.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_2C50Et5nED8\"><div id=\"lyte_2C50Et5nED8\" data-src=\"\/\/i.ytimg.com\/vi\/2C50Et5nED8\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/2C50Et5nED8\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/2C50Et5nED8\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Prior to first taking the stage as a duo, both gentlemen were hardly strangers to one another. They were both on Joe Henderson\u2019s classic&nbsp; Miles tribute, <em>So Near, So Far<\/em> <em>(Musings For Miles)<\/em> (Verve, 1993) and together made up one half of the all-star quartet &#8220;ScoLoHoFo&#8221; with Joe Lovano and Al Foster. Memories of Home is about as straightforward as it gets; Scofield on his Ibanez AS200 electric guitar and Holland on double bass. No effects. No distortions.&nbsp;<\/p>\n\n\n\n<p>Leading off is Scofield\u2019s \u201cIcons at the Fair,\u201d inspired by Herbie Hancock\u2019s arrangement of \u201cScarborough Fair\u201d on <em>The New Standard <\/em>(Verve, 1996), an album that featured both duo partners. The melody of Scofield\u2019s piece hints to the shared inspiration both men have in Miles. A previous version of the composition appears on the guitarist\u2019s <em>Combo 66<\/em> (Decda, 2018) but the new rendition has its own distinct sense of energy that carries through the track. The call-and-response dialogue in the last two minutes is especially dynamic. Another Scofield piece, \u201cMeant to Be,\u201d is a flowing, lyrical piece he has played in various configurations from trio to big band. Listen to how Holland picks up on the guitarist\u2019s melodicism in his own turn. \u201cMine Are Blues\u201d has an angular, up-tempo drive that is propelled by Holland\u2019s muscular bass. It stands in stark contrast to the lyrical approach heard on \u201cMeant to Be.\u201d Gorgeous interplay courses through the guitarist\u2019s \u201cMemorette,\u201d a song first heard on his <em>This Meets That <\/em>(Universal, 2007) with Steve Swallow and Bill Stewart.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_QKJGodw_sPs\"><div id=\"lyte_QKJGodw_sPs\" data-src=\"\/\/i.ytimg.com\/vi\/QKJGodw_sPs\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/QKJGodw_sPs\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/QKJGodw_sPs\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>The back half &#8211; the remaining five compositions &#8211; are all penned by Holland except for Scofield\u2019s \u201cEasy for You.\u201d The bassist&#8217;s tribute to his hero, Ray Brown, \u201cMr. B\u201d hints of the blues even as it echoes Brown\u2019s work with Herb Ellis and Barney Kessel. Holland\u2019s tune, \u201cNot for Nothin\u2019,\u201d perhaps his best known, begins with a riveting bass solo, from which a sturdy but elastic groove develops between the two. That tune, as well as \u201cYou I Love,\u201d appeared on Holland\u2019s earlier ECM recordings. The former is from his 2001 quintet album [<em>Not for Nothin\u2019<\/em> (ECM, 2001)], and the latter was first heard almost two decades earlier on the inaugural stint of that same ensemble, <em>Jumpin&#8217; In<\/em> (ECM, 1984). \u201cYou I Love,\u201d like \u201cIcons at the Fair,\u201d is a contrafact, this time based on Cole Porter\u2019s \u201cI Love You.\u201d The title track is unlike anything else on the disc, as its hues owe more to traditional country music, of which both artists are fond. The piece has its roots in <em>Vassar Clements\/John Hartford\/Dave Holland<\/em> (Rounder, 1985), a pioneering jazz-grass session. You\u2019ll hear Scofield bending his notes and Holland nodding to the late Charlie Haden, whose offspring have done quite well in the country and Americana formats. The tone here is especially reverent, making for a beautiful close to this intimate session.<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_pkLwbdGhC_Y\"><div id=\"lyte_pkLwbdGhC_Y\" data-src=\"\/\/i.ytimg.com\/vi\/pkLwbdGhC_Y\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/pkLwbdGhC_Y\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/pkLwbdGhC_Y\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Yet, perhaps the most compelling track is also, at a little over eight minutes, the lengthiest. The tender ballad \u201cEasy for You,\u201d previously recorded on Scofield\u2019s <em>What We Do<\/em> (Blue Note, 1993) with Joe Lovano. Scofield opens deliberately, and while there is little sense of tempo, he hints at subtle swing. Holland enters to underpin his lines before delivering his most inventive solo on the disc as he digs deep into the piece\u2019s bittersweet tone. Scofield sounds more inspired in his second entrance, likely marvelling at Holland\u2019s take. They recap the theme briefly and exit quietly.<\/p>\n\n\n\n<p>Most avid listeners have long admired the tones that Scofield and Holland coax from their respective instruments. Given ECM\u2019s long-held reputation for exceptional recording quality, those tones are simply immaculate on <em>Memories of Home<\/em>. You might not guess that this is the duo\u2019s first recording. Their chemistry could not be any tighter.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>\u2018Memories of Home\u2019 will be released on ECM Records on November 21, 2025. It can be <a href=\"https:\/\/ecmrecords.com\/product\/memories-of-home-john-scofield-dave-holland\/\">purchased from the label<\/a>. <\/em><\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Photo credit: Luciano Rossetti<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guitarist John Scofield and NEA Jazz Master bassist Dave Holland are not only both masters of their respective instruments but incredibly prolific. Versatile too, especially Holland. Since both artists\u2019 rise &#8211; a decade apart &#8211; through their times with Miles Davis, they have respectively explored a wide area of music. That includes intimate duo settings. [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":11581,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":285,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Review: John Scofield and Dave Holland\u2019s \u2018Memories of Home\u2019","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[1054,1411,1406,1410,215,1409,1407,21,1408,1405],"class_list":["post-11582","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-dave-holland","tag-double-bass","tag-duo-recordings","tag-electric-guitar","tag-herbie-hancock","tag-ibanez-guitar","tag-jazz-trio","tag-miles-davis","tag-scarborough-fair","tag-scofield"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/11\/img_2618.jpg?fit=2000%2C1333&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-30O","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2783,"url":"https:\/\/postgenre.org\/staging\/4567\/newport-2021-lineup-selections\/","url_meta":{"origin":11582,"position":0},"title":"Five Genre-Defying Selections from the Newport Jazz Festival\u2019s 2021 Lineup","author":"Rob Shepherd","date":"June 9, 2021","format":false,"excerpt":"After a year canceled by the COVID-19 pandemic, the historic Newport Jazz Festival has announced it will be presenting the 2021 Festival at its home for the past four decades, Fort Adams State Park. To ensure safety, however, it will be scaled back from its usual scope. Four stages will\u2026","rel":"","context":"In &quot;Lists&quot;","block_context":{"text":"Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/06\/newportjazzpresents750.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/06\/newportjazzpresents750.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/06\/newportjazzpresents750.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/06\/newportjazzpresents750.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6844,"url":"https:\/\/postgenre.org\/staging\/4567\/inevitable-funkiness-scary-larry-goldings\/","url_meta":{"origin":11582,"position":1},"title":"Inevitable Funkiness: A Conversation with Larry Goldings on Scary Goldings","author":"Rob Shepherd","date":"September 18, 2023","format":false,"excerpt":"A fifth of the way into the twenty-first century, James Brown\u2019s question of \u201cAin\u2019t It Funky Now?\u201d Is perhaps best read as \u201cWhere\u2019s It Funky Now?\u201d Most funk icons are gone, retired, or mere shadows of their musical former selves. The Godfather of Soul died in 2006. George Clinton continually\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/09\/Untitled11.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/09\/Untitled11.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/09\/Untitled11.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/09\/Untitled11.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9508,"url":"https:\/\/postgenre.org\/staging\/4567\/no-isolation-dave-holland-i\/","url_meta":{"origin":11582,"position":2},"title":"No Isolation: A Conversation with Dave Holland (Part One)","author":"Rob Shepherd","date":"September 1, 2024","format":false,"excerpt":"Ludwig van Beethoven once noted, \"Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend.\" Such knowledge includes a unified understanding of humanity in which we all, to some extent, influence one another. Given the brilliance of their output, it\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9505-1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9505-1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9505-1.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9505-1.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9505-1.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":4897,"url":"https:\/\/postgenre.org\/staging\/4567\/2022-newport-preview-friday\/","url_meta":{"origin":11582,"position":3},"title":"What to See at the 2022 Newport Jazz Festival &#8211; Friday","author":"Rob Shepherd","date":"July 25, 2022","format":false,"excerpt":"Especially after attending for nearly two decades, this author has a deep admiration and respect for the Newport Jazz Festival. Our site extensively covers the history of the legendary festival from before its formation to the present. Under normal circumstances, our site would feature coverage from Fort Adams of the\u2026","rel":"","context":"In &quot;Newport Jazz Festival History&quot;","block_context":{"text":"Newport Jazz Festival History","link":"https:\/\/postgenre.org\/staging\/4567\/category\/special-series\/newport-jazz-history\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/P80108471.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/P80108471.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/P80108471.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/P80108471.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9557,"url":"https:\/\/postgenre.org\/staging\/4567\/no-isolation-dave-holland-ii\/","url_meta":{"origin":11582,"position":4},"title":"No Isolation: A Conversation with Dave Holland (Part Two)","author":"Rob Shepherd","date":"September 4, 2024","format":false,"excerpt":"We continue our conversation (check out part one here) with NEA Jazz Master Dave Holland by digging into his solo works, bluegrass music, music from around the world, and more. PG: Since musical relationships are very important to you, it would be interesting to know more about your solo bass\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9533-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9533-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9533-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9533-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11798,"url":"https:\/\/postgenre.org\/staging\/4567\/introduction-cellar-door-sessions-fifty-five\/","url_meta":{"origin":11582,"position":5},"title":"The Cellar Door Sessions at Fifty-Five: An Introduction","author":"John Chacona","date":"December 17, 2025","format":false,"excerpt":"Fifty-five years ago this week, Miles Davis brought a new-ish band into Washington D.C.\u2019s Cellar Door club for a four-night engagement. Columbia Records, perhaps hoping to catch lightning in a bottle, sent a crew and two eight-track tape machines to record the ten sets. https:\/\/youtu.be\/d4dtGbrYKLs?si=uaLubwdtr11eKZ4P Edited versions of material from\u2026","rel":"","context":"In &quot;Special Series&quot;","block_context":{"text":"Special Series","link":"https:\/\/postgenre.org\/staging\/4567\/category\/special-series\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/Cellar-Door-Cover.png?fit=972%2C828&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/Cellar-Door-Cover.png?fit=972%2C828&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/Cellar-Door-Cover.png?fit=972%2C828&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/12\/Cellar-Door-Cover.png?fit=972%2C828&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=11582"}],"version-history":[{"count":5,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11582\/revisions"}],"predecessor-version":[{"id":11644,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/11582\/revisions\/11644"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/11581"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=11582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=11582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=11582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}