{"id":1159,"date":"2020-07-17T20:13:57","date_gmt":"2020-07-18T01:13:57","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=1159"},"modified":"2021-06-21T14:07:35","modified_gmt":"2021-06-21T19:07:35","slug":"newport-jazz-prologue","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/newport-jazz-prologue\/","title":{"rendered":"A History of the Newport Jazz Festival &#8211; Prologue:  Born in Storyville, 1950-1954"},"content":{"rendered":"\n<p>In September of 1950, twenty-four-year-old George Wein used his college savings to open a nightclub, Storyville, at Boston\u2019s Copley Square Hotel. The venue boldly planned to present jazz in a new light. Taking its name from the legendary New Orleans district of debauchery, brothels, and flophouses from whence the music came, the budding entrepreneur planned to reform its image towards one more reflective of the art form\u2019s true beauty. The approach was an instant success with people from across the city flocking to see the Bob Wilber Sextet\u2019s performances there. Within six weeks, however, the building owner\u2019s deceptive business practices forced Wein into an ethical dilemma. Rather than continuing to perpetuate these acts, he chose to shutter the business.&nbsp;<\/p>\n\n\n\n<p>Storyville reopened in February of 1951 at the Buckminster Hotel near Fenway Park. Unlike its predecessor, it initially struggled to find an audience. While this would have deterred many, Wein remained undaunted. By the fall, he expended a significant sum to book pianist George Shearing, who had a large following. The gamble paid off, beginning a series of sold-out performances. Over time, journalists increasingly visited and, through their writings, also exposed artists to a new audience. Throughout, it was clear that Storyville would be a place of serious reflection. Gone were the culture of drugs and prostitution that once undermined the music. And while chatter and background noise were unavoidable, the venue\u2019s focal point was unmistakable. As Nat Hentoff noted, \u201c[c]ompared to the other clubs in town, listening to a jazz musician at Storyville is like sitting at home with a pair of earphones.\u201d<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_v8O8spNbc4E\"><div id=\"lyte_v8O8spNbc4E\" data-src=\"\/\/i.ytimg.com\/vi\/v8O8spNbc4E\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/v8O8spNbc4E\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/v8O8spNbc4E\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p>The success of this location caused Wein to open a second club, Mahogany Hall, named after an infamous New Orleans bordello. By September of 1953, the Copley saw new ownership and Storyville returned to its original home triumphantly.* Over the years, various sets were recorded there by artists ranging from Sidney Bechet to Dave Brubeck to Billie Holiday.&nbsp;<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_4lIzwMzy5OY\"><div id=\"lyte_4lIzwMzy5OY\" data-src=\"\/\/i.ytimg.com\/vi\/4lIzwMzy5OY\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/4lIzwMzy5OY\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/4lIzwMzy5OY\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p>But it was on a cold winter night in 1953 at Storyville that Wein would take the first steps to make his greatest mark on history. That evening, a regular of the club, Professor Donald Born of nearby Boston University, was joined by a stylishly dressed redheaded woman who had been auditing his courses. Previously, she also studied at the New England Conservatory of Music and the Boston School of Fine Arts. Her name was Elaine Lorillard and, in addition to being an ardent music lover, she was the wife of Louis Livingston Lorillard, a descendant of tobacco tycoon Pierre Lorillard. The younger Lorillards were leaders of high society in Newport, Rhode Island.&nbsp;<\/p>\n\n\n\n<p>While a beautiful small city with an old New England charm, Newport was, in Elaine\u2019s words, \u201cterribly boring in the summer.\u201d She tried to add some excitement the prior year by hosting a performance by the New York Philharmonic at the Newport Casino, a historic club for the community\u2019s social \u201celites.\u201d The endeavor lost the Lorillards and their acquaintances $30,000. Elaine hoped that George could present something jazz-focused that would succeed where this prior project failed. Wein\u2019s immediate inclination was to open a summer-only club there. However, he gradually moved towards something bigger. Drawing inspiration from the Boston Symphony Orchestra\u2019s seasonal residency at Tanglewood, it ultimately became the Newport Jazz Festival.&nbsp;<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_G3XahDAIyNE\"><div id=\"lyte_G3XahDAIyNE\" data-src=\"\/\/i.ytimg.com\/vi\/G3XahDAIyNE\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/G3XahDAIyNE\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/G3XahDAIyNE\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p>In many ways, this project further emphasized Wein\u2019s goal of presenting jazz as \u201chigh art\u201d deserving of respect. The music itself has always idealized both diversity and democratization. In some ways, these stood in opposition to Newport\u2019s past. Even as it was a birthplace of religious tolerance, the city also played a significant role in the slave trade. To bring musicians &#8211; many of whose ancestors were slaves &#8211; to share their humanity and their creative brilliance had a beauty to it. Additionally, Newport was well known for its spacious mansions and opulence but the presentation of more socially marginalized voices put them, even temporarily, on a well-deserved more equal footing. In many ways, 1954 was also the perfect time to focus on the past due correction of these divides; <a href=\"https:\/\/supreme.justia.com\/cases\/federal\/us\/347\/483\/\">it was the same year the United States Supreme Court unanimously held in <em>Brown v. Board of Education<\/em> <em>of Topeka<\/em> (347 U.S. 483) that segregation in public schools needed to end because \u201cseparate but equal\u201d was inherently unequal.&nbsp;<\/a><\/p>\n\n\n\n<p>Wein wasn\u2019t entirely sure how he would present a festival. At the time, there had been very few besides the <a href=\"https:\/\/nextbop.com\/blog\/louis-armstrong-live-in-europe-review\">Nice Jazz Festival which started six years prior. <\/a>Upon obtaining the Lorillard\u2019s blessing and financial backing of $20,000 &#8211; roughly ten times that amount in today\u2019s dollars &#8211; he went to work setting what would become the blueprint for all modern music festivals, jazz or otherwise, to come.&nbsp;&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2200\" height=\"1768\" data-attachment-id=\"1183\" data-permalink=\"https:\/\/postgenre.org\/staging\/4567\/newport-jazz-prologue\/3aa450a920da0d09f52feea5e7aed1f1\/\" data-orig-file=\"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/3aa450a920da0d09f52feea5e7aed1f1.jpg?fit=2200%2C1768&amp;ssl=1\" data-orig-size=\"2200,1768\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"3aa450a920da0d09f52feea5e7aed1f1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/3aa450a920da0d09f52feea5e7aed1f1.jpg?fit=300%2C241&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/3aa450a920da0d09f52feea5e7aed1f1.jpg?fit=1024%2C823&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/postgenre.org\/wp-content\/uploads\/2020\/07\/3aa450a920da0d09f52feea5e7aed1f1.jpg?fit=640%2C514&amp;ssl=1\" alt=\"\" class=\"wp-image-1183\" srcset=\"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/3aa450a920da0d09f52feea5e7aed1f1.jpg?w=2200&amp;ssl=1 2200w, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/3aa450a920da0d09f52feea5e7aed1f1.jpg?resize=300%2C241&amp;ssl=1 300w, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/3aa450a920da0d09f52feea5e7aed1f1.jpg?resize=1024%2C823&amp;ssl=1 1024w, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/3aa450a920da0d09f52feea5e7aed1f1.jpg?resize=768%2C617&amp;ssl=1 768w, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/3aa450a920da0d09f52feea5e7aed1f1.jpg?resize=1536%2C1234&amp;ssl=1 1536w, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/3aa450a920da0d09f52feea5e7aed1f1.jpg?resize=2048%2C1646&amp;ssl=1 2048w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>George Wein (right) with Elaine and Louis Lorillard<\/figcaption><\/figure>\n\n\n\n<p>To further support the endeavor, Louis Lorillard established Newport Jazz Festival, Inc, a nonprofit organization, to host the event and secured the use of the Newport Casino\u2019s tennis court for a nominal rate. An architect, Hsio Wen Shih, was hired to design a cardboard soundstage as Wein\u2019s team worked out the creation of the very first photography pit and tried to find ways to make the most of limited outdoor audio technology and lighting.&nbsp;<\/p>\n\n\n\n<p>As far as the music itself, Wein intentionally kept the bookings as broad as possible, believing that artistic merit was not limited to preset category lines. On July 17, 1954, the two-evening event opened with a prologue by Stan Kenton who emphasized to a packed 7,000 member crowd the festival\u2019s historical significance.&nbsp;&nbsp;<\/p>\n\n\n\n<p>But the first act scheduled to follow, an all-star traditional jazz band led by Eddie Condon, was stuck in traffic. Newport\u2019s Mayor John J. Sullivan gave a speech to fill the time as the crowd became increasingly impatient and began chanting \u201clet\u2019s have music.\u201d<\/p>\n\n\n\n<p>* Storyville\u2019s scheduled lineup continued to grow in impressiveness over the ensuing years. By 1955, it hosted Duke Ellington, Max Roach, Clifford Brown, Erroll Garner, Gerry Mulligan, and Sarah Vaughn. Charlie Parker was slated to perform there on March 12, 1955, the night he passed away.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Significant portions of this prologue were adapted from the Music Museum of New England (<a href=\"https:\/\/www.mmone.org\/storyville\/\">https:\/\/www.mmone.org\/storyville\/<\/a>), George Wein\u2019s fantastic autobiography (co-written with Nate Chinen) &#8216;Myself Among Others&#8217; (Da Capo Press, 2009), and \u201850: The Newport Jazz Festival, 1954-2004\u2019. <br><br><a rel=\"sponsored nofollow\" href=\"https:\/\/amzn.to\/2WwdlUU\">George Wein&#8217;s &#8216;Myself Among Others&#8217; is available for purchase at your nearest bookseller. Or, if you would like to obtain it while supporting our site, you can buy it from our Amazon affiliate store. <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In September of 1950, twenty-four-year-old George Wein used his college savings to open a nightclub, Storyville, at Boston\u2019s Copley Square Hotel. The venue boldly planned to present jazz in a new light. Taking its name from the legendary New Orleans district of debauchery, brothels, and flophouses from whence the music came, the budding entrepreneur planned [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1190,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":328,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"On July 17th and 18, 1954, George Wein presented the inaugural Newport Jazz Festival, an event that changed all kinds of music forever. In honor of the initial festival's 66th anniversary, here is our prologue to a longer series coming soon. ","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1159,561],"tags":[654,653,655,641,640,650,651,48,643,49,50,645,646,648,657],"class_list":["post-1159","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newport-jazz-history","category-special-series","tag-billie-holiday","tag-dave-brubeck","tag-donald-born","tag-eliane-lorillard","tag-george-wein","tag-hsio-wen-shih","tag-nat-hentoff","tag-newport","tag-newport-casino","tag-newport-jazz","tag-newport-jazz-festival","tag-newport-rhode-island","tag-stan-kenton","tag-storyville","tag-tanglewood"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/2365_Wein352465.jpg?fit=750%2C614&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-iH","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6104,"url":"https:\/\/postgenre.org\/staging\/4567\/newport-jazz-performances-that-changed-music-history\/","url_meta":{"origin":1159,"position":0},"title":"The Recorded Legacy: Five Newport Performances that Changed Music History","author":"Rob Shepherd","date":"June 19, 2023","format":false,"excerpt":"One cannot adequately assess the history of the Newport Jazz Festival without examining the recordings captured at the event through the years. In many ways approaching the recorded history of Newport is a gargantuan task. Discogs currently reflects 3,292 Newport Jazz releases. Many of these are reissues of albums, and\u2026","rel":"","context":"In &quot;Newport Jazz Festival History&quot;","block_context":{"text":"Newport Jazz Festival History","link":"https:\/\/postgenre.org\/staging\/4567\/category\/special-series\/newport-jazz-history\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/BeFunky-collage-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4825,"url":"https:\/\/postgenre.org\/staging\/4567\/mcbride-2022-newport-preview\/","url_meta":{"origin":1159,"position":1},"title":"What the World Needs Now: Christian McBride on the 2022 Newport Jazz Festival and the Legacy of George Wein","author":"Rob Shepherd","date":"July 24, 2022","format":false,"excerpt":"In many ways, this summer\u2019s edition of the Newport Jazz Festival is similar to years past. It will be held at Fort Adams, the event's home since 1981. Newport will still serve as a barometer of the state of improvised music, whether by living legends, emerging talent, or those in\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/postgenre.org\/staging\/4567\/category\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/unnamed10.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/unnamed10.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/unnamed10.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/07\/unnamed10.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2997,"url":"https:\/\/postgenre.org\/staging\/4567\/newport-jazz-part-xv\/","url_meta":{"origin":1159,"position":2},"title":"A History of the Newport Jazz Festival &#8211; Chapter XV: Passing the Torch, 2009-2016","author":"Rob Shepherd","date":"July 22, 2021","format":false,"excerpt":"For most music festivals, the loss of a longtime sponsor could be a death knell.\u00a0 After all, organizers killed the Newport Rhythm and Blues Festival due to its inability to maintain a steady sponsor. The death of the company hosting the event on top of it would be - for\u2026","rel":"","context":"In &quot;Newport Jazz Festival History&quot;","block_context":{"text":"Newport Jazz Festival History","link":"https:\/\/postgenre.org\/staging\/4567\/category\/special-series\/newport-jazz-history\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/07\/BeFunky-collage16.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/07\/BeFunky-collage16.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/07\/BeFunky-collage16.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/07\/BeFunky-collage16.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2709,"url":"https:\/\/postgenre.org\/staging\/4567\/newport-jazz-part-ix\/","url_meta":{"origin":1159,"position":3},"title":"A History of the Newport Jazz Festival \u2013 Chapter IX: Homecoming, 1981-1983","author":"Rob Shepherd","date":"April 4, 2021","format":false,"excerpt":"\u201cWe\u2019re Back\u201d announced the front page of The Providence Journal, complete with a photo of a smiling George Wein, upon the news of the Newport Jazz Festival\u2019s return to America\u2019s First Resort. And while it was indeed a cause for celebration, the newly reborn festival differed significantly from its predecessor.\u2026","rel":"","context":"In &quot;Newport Jazz Festival History&quot;","block_context":{"text":"Newport Jazz Festival History","link":"https:\/\/postgenre.org\/staging\/4567\/category\/special-series\/newport-jazz-history\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/04\/newport-1981-1983.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/04\/newport-1981-1983.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/04\/newport-1981-1983.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/04\/newport-1981-1983.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1323,"url":"https:\/\/postgenre.org\/staging\/4567\/newport-jazz-part-iv\/","url_meta":{"origin":1159,"position":4},"title":"A History of the Newport Jazz Festival \u2013 Chapter IV: Revival, 1961-1964","author":"Rob Shepherd","date":"July 26, 2020","format":false,"excerpt":"Following the riots of the prior summer, there was no Newport Jazz Festival in 1961. However, the city had not abandoned the idea of being a cultural center for jazz. Instead, promoter Sid Bernstein hosted \u201cMusic at Newport.\u201d In some ways, it emulated the original. It was set in both\u2026","rel":"","context":"In &quot;Newport Jazz Festival History&quot;","block_context":{"text":"Newport Jazz Festival History","link":"https:\/\/postgenre.org\/staging\/4567\/category\/special-series\/newport-jazz-history\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/1956-19609.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/1956-19609.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/1956-19609.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/1956-19609.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1252,"url":"https:\/\/postgenre.org\/staging\/4567\/newport-jazz-part-ii\/","url_meta":{"origin":1159,"position":5},"title":"A History of the Newport Jazz Festival \u2013 Chapter II: Diminuendo and Crescendo, 1956","author":"Rob Shepherd","date":"July 24, 2020","format":false,"excerpt":"The 1956 Newport Jazz Festival\u2019s schedule was adjusted slightly compared to the prior two outings. While still a three-day event with a focus on nighttime performances, it was moved up a day to begin on Thursday and end on Saturday while also having an earlier start time. Much of the\u2026","rel":"","context":"In &quot;Newport Jazz Festival History&quot;","block_context":{"text":"Newport Jazz Festival History","link":"https:\/\/postgenre.org\/staging\/4567\/category\/special-series\/newport-jazz-history\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/1956-19604.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/1956-19604.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/1956-19604.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/07\/1956-19604.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/1159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=1159"}],"version-history":[{"count":5,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/1159\/revisions"}],"predecessor-version":[{"id":2810,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/1159\/revisions\/2810"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/1190"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=1159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=1159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=1159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}