{"id":12000,"date":"2026-01-13T19:30:58","date_gmt":"2026-01-14T01:30:58","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=12000"},"modified":"2026-01-13T19:30:58","modified_gmt":"2026-01-14T01:30:58","slug":"review-dream-archives-craig-taborn","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-dream-archives-craig-taborn\/","title":{"rendered":"Review: Craig Taborn\u2019s \u2018Dream Archives\u2019"},"content":{"rendered":"\n<p>The first release by Craig Taborn since being named a MacArthur Fellow in late 2025, <em>Dream Archives <\/em>(ECM, 2026) finds the pianist\/composer leading an unusual trio with noted cellist Tomeka Reid and in-demand drummer-vibraphonist Ches Smith. All three are acclaimed bandleaders in their own right, with Reid having an extensive history of collaboration through her association with the AACM and as contributor to Myra Melford and Dave Douglas and Smith equally in-demand. While the leader also plays various keyboards, the acoustic piano is prevalent throughout the record. Even so, the trio creates soundscapes that belie a conventional piano trio format. Sounds merge collectively and freely.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-9-16 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_nIx0oYaDcZ4\"><div id=\"lyte_nIx0oYaDcZ4\" data-src=\"\/\/i.ytimg.com\/vi\/nIx0oYaDcZ4\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/nIx0oYaDcZ4\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/nIx0oYaDcZ4\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Unlike most ECM albums, <em>Dream Archives<\/em> was recorded in the States, specifically in New Haven, Connecticut. But it was produced by Manfred Eicher, whose characteristic use of space and silence pervades the recording. Taborn composed four pieces, with two others owing to Paul Motian and Geri Allen. On the whole, the album is cerebral, though some tracks are more accessible and logically structured than others. Certain idioms seem pulled from history, altered slightly by electronics and the blending with Reid\u2019s contributions, part melodic and part pizzicato bass.&nbsp;&nbsp;<\/p>\n\n\n\n<p>\u201cCoordinates for the Absent\u201d leads off with Taborn\u2019s tinkling piano enveloped in an ethereal blend of electronics, Reid\u2019s whispers on the high end and drones on the bottom, and with Smith\u2019s chattering percussion. The spacey soundscape never quite latches into a groove. Instead it remains suspended in the ether, marked by dense chords and a few arpeggios from Taborn, punctuated by ever-changing percussive elements and dizzying electronics.&nbsp;<\/p>\n\n\n\n<p>Reid and Taborn soon engage in joyous, dancing interplay to begin the standout track \u201cFeeding Maps to the Fire,\u201d as Smith\u2019s percussion drives the forward momentum. The sequence then morphs into a series of dense chords by Taborn, with Reid gently maneuvering on the high end. They ultimately give way to a feisty, unpredictable conversation between Smith and Taborn, with constantly shifting patterns.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_9aS-Tge36TE\"><div id=\"lyte_9aS-Tge36TE\" data-src=\"\/\/i.ytimg.com\/vi\/9aS-Tge36TE\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/9aS-Tge36TE\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/9aS-Tge36TE\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>Similarly danceable grooves interplay in Allen\u2019s \u201cWhen Kabuya Dances.\u201d The piece\u2019s intro highlights minimal single-note piano figures, before the trio gathers momentum in the compound meter main section, remaining faithful to its author\u2019s jubilant arrangement. The trio swings blissfully here, in the realm of a piano trio. Motian\u2019s \u201cMumbo Jumbo\u201d first appeared on the drummer\u2019s <em>From Time to Time<\/em> (JMT, 1991). The trio\u2019s version provides a prominence to Reid\u2019s strings, with Taborn moving from elemental single notes to wild, all-encompassing excursions.&nbsp;&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_otiHt-7csLo\"><div id=\"lyte_otiHt-7csLo\" data-src=\"\/\/i.ytimg.com\/vi\/otiHt-7csLo\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/otiHt-7csLo\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/otiHt-7csLo\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p>The album\u2019s final two pieces are both largely improvised and each run close to twelve minutes. The angular title track is filled with start-stop and off-kilter rhythms and dynamics that range from the bombastic to the barely audible. Taborn\u2019s piano seems to tiptoe through a murky, mysterious space formed by Smith\u2019s array of electronics and buzzing percussion. The leader gathers more confidence and deliberate intention as the piece evolves, despite the gamut of obstacles in his path.&nbsp; The closing \u201cEnchant\u201d forms a bookend of sorts with the album\u2019s opener. One can get lost in the trance-like vibe the trio proffers alongside Reid\u2019s foreboding tones. Smith\u2019s gusts of cymbal flourishes around the five and seven-minute marks seemingly signal a change in direction. Yet, the piece stays on its original course with the piano issuing repeatable refrains. Finally, a semblance of groove behind Smith\u2019s kit work around the ten-minute mark suggests a promising ride that ends all too abruptly.&nbsp;<\/p>\n\n\n\n<p><em>Dream Archives<\/em>\u2019s complex and intricate music lives up to its title. Taborn and his cohorts take the listener from dreamy, hypnotic states to exhilaration, mystery, and the unexpected. While at times unsettling, the overall effect is curiously uplifting and exploratory, encouraging repeat listening.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>\u2018Dream Archives\u2019 will be released on ECM Records on January 16, 2026. It can be purchased <a href=\"https:\/\/ecmrecords.com\/product\/dream-archives-craig-taborn-tomeka-reid-ches-smith\/\">directly from the label<\/a>. <\/em><\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Photo credit: Roberto Cifarelli<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The first release by Craig Taborn since being named a MacArthur Fellow in late 2025, Dream Archives (ECM, 2026) finds the pianist\/composer leading an unusual trio with noted cellist Tomeka Reid and in-demand drummer-vibraphonist Ches Smith. All three are acclaimed bandleaders in their own right, with Reid having an extensive history of collaboration through her [&hellip;]<\/p>\n","protected":false},"author":59,"featured_media":11999,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":128,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Review: Craig Taborn\u2019s \u2018Dream Archives\u2019","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[1358,1512,82,1513,1517,1407,1515,1514,1516,1511],"class_list":["post-12000","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-aacm","tag-ches-smith","tag-craig-taborn","tag-ecm-records","tag-geri-allen","tag-jazz-trio","tag-manfred-eicher","tag-new-haven","tag-paul-motian","tag-tomeka-reid"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2026\/01\/img_3839.jpg?fit=750%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-37y","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11351,"url":"https:\/\/postgenre.org\/staging\/4567\/review-trio-of-bloom\/","url_meta":{"origin":12000,"position":0},"title":"Review: \u2018Trio of Bloom\u2019 with Nels Cline, Craig Taborn, and Marcus Gilmore","author":"Jim Hynes","date":"September 25, 2025","format":false,"excerpt":"Trio of Bloom (Pyroclastic, 2025) is the first meeting of three titans of creative music, artists to whom genres and boundaries hold little meaning. You can regularly find each of them in conventional or edgy sessions, or within the turf that lies between. The term in the promotional notes is\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1731.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1731.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1731.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1731.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":4460,"url":"https:\/\/postgenre.org\/staging\/4567\/open-interpretation-ches-smith\/","url_meta":{"origin":12000,"position":1},"title":"Open to Interpretation: A Conversation with Ches Smith","author":"Rob Shepherd","date":"May 18, 2022","format":false,"excerpt":"People often start down the path of better understanding and appreciating art by emphasizing an artist's intent. While a valid line of inquiry, this focus on artistic objectives is also flawed. Too often, the interpreter's personal biases predominate the analysis. Ultimately, subjectivity is an inescapable part of every artistic study.\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/05\/Taborn_Frisell_Smith_Maneri_photo_by_Kesler_Pierre-1.jpg?fit=750%2C499&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/05\/Taborn_Frisell_Smith_Maneri_photo_by_Kesler_Pierre-1.jpg?fit=750%2C499&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/05\/Taborn_Frisell_Smith_Maneri_photo_by_Kesler_Pierre-1.jpg?fit=750%2C499&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/05\/Taborn_Frisell_Smith_Maneri_photo_by_Kesler_Pierre-1.jpg?fit=750%2C499&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2029,"url":"https:\/\/postgenre.org\/staging\/4567\/kiwanuka-2019-list\/","url_meta":{"origin":12000,"position":2},"title":"Brian Kiwanuka\u2019s Favorite Jazz Albums of 2019","author":"Brian Kiwanuka","date":"November 27, 2020","format":false,"excerpt":"As the PostGenre Team is working on their list(s) of Favorites from 2020, here is a flashback to Brian Kiwanuka\u2019s 2019 list. This list originally appeared at Nextbop. 10. Brandee Younger \u2013 Soul Awakening (Self Release) The harp is a spellbinding instrument and throughout Soul Awakening Brandee Younger is a\u2026","rel":"","context":"In &quot;Lists&quot;","block_context":{"text":"Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/11\/BeFunky-collage4.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/11\/BeFunky-collage4.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/11\/BeFunky-collage4.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/11\/BeFunky-collage4.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10557,"url":"https:\/\/postgenre.org\/staging\/4567\/review-ches-smith-clone-row\/","url_meta":{"origin":12000,"position":3},"title":"Review: Ches Smith&#8217;s &#8216;Clone Row&#8217;","author":"Jim Hynes","date":"June 2, 2025","format":false,"excerpt":"One never knows where drummer-composer Ches Smith\u2019s muse will take him next. From the Haitian voudou of We All Break: Path of Seven Colors (Pyroclastic, 2021) to the uncategorizable mash-ups of Laugh Ash (Pyroclastic, 2024) to inventive trio albums with violist Mat Maneri and Craig Taborn to whatever else strikes\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/05\/Credit_Chase-Pierson_FOR03806-ARW_DxO_DeepPRIME-copy-2.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/05\/Credit_Chase-Pierson_FOR03806-ARW_DxO_DeepPRIME-copy-2.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/05\/Credit_Chase-Pierson_FOR03806-ARW_DxO_DeepPRIME-copy-2.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/05\/Credit_Chase-Pierson_FOR03806-ARW_DxO_DeepPRIME-copy-2.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8537,"url":"https:\/\/postgenre.org\/staging\/4567\/constructing-sound-tomeka-reid\/","url_meta":{"origin":12000,"position":4},"title":"Constructing Sound: A Conversation with Tomeka Reid on &#8216;3+3&#8217;","author":"Rob Shepherd","date":"May 29, 2024","format":false,"excerpt":"Joann Wolfgang von Goethe once remarked, \"Music is liquid architecture; Architecture is frozen music.\u201d But the philosopher is hardly the first to notice the shared facets - terms rhythm, texture, harmony, and proportion - between musical and physical blueprints. Some architects have attempted to examine their works' connections to music.\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/05\/unnamed21.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/05\/unnamed21.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/05\/unnamed21.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/05\/unnamed21.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":561,"url":"https:\/\/postgenre.org\/staging\/4567\/rob-shepherds-favorite-jazz-albums-of-the-2010s\/","url_meta":{"origin":12000,"position":5},"title":"Rob Shepherd&#8217;s Favorite Jazz Albums: 2009-2019","author":"Rob Shepherd","date":"December 24, 2019","format":false,"excerpt":"Editorial Note: Although PostGenre is the home of more than just \"jazz\" music, much of \"jazz\" consists of an amalgamation of various styles and approaches to music. This list, a republication of one that appeared on Nextbop on December 24, 2019, particularly shows the eclecticism of much of today's \"jazz.\"\u2026","rel":"","context":"In &quot;Lists&quot;","block_context":{"text":"Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists\/"},"img":{"alt_text":"best of 2010s","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/Rob-Shepherd-Favorite-Jazz-Albums-Decade.jpg?fit=1024%2C475&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/Rob-Shepherd-Favorite-Jazz-Albums-Decade.jpg?fit=1024%2C475&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/Rob-Shepherd-Favorite-Jazz-Albums-Decade.jpg?fit=1024%2C475&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/Rob-Shepherd-Favorite-Jazz-Albums-Decade.jpg?fit=1024%2C475&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/12000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=12000"}],"version-history":[{"count":1,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/12000\/revisions"}],"predecessor-version":[{"id":12001,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/12000\/revisions\/12001"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/11999"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=12000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=12000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=12000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}