{"id":1600,"date":"2020-08-20T08:04:19","date_gmt":"2020-08-20T13:04:19","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=1600"},"modified":"2021-06-24T17:04:20","modified_gmt":"2021-06-24T22:04:20","slug":"review-valle-jid003","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-valle-jid003\/","title":{"rendered":"Review: Marcos Valle, Adrian Younge &amp; Ali Shaheed Muhammad\u2019s \u2018Marcos Valle JID 003\u2019"},"content":{"rendered":"\n<p>In the year 1500, navigator Pedro \u00c1lvares Cabral claimed Brazil as a colony for the Portuguese empire. Despite the region\u2019s immense beauty, the measure was primarily a strategic one, beginning an era deemed \u201cThe Sugar Age,\u201d in which millions of slaves were imported, particularly from Congo,&nbsp; to harvest the resource and send it throughout the world. These African \u201cescravos\u201d brought with them their traditional customs, including music and dance. By the Seventeenth Century, these influences laid the groundwork for samba de roda &#8211; a dance in which a lone woman is circled by others who clap their hands while they sing. By slavery\u2019s prohibition in 1888, 66 years after independence from Portugal, the dance and corresponding music spread throughout the country, adapting and changing as it went. In the 1930s, a slower and more romantic version, known as samba-cancao came to the fore. Antonio Carlos Jobim and Joao Gilberto merged this low-tempo variant with another derived from slaves, jazz, in the late 1950s to create bossa nova. This \u201cnew trend\u201d became a worldwide craze during the 1960s with releases by artists like Stan Getz and Charlie Bird. Its success just further opened the doors for others to reexplore the samba and its creative offspring. M\u00fasica Popular Brasileira (MPB) built itself upon infusing not only jazz but also rock, funk, and other foreign approaches. The third volume of Adrian Younge and Ali Shaheed Muhammad\u2019s Jazz is Dead series, <em>Marcos Valle JID 003<\/em>, confirms that this approach is very much alive.&nbsp;<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_frDpc0zd-mk\"><div id=\"lyte_frDpc0zd-mk\" data-src=\"\/\/i.ytimg.com\/vi\/frDpc0zd-mk\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/frDpc0zd-mk\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/frDpc0zd-mk\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p>Valle has a long history of exploring the outer edges of his nation\u2019s music. He began with bossa nova in the early to mid-1960s, with <em>Samba \u201cDemais\u201d<\/em> (Odeon, 1963) and <em>O Compositor e o Cantor<\/em> (Odeon, 1965). The latter produced what would become his most recognizable song \u201cSamba De Ver\u00e3o,\u201d also known as \u201cSo Nice (Summer Samba).\u201d In 1966 this lead to his traveling to the United States where he toured with Sergio Mendes in a group that later became Brasil \u201866. The following year, facing the potential threat of being drafted to fight in the Vietnam War, the vocalist returned home. At the time, Brazil was ruled by an oppressive military dictatorship, which in turn moved his music from a lighter tone to an edgier and more experimental one which incorporated various musical ideas from around the world. This new sound resulted in the rapid succession of four ground-breaking albums &#8211; his self-titled release (Odeon, 1970), <em>Garra<\/em> (Odeon, 1971), <em>Vento Sul<\/em> (Odeon, 1972), and <em>Previs\u00e3o do Tempo<\/em> (Odeon, 1973)- which drew from progressive rock, psychedelia, orchestral, soul, pop, and jazz. Collaborations with influential bands &#8211; Som Imaginaro, O Terco, and Azymuth also followed. By 1975, the Fifth Brazilian Republic became so tyrannical Valle left for Los Angeles, where he contributed his skills to the music of Airto Moreira, Chicago, Sarah Vaughn, and Leon Ware before returning home in the 1980s. Despite working with numerous American musicians during the period, <em>Marcos Valle JID 003<\/em> marks his first US album as a leader in over fifty years.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>In some ways, <em>JID 003<\/em> is a continuation of his prior works. The allure of his prior recordings resonated in their laid back, exotic, and relaxed ethos. The pieces were distinctly Brazilian. Similarly, the gentle vocalese and slow-moving keyboards on \u201cQueira Bem\u201d evoke images of sailboats gently gliding across a bay on a gentle breeze. The slightly more up-tempo \u201cIsso \u00c9 Que Eu Sei\u201d retains a mysteriousness to it created from both the occasional splash of electronics and the vocalist\u2019s curved tones. \u201cVIajando Por A\u00ed\u201d&nbsp; begins with drums, electric guitar, and keyboards presenting the raucousness of a plane lifting off but once in flight recalls the perceived glamour of air travel in the 1960s as represented by the trading of bars between Valle and Patricia Alvi over a flute backdrop. With \u201cOur Train\u201d the drums forge a rhythm that, in conjunction with guitar, presents a steam locomotive gliding gently along the tracks and past sites of beauty with a synthesizer representing the periodic announcements of a conductor. Taken as a whole, the album is an escape; a sonic vacation for those denied one in a time of quarantine and isolation.&nbsp;<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_wOdKnqWn1I0\"><div id=\"lyte_wOdKnqWn1I0\" data-src=\"\/\/i.ytimg.com\/vi\/wOdKnqWn1I0\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/wOdKnqWn1I0\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/wOdKnqWn1I0\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p>But <em>JID 003<\/em> is also markedly different. Valle\u2019s voice lacks the boyish charm of his early output. It retains its smoothness but is also sometimes slightly rough around the edges, showing the passage of time. This is most notable on \u201cGotta Love Again,\u201d a loungey piece in which the lyrics are primarily in English. While nicely complementing the flute\u2019s dulcet tones for most of the composition, at others he is a&nbsp; little more rugged and weathered, learned from life.&nbsp;<\/p>\n\n\n\n<p>There is also a general looseness to the compositions themselves. Ironically, often producing music with a mellow aesthetic seemingly requires a more rigorous and exacting approach. It appears, thankfully, this message was never heeded by these artists. Here, it is often difficult to distinguish between improvised and pre-composed segments. Apparently, in the recording sessions, Valle even made a few lyrical choices on the spot. This spontaneity and openness sometimes falters. The repeated \u201cGeesh\u201d on \u201cOi\u201d can be distracting. In all, however, it generally succeeds in furthering the album\u2019s general approach by creating space and openness.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=1156176687\/album=2588212726\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p>At its core, <em>JID 003<\/em> asks listeners to re-examine the bossa nova form that took the world by storm half a century ago, the samba which made it possible, and how artists have built off of both in the ensuing years to create new art. Younge, Muhammad, and Valle neither ignore the past nor dwell in it. Instead, they stay true to the concepts of MPB, to take that which came before and build upon it. <\/p>\n\n\n\n<p><em><strong><a href=\"https:\/\/jazzisdead.bandcamp.com\/album\/marcos-valle-jid003\">JID 003 will be released on August 21, 2020. It can be purchased <\/a><\/strong><\/em><strong><em><a href=\"https:\/\/jazzisdead.bandcamp.com\/album\/marcos-valle-jid003\">as a digital file, LP, or CD. It is also available as part of the Jazz is Dead subscription service which includes exclusive vinyl, merchandise, and other content.<\/a><\/em><\/strong><br><br><a href=\"https:\/\/amzn.to\/3iVSSl9\"><strong><em>Or, if you would like to both purchase the album and help our site offset its operating costs, you can buy it from our Amazon affiliate store.<\/em><\/strong><\/a><\/p>\n\n\n\n<p>Tracklist: 1. Queira Bem, 2. Isso \u00c9 Que Eu Sei, 3. Oi, 4. Viajando Por A\u00ed,  5. Gotta Love Again, 6. N\u00e3o Saia Da Pra\u00e7a, 7. Our Train, 8. A Gente Volta Amanh\u00e3.<br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the year 1500, navigator Pedro \u00c1lvares Cabral claimed Brazil as a colony for the Portuguese empire. Despite the region\u2019s immense beauty, the measure was primarily a strategic one, beginning an era deemed \u201cThe Sugar Age,\u201d in which millions of slaves were imported, particularly from Congo,&nbsp; to harvest the resource and send it throughout the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1601,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":23,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,1184],"tags":[601,1101,1190,1191,598,1185,1186,1195,1194,1192,1189,728],"class_list":["post-1600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","category-jazz-is-dead","tag-adrian-younge","tag-airto-moreira","tag-antonio-carlos-jobim","tag-azymuth","tag-jazz-is-dead","tag-jid","tag-jid-003","tag-joao-gilberto","tag-leon-ware","tag-musica-popular-brasileira","tag-samba","tag-sarah-vaughn"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/0Z3A3465-scaled.jpg?fit=2560%2C1707&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-pO","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":982,"url":"https:\/\/postgenre.org\/staging\/4567\/review-roy-ayers-adrian-younge-ali-shaheed-muhammad-roy-ayers-jid-002\/","url_meta":{"origin":1600,"position":0},"title":"Review: Roy Ayers, Adrian Younge &#038; Ali Shaheed Muhammad&#8217;s &#8216;Roy Ayers JID 002&#8217;","author":"Rob Shepherd","date":"June 21, 2020","format":false,"excerpt":"Humanity has a longstanding fascination with incorporating the latest technological developments into music. This interest is perhaps most evident in the history of sampling. In the 1940s, Pierre Schaeffer started producing sonic collages by splicing and manipulating sound recordings. His works formed the base of an experimental form known as\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"Roy Ayers Ali Shaheed Muhammad Adrian Younge","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/06\/0Z3A9960-e1592536780708.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/06\/0Z3A9960-e1592536780708.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/06\/0Z3A9960-e1592536780708.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/06\/0Z3A9960-e1592536780708.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/06\/0Z3A9960-e1592536780708.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1771,"url":"https:\/\/postgenre.org\/staging\/4567\/azymuth-jid-004\/","url_meta":{"origin":1600,"position":1},"title":"Review: Azymuth, Adrian Younge &#038; Ali Shaheed Muhammad\u2019s \u2018Azymuth JID 004&#8242;","author":"Rob Shepherd","date":"October 19, 2020","format":false,"excerpt":"In the field of astrodynamics, azimuth is essentially a way of navigating based on an established location, usually true North. Even its etymology suggests use in voyaging as it was derived from the Arabic term as-sum\u016bt, roughly translated into \"the directions.\"\u00a0 It is an excellent descriptor for a trio that\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/10\/211A1628.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/10\/211A1628.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/10\/211A1628.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/10\/211A1628.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10060,"url":"https:\/\/postgenre.org\/staging\/4567\/protecting-the-history-a-conversation-with-ebo-taylor\/","url_meta":{"origin":1600,"position":2},"title":"Protecting the History: A Conversation with Ebo Taylor","author":"Rob Shepherd","date":"January 23, 2025","format":false,"excerpt":"Many define \u201cjazz\u201d as the meeting of African rhythms and European harmonies. In a sense, this narrative is accurate - if you remove the influence of the church, songs of the field, or cues from the homeland - the form would cease to exist. But, in another sense, this effort\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/01\/img_0968-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/01\/img_0968-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/01\/img_0968-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/01\/img_0968-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5993,"url":"https:\/\/postgenre.org\/staging\/4567\/peace-sound-lonnie-liston-smith-i\/","url_meta":{"origin":1600,"position":3},"title":"Peace Through Sound:  A Conversation with Lonnie Liston Smith (Part One)","author":"Rob Shepherd","date":"June 8, 2023","format":false,"excerpt":"Across their almost twenty volumes of the Jazz is Dead series, performer-producers Ali Shaheed Muhammad and Adrian Younge have exposed listening audiences to under-discussed legends among us who continue to shape music. Of particular focus have been the luminaries who made incredible improvisation-based music during the era of jazz\u2019s alleged\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/IMG_7202-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/IMG_7202-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/IMG_7202-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/IMG_7202-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10667,"url":"https:\/\/postgenre.org\/staging\/4567\/day-two-2024-newport-jazz-festival\/","url_meta":{"origin":1600,"position":4},"title":"Past, Present, and Future: Day Two of the 2024 Newport Jazz Festival","author":"Rob Shepherd","date":"July 19, 2025","format":false,"excerpt":"With our review of the second day of the 2024 Newport Jazz Festival - read day one here - we continue to draw parallels between the musical greats of the past and the artists with us today. This analysis is not intended to minimize the distinctive individualism of either the\u2026","rel":"","context":"In &quot;Live Reviews&quot;","block_context":{"text":"Live Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/live\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2552-1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2552-1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2552-1.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2552-1.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2552-1.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3587,"url":"https:\/\/postgenre.org\/staging\/4567\/anthony-dean-harris-favorite-albums-of-2021\/","url_meta":{"origin":1600,"position":5},"title":"Anthony Dean-Harris\u2019 Favorite Albums of 2021","author":"Anthony Dean-Harris","date":"December 19, 2021","format":false,"excerpt":"[Editor\u2019s Note: We are excited to have Anthony Dean-Harris join us again for our year-end lists to share his 25 favorite \"jazz\" albums and 10 \"other\" albums of 2021. Anthony is a skilled writer whose credits include being a contributor to Downbeat and serving as the former Editor-in-Chief of Nextbop.\u2026","rel":"","context":"In &quot;Best of Lists&quot;","block_context":{"text":"Best of Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists-2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/12\/BeFunky-collage-8.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/12\/BeFunky-collage-8.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/12\/BeFunky-collage-8.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/12\/BeFunky-collage-8.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/1600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=1600"}],"version-history":[{"count":5,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/1600\/revisions"}],"predecessor-version":[{"id":2498,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/1600\/revisions\/2498"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/1601"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=1600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=1600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=1600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}