{"id":2418,"date":"2021-01-26T06:00:00","date_gmt":"2021-01-26T12:00:00","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=2418"},"modified":"2021-01-26T10:15:44","modified_gmt":"2021-01-26T16:15:44","slug":"casey-blori-breathe-in","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/casey-blori-breathe-in\/","title":{"rendered":"Premiere: Mike Casey and Blori&#8217;s Single &#8220;Breathe In&#8221;"},"content":{"rendered":"\n<p>To those who have been paying attention to younger artists the last few years, Mike Casey should be a somewhat familiar name. Since beginning is career in 2017, the saxophonist&#8217;s online streams have passed the nine million mark. In part his popularity has come from his openness to other sounds. Although mostly considering himself a &#8220;jazz&#8221; artist, he seems to view it broadly and how it connects with other music,  particularly \u201chip hop.\u201d His debut studio album, <em>Law of Attraction<\/em> (self-release, 2020) found him putting Nat King Cole on an equal footing with Jay Z and Kanye West. Actually, his version of &#8220;No Church in the Wild&#8221; was selected by Spotify as one of the best jazz songs of 2020. More, he&#8217;s provided to the sampling process itself by providing the first ever sax sample pack  for the leading company Splice. <br><br>But Casey&#8217;s interests are beyond just \u201chip hop\u201d and more generally focused on removing genre lines. His master\u2019s thesis focuses on the fusing of different musical ideas from around the globe. This concept has largely supported his efforts using  Ableton to mix music from different cultures. One of these projects has found him exploring electronic music with Pablo Rizo Piera AKA Blori, a pianist &amp; producer from Alicante, Spain. The end result of this collaboration is an expansive experiment that borrows from not just concepts familiar to jazz and electronica but also R&amp;B. The diversity of influences make it perhaps the least overtly &#8220;jazz-like&#8221; of Casey&#8217;s recordings, but it paves a fascinating path forward. We are honored to premiere that track, &#8220;Breathe In.&#8221; today. <\/p>\n\n\n\n<p><a href=\"https:\/\/found.ee\/breathein\">&#8220;Breathe In&#8221; is available on your favorite streaming platforms.<\/a><a href=\"https:\/\/www.mikecaseyjazz.com\/\"> <\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.mikecaseyjazz.com\/\">More information on Mike Casey can be found here.<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-9-16 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Breathe In\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/4Rz0m7yeCbed8jJaMHAVLL?highlight=spotify%3Atrack%3A0DanVnKsm5UFggNm4xyfw7&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>To those who have been paying attention to younger artists the last few years, Mike Casey should be a somewhat familiar name. Since beginning is career in 2017, the saxophonist&#8217;s online streams have passed the nine million mark. In part his popularity has come from his openness to other sounds. Although mostly considering himself a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":14,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1217],"tags":[],"class_list":["post-2418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-premieres"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/01\/IMG_2827.jpg?fit=750%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-D0","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6200,"url":"https:\/\/postgenre.org\/staging\/4567\/driving-photography-jack-casey\/","url_meta":{"origin":2418,"position":0},"title":"Getting Them There: A Conversation with Newport Festivals Driver\/Photographer Jack Casey","author":"Rob Shepherd","date":"July 6, 2023","format":false,"excerpt":"Anyone who frequents the Newport\u00a0Jazz\u00a0or\u00a0Folk\u00a0Facebook groups would likely recognize the name Jack Casey. For the last few years, Casey has regularly shared with these groups memories of artists he's captured at Fort Adams over the past almost four decades. Given his output's high-quality and sheer volume, one could reasonably believe\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/07\/3386758A-9FAE-4CC0-8CFA-097EB8F5EEED.jpeg?fit=750%2C498&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/07\/3386758A-9FAE-4CC0-8CFA-097EB8F5EEED.jpeg?fit=750%2C498&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/07\/3386758A-9FAE-4CC0-8CFA-097EB8F5EEED.jpeg?fit=750%2C498&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/07\/3386758A-9FAE-4CC0-8CFA-097EB8F5EEED.jpeg?fit=750%2C498&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":202,"url":"https:\/\/postgenre.org\/staging\/4567\/five-genre-defying-selections-from-newport-jazz-festivals-first-wave-of-2020-performers\/","url_meta":{"origin":2418,"position":1},"title":"Five Genre-Defying Selections from the Newport Jazz Festival\u2019s First Wave of 2020  Performers","author":"Rob Shepherd","date":"February 11, 2020","format":false,"excerpt":"The historic Newport Jazz Festival has released a list of 36, out of approximately 60, groups which will appear across its four stages at Fort Adams this summer. As the first modern music festival, one may mistakenly assume that most of the acts reflect a more traditional view of jazz.\u2026","rel":"","context":"In &quot;Lists&quot;","block_context":{"text":"Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists\/"},"img":{"alt_text":"Newport 2020","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/newportjazz-poster-1.jpg?fit=777%2C894&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/newportjazz-poster-1.jpg?fit=777%2C894&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/newportjazz-poster-1.jpg?fit=777%2C894&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/newportjazz-poster-1.jpg?fit=777%2C894&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":545,"url":"https:\/\/postgenre.org\/staging\/4567\/review-r-a-p-ferreiras-purple-moonlight-pages\/","url_meta":{"origin":2418,"position":2},"title":"Review: R.A.P. Ferreira&#8217;s &#8216;Purple Moonlight Pages&#8217;","author":"Brian Kiwanuka","date":"March 12, 2020","format":false,"excerpt":"On Purple Moonlight Pages, R.A.P. Ferreira is extremely loose and free, at times even nonchalant, but he is always impressive and in control. The emcee's intriguing abstract nature, wit, confidence and unwavering commitment to the craft of imaginative rhyming all combine in a performance that will undoubtedly go on to\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"RAP Ferreira","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/5b85bc70c5b57.image2_.jpg?fit=872%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/5b85bc70c5b57.image2_.jpg?fit=872%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/5b85bc70c5b57.image2_.jpg?fit=872%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/5b85bc70c5b57.image2_.jpg?fit=872%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":561,"url":"https:\/\/postgenre.org\/staging\/4567\/rob-shepherds-favorite-jazz-albums-of-the-2010s\/","url_meta":{"origin":2418,"position":3},"title":"Rob Shepherd&#8217;s Favorite Jazz Albums: 2009-2019","author":"Rob Shepherd","date":"December 24, 2019","format":false,"excerpt":"Editorial Note: Although PostGenre is the home of more than just \"jazz\" music, much of \"jazz\" consists of an amalgamation of various styles and approaches to music. This list, a republication of one that appeared on Nextbop on December 24, 2019, particularly shows the eclecticism of much of today's \"jazz.\"\u2026","rel":"","context":"In &quot;Lists&quot;","block_context":{"text":"Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists\/"},"img":{"alt_text":"best of 2010s","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/Rob-Shepherd-Favorite-Jazz-Albums-Decade.jpg?fit=1024%2C475&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/Rob-Shepherd-Favorite-Jazz-Albums-Decade.jpg?fit=1024%2C475&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/Rob-Shepherd-Favorite-Jazz-Albums-Decade.jpg?fit=1024%2C475&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/03\/Rob-Shepherd-Favorite-Jazz-Albums-Decade.jpg?fit=1024%2C475&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1502,"url":"https:\/\/postgenre.org\/staging\/4567\/columns-haas-way-in\/","url_meta":{"origin":2418,"position":4},"title":"Jazz from A to G: The Way In","author":"Scott Haas","date":"August 11, 2020","format":false,"excerpt":"Early on, listening to Led Zeppelin or Jimi Hendrix, jazz was something in another yard, walled-off, and separated from what I was listening to on the radio.\u00a0 It was an idea--segregated by race, primarily, and from behind that wall, everything else in the music stayed hidden. So when I listened\u2026","rel":"","context":"In &quot;Columns&quot;","block_context":{"text":"Columns","link":"https:\/\/postgenre.org\/staging\/4567\/category\/columns\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/scott4.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/scott4.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/scott4.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/scott4.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/2418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=2418"}],"version-history":[{"count":5,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/2418\/revisions"}],"predecessor-version":[{"id":2432,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/2418\/revisions\/2432"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/2421"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=2418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=2418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=2418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}