{"id":38,"date":"2020-02-09T04:42:23","date_gmt":"2020-02-09T10:42:23","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=38"},"modified":"2020-02-25T12:01:39","modified_gmt":"2020-02-25T18:01:39","slug":"kassa-overalls-i-think-im-good-album-reviewed","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/kassa-overalls-i-think-im-good-album-reviewed\/","title":{"rendered":"Review: Kassa Overall\u2019s \u2018I THINK I\u2019M GOOD\u2019"},"content":{"rendered":"\n<p>The human brain is incredibly powerful. It controls every function of  our bodies, allows us to reason, and permits us to both create and  appreciate art. To do so, it uses 100 billion neurons, each of which  fires around 200 times every second. Given its necessary complexity, it  should come as no surprise how frequently the organ malfunctions.  According to the US Center for Disease Control, one out of every five  adults exhibit mental illness and one-fifth of these are severe cases.  Despite its prevalence, mental health still remains a controversial and  under-discussed issue in many societies. With <em>I THINK I\u2019M GOOD<\/em>, his first release for Gilles Peterson\u2019s <a href=\"https:\/\/brownswoodrecordings.com\">Brownwood Recordings<\/a>, drummer Kassa Overall tries to shatter these taboos.<\/p>\n\n\n\n<p>In  many ways, music is an ideal medium for addressing the topic both due  to its ability to express emotions as well as its deep connection to the  underlying subject. For centuries, scientists have examined whether a  correlation exists between creativity and mental illness. One recent  study suggests that up to 73% of musicians may suffer from at least one  psychological disorder of some kind. These issues are generally only  further compounded by the economic difficulties faced by many musicians\u2019  choice to make a career out of bringing their art to the public as well  as, in some cases, substance abuse. While himself practicing clean  living \u2013 being both drug and alcohol free as well as a vegan \u2013 Overall  also addresses some of these sometimes related issues in <em>I THINK I\u2019M GOOD<\/em>,  along with his own struggles with mental health, which at one point  included a manic episode, hospitalization, and years of medication.<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_dPUp2_kX-8g\"><div id=\"lyte_dPUp2_kX-8g\" data-src=\"\/\/i.ytimg.com\/vi\/dPUp2_kX-8g\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/dPUp2_kX-8g\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/dPUp2_kX-8g\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p>Like its predecessor, 2019\u2019s <em>Go Get Ice Cream and Listen to Jazz<\/em>,  at its core this year\u2019s release is a mix of hip-hop and jazz, the  hybridization of these two forms becoming fairly commonplace. However,  Overall presents a new perspective on the subject matter, one which is  inherently interesting and also allows him to better express his  overarching story of one struggling with psychological issues. This is  done primarily with the use of the synthesizer, an instrument that  interrupts even the most tranquil of surroundings with unexpected  jarring, arbitrary, and disturbing slashes reflective of an intrusive  thought or a panic. Various moans and cries are also interspersed  throughout. Both are intended to be reflective of someone simultaneously  trying to come to terms with their condition as well as struggling to  stand tall against it.<\/p>\n\n\n\n<p>The lyrics further underscore this view as  well. On \u201cVisible Walls\u201d the phrases \u201cI hope they let me go tonight\u2026 I pray that you can sleep tonight\u201d reflect a desire to be free  of not just the physical walls of a hospital but the underlying  invisible ones of the speaker\u2019s illness. By \u201cPlease Don\u2019t Kill Me\u201d, he  is pleading for his thoughts not to attack him (\u201cPlease don\u2019t kill me in  your sleep\u201d) only for them to ignore his requests and to taunt and  torture him on \u201cFind Me.\u201d In these moments he begins to feel trapped by  his psyche (\u201cShow me a prison. Show me a jail\u201d) and reflects back on how  it has clouded his entire life thus far (\u201cI was a joyous child, if I  ever was a child\u201d). However, by \u201cGot Me A Plan\u201d, the narrator expresses  an affirmative decision to do all he can to live his life to the fullest  despite his condition and to adopt a course of action to better  overcome it\u2026 In his case, medication, treatment, and cleaner living.<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_Lyv73Yl8BQw\"><div id=\"lyte_Lyv73Yl8BQw\" data-src=\"\/\/i.ytimg.com\/vi\/Lyv73Yl8BQw\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/Lyv73Yl8BQw\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/Lyv73Yl8BQw\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p>As can be expected given its subject matter, <em>I THINK I\u2019M GOOD<\/em>  is deeply personal. The method by which Overall produced this music \u2013  primarily with a skeletal mobile studio (laptop, a simple audio  interface, and microphone) \u2013 further adds to the aesthetic. Sometimes  the end result is even too close for comfort. To keep this feeling of  confidentiality from overwhelming the listener\u2019s experience, a number of  familiar artists make guest appearances. The list of such contributors  reads like a who\u2019s who of modern jazz including Vijay Iyer, Aaron Parks, Craig Taborn, Brandee Younger, Theo Croker, Joel Ross, Sullivan Fortner, Joe Dyson, and Sonnymoon\u2019s J Hoard, but also features up and coming musicians Morgan Guerin, Julius Rodriguez, and Melanie Charles, to further help ground the music.<\/p>\n\n\n\n<p>In all, <em>I THINK I\u2019M GOOD<\/em>  is a brave and powerful album with an equally compelling message. It is  not always the easiest listen, but given its main topic, it needs to be  somewhat difficult to access. Upon repeat listening, connections  begin to form as well as a relationship between the listener and the  artist. As various grooves become increasingly evident, the listener  starts to also understand the narrator and their condition better. For  an album focused on trying to remove the stigma around mental health  issues, it does a fantastic job.<\/p>\n\n\n\n<p>This review was originally published on <a href=\"https:\/\/nextbop.com\/blog\/kassa-overall-i-think-im-good-review\">Nextbop <\/a>on January 8, 2020. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The human brain is incredibly powerful. It controls every function of our bodies, allows us to reason, and permits us to both create and appreciate art. To do so, it uses 100 billion neurons, each of which fires around 200 times every second. Given its necessary complexity, it should come as no surprise how frequently [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":307,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":31,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[80,59,81,82,83,84,85,86,87,88,89,90,91,92,93],"class_list":["post-38","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-aaron-parks","tag-brandee-younger","tag-brownswood","tag-craig-taborn","tag-i-think-im-good","tag-j-hoard","tag-joe-dyson","tag-joel-ross","tag-julius-rodriguez","tag-kassa-overall","tag-melanie-charles","tag-morgan-guerin","tag-sullivan-fortner","tag-theo-croker","tag-vijay-iyer"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/5eba32e3-kassa-overall-1.png?fit=1000%2C563&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-C","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11209,"url":"https:\/\/postgenre.org\/staging\/4567\/kassa-overall-cream-roots\/","url_meta":{"origin":38,"position":0},"title":"Keeping the Roots Growing: A Conversation with Kassa Overall","author":"Rob Shepherd","date":"September 7, 2025","format":false,"excerpt":"Here is a fun exercise for a reader\u2019s consideration. Consider these two quotes: \u201c[It is] just a bunch of notes thrown together without melody or soul\u2014hardly what I\u2019d call music\u201d and \"[It's] not music\u2026 [it] doesn\u2019t require musicianship\u2026.\" What genre of music are they referring to? Here is a hint-\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/EBAR_20250113_KassaOverall_SleepingCity-2_1400-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/EBAR_20250113_KassaOverall_SleepingCity-2_1400-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/EBAR_20250113_KassaOverall_SleepingCity-2_1400-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/EBAR_20250113_KassaOverall_SleepingCity-2_1400-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":369,"url":"https:\/\/postgenre.org\/staging\/4567\/review-hailu-mergias-yene-mircha-%e1%8b%a8%e1%8a%94-%e1%88%9d%e1%88%ad%e1%8c%ab\/","url_meta":{"origin":38,"position":1},"title":"Review: Hailu Mergia&#8217;s &#8216;Yene Mircha (\u12e8\u1294 \u121d\u122d\u132b)&#8217;","author":"Rob Shepherd","date":"March 3, 2020","format":false,"excerpt":"In January 2013, Brian Shimkovitz, the head of Awesome Tapes From Africa, found a cassette tape in a shop in Bahir Dar, Ethiopia titled Hailu Mergia & His Classical Instrument. Its combination of the nation's traditional music with funk and jazz completely blew him away and he undertook a quest\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"Hailu Mergia","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/hailumergia_1500.jpg?fit=888%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/hailumergia_1500.jpg?fit=888%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/hailumergia_1500.jpg?fit=888%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/hailumergia_1500.jpg?fit=888%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10574,"url":"https:\/\/postgenre.org\/staging\/4567\/perelman-shipp-armageddon-flower-ii\/","url_meta":{"origin":38,"position":2},"title":"Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on \u2018Armageddon Flower\u2019 (Part Two)","author":"Rob Shepherd","date":"June 4, 2025","format":false,"excerpt":"We continue our conversation with Ivo Perelman and Matthew Shipp on \u2018Armageddon Flower\u2019 (TAO Forms, 2025). You can read Part One here. https:\/\/youtu.be\/jzsg2n04-hY?feature=shared PostGenre: As far as focusing on the heart, does that go back to getting out of the way, too? Obviously, you need mental and technical skills to\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8422,"url":"https:\/\/postgenre.org\/staging\/4567\/journey-kenny-garrett\/","url_meta":{"origin":38,"position":3},"title":"The Journey: A Conversation with Kenny Garrett on &#8216;Who Killed AI?&#8217;","author":"Rob Shepherd","date":"May 12, 2024","format":false,"excerpt":"Miles Davis\u00a0once\u00a0remarked,\u00a0\u201cIt's\u00a0not about standing still and becoming safe. If anybody wants to keep creating, they\u00a0have to\u00a0be about change.\u201d\u00a0This emphasis on evolution does not necessarily mean needing to adapt a new voice. The key is to retain your core identity while stretching into new realms. Miles certainly did, and so have\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/05\/image007-e1715455731577.jpg?fit=749%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/05\/image007-e1715455731577.jpg?fit=749%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/05\/image007-e1715455731577.jpg?fit=749%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/05\/image007-e1715455731577.jpg?fit=749%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6907,"url":"https:\/\/postgenre.org\/staging\/4567\/vibration-aiming-at-silence-matthew-shipp\/","url_meta":{"origin":38,"position":4},"title":"Vibration Aiming at Silence: A Conversation with Matthew Shipp","author":"Rob Shepherd","date":"September 22, 2023","format":false,"excerpt":"Often the greatest artists have an identifiable voice. This is not to say their works are identical. Instead, no matter their changed surroundings, a shared identifiable quality continues to reflect their artistic essence. Consider Miles Davis. Birth of the Cool (Columbia, 1957) and On the Corner (Columbia, 1973) could not\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/09\/shipp.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/09\/shipp.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/09\/shipp.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/09\/shipp.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11302,"url":"https:\/\/postgenre.org\/staging\/4567\/hearing-future-gary-bartz\/","url_meta":{"origin":38,"position":5},"title":"Hearing the Future: A Conversation with Gary Bartz on \u2018The Eternal Tenure of Sound: Damage Control\u2019","author":"Rob Shepherd","date":"September 21, 2025","format":false,"excerpt":"As a vehicle to facilitate group improvisation - or collaborative creation in the moment, as some artists refer to it- musicians have long relied on the concept of a \u201chead\u201d piece. A precomposed melody, the head provides a set baseline for free creation. Often, these pieces have been standards, frequently\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1560.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1560.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1560.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/09\/img_1560.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=38"}],"version-history":[{"count":4,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/38\/revisions"}],"predecessor-version":[{"id":408,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/38\/revisions\/408"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/307"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=38"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=38"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}