{"id":5179,"date":"2022-10-26T21:56:24","date_gmt":"2022-10-27T02:56:24","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=5179"},"modified":"2023-09-09T23:35:20","modified_gmt":"2023-09-10T04:35:20","slug":"singing-together-parker-ii","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/singing-together-parker-ii\/","title":{"rendered":"All Singing Together: A Conversation with William Parker (Part Two)"},"content":{"rendered":"\n<p><a href=\"https:\/\/postgenre.org\/staging\/4567\/singing-together-parker-i\/\"><time datetime=\"2022-10-24T00:50:48-05:00\"><\/time><\/a>We continue our conversation with William Parker by further discussing his philosophy on music, <em>Universal Tonality<\/em> (Centering\/AUM Fidelity, 2022) and lessons learned from Cecil Taylor. You can read <a href=\"https:\/\/postgenre.org\/staging\/4567\/singing-together-parker-i\/\">part one here.<\/a> <\/p>\n\n\n\n<p><strong>PostGenre: You have also indicated that music is played for the earth and not for people. Does that relate to your earlier statement that humans did not invent music and merely discovered it?<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>William Parker: Every sound you make goes into the air and ultimately back into the ground. Everything vibrates regardless of whether a person is listening. Even without making a drum vibrate, the membrane in the drummer\u2019s heart is vibrating. Their nervous system is vibrating. Your first audience as a musician is yourself as the music goes through you.&nbsp;<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: This connects back to the importance of expressing your own voice in the music. If the musician is the first audience, he or she will respond better to music that is authentic to them<\/strong>. <strong>But there is also a critical distinction between staying true to your voice and having an ego. As you have mentioned elsewhere, the concept of universal tonality requires that artists remove their ego from the music.&nbsp;<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>WP: The idea is that sometimes other musicians will be indifferent to me if their ego is too inflated. If you play softer, you can be completely overpowered by a louder instrument. When I was studying with Richard Davis, he noted that different projects may call for you to play with a folk thing, a symphony orchestra, a jazz singer, or a rock band. You must be a professional to sound good in every situation. Putting your ego aside allows you to fit into the music, regardless of the circumstances.&nbsp;<\/p>\n\n\n\n<p>But you still have to be yourself. If you have a mission in life to be yourself, once you are on the path of doing so, you can\u2019t be decoupled from that path. It\u2019s what you have to do every time you play. That\u2019s your mission. That\u2019s your goal. You\u2019ve got to play your song. In a way, you\u2019re no longer a professional musician. You become a shaman \u2013 a person with a message \u2013 and you convey that message every time you play. But everyone\u2019s different. Everyone\u2019s got a different way of doing things in a different color, and you first have to find yours. Then people have to respect it. Hopefully, you\u2019re around like-minded people who can go with you, and you can make great music come through you.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=1931466343\/album=4124168235\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: The discussion of music as being some larger force brings up interesting questions about humanity\u2019s relationship as discoverers of the music. A few of the artists on&nbsp;<em>Universal Tonality<\/em>&nbsp;&#8211; Jerome Cooper, Billy Bang, and Grachan Moncur III &#8211; are no longer with us physically, yet their music remains.<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>WP: Well, their bodies have died. But I think their spirits are part of a much larger and broader spirit, and they return to that spirit. Maybe they come back out again and get new bodies. Or maybe they don\u2019t. We don&#8217;t know. But we do know that their body as we knew it is gone. You don&#8217;t see them walking around unless you see ghosts. But even a ghost is just a mere reflection of the body and the soul.&nbsp;<\/p>\n\n\n\n<p>Of course, they leave behind their notes, writings, and recordings. And those things can inspire other people to activate their own imagination and allow them to begin to live in a certain way. Hopefully, in that process, those who read or experience their works can find out what it is they&#8217;re supposed to be doing.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: And they leave behind the lessons they teach others. What did you learn the most from working with Cecil Taylor?<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>WP: I learned that anything is possible. Also that the two most important things about music are that there are no limits, and you have to be yourself for music to work through you on the highest level.&nbsp;<\/p>\n\n\n\n<p>You have to be yourself. People often lump things together. They group all music into categories and divide between music that is \u201cfree\u201d and that which is less so. But the reality is that everyone&#8217;s different. Someone could say Randy Weston played free music. But is it important that he played free music? No, he was playing Randy Weston. And the same thing happens with people\u2019s various influences. They talk about whose influence Randy, Andrew Hill, Don Pullen came from. But they all sound different. Cooper Moore and Matthew Shipp sound different as well. They all have different sensibilities. You just can&#8217;t lump them together. You have to listen.&nbsp;<\/p>\n<\/blockquote>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_dlnJLOde_vI\"><div id=\"lyte_dlnJLOde_vI\" data-src=\"\/\/i.ytimg.com\/vi\/dlnJLOde_vI\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/dlnJLOde_vI\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/dlnJLOde_vI\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><strong>PG: As you have said, it is that individuality that brings out music\u2019s beauty to the listener.<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>WP: And it can change the listener. People can see God reflecting in the most beautiful things in the universe. If you&#8217;re a gardener, you can create the most beautiful garden in the world. When people see the garden, they can say they were inspired by it. Or maybe they got inspired by hearing a flute or reading a poem. Maybe experiencing beauty in those ways will keep them from starting a war, putting people in cages, or voting for people who would do those sorts of things. It may lead them to make sure that everybody has something to eat and that there\u2019s no more homelessness. It may make them do everything in their power to make sure that we&#8217;re on the right track as human beings and that nobody is suffering. And that&#8217;s exactly what music is for. It&#8217;s about setting an environment for people to stay on what James Brown would call \u201cthe good foot.\u201d<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: Which perhaps explains why you indicate in the notes to&nbsp;<em>Universal Tonality<\/em>&nbsp;that \u201cuniversal tonality is love.\u201d<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>WP: Yeah, universal tonality is love. Wherever you go, all over the world, people play music. All people love music. They can feel the music. And no musician operates to make music people hate. It doesn\u2019t vibrate right at all if they do that. No one says \u201cWow, they hated the music, I\u2019m so happy\u201d or \u201cWow, they hate me. I\u2019m in heaven.\u201d We want to spread joy, and doing so speaks to something about music larger than us as artists.&nbsp;<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: So, then what exactly is silence?&nbsp;<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>WP: Silence is an element of music. That&#8217;s all it is. Silence is a shadow of sound. Silence is breath. The more you listen to silence, the more you find that that silence is simply a sound.&nbsp;<\/p>\n<\/blockquote>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_vABKgT6Np3A\"><div id=\"lyte_vABKgT6Np3A\" data-src=\"\/\/i.ytimg.com\/vi\/vABKgT6Np3A\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/vABKgT6Np3A\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/vABKgT6Np3A\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: This also brings up a question that has been asked many times over the years: What is music? In addition to writing and performing music as most people understand it, you also create poetry. From your writings and conversations, it seems you view \u201cmusic\u201d as broader than just melodies and harmonies to encompass anything beautiful in the world.<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>WP: Anything that is beautiful is a reflection of music. It is the music in poetry that makes it work. It is the music in dance that makes dance work. It\u2019s like anything beautiful is music. Flowers are musical. A smile on your beloved\u2019s face is musical. When you are hungry and haven\u2019t eaten all day, go to your grandma\u2019s house, and she puts food on the table for you, it\u2019s musical. When she then pulls out one of those apple pies you love so much and it puts a smile on your face, that\u2019s musical too. Then you end the day by going to hear some Sonny Rollins. You can&#8217;t beat that. It\u2019s all musical, and it\u2019s all connected.&nbsp;<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: Speaking of Sonny Rollins, he\u2019s been clear that he believes that <a href=\"https:\/\/postgenre.org\/staging\/4567\/sonny-rollins-i\/\">when musicians make music, they are essentially conduits to a higher force<\/a>. That perspective seems to align with your view of music.&nbsp;<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>WP: That is the view. It&#8217;s like one of the first things I learned when I was studying Plato in school. In his Ion dialogue, Plato refers to poetic inspiration as a type of magnetic force. You have these rings, and when you touch one ring, it touches another ring, which then touches another ring, until they all become empowered. The musician trains to not interfere with the flow of that magnetic force. They work to let it all in. As [Albert] Ayler said, \u201cMusic is the healing force of the universe. Oh, let it come in. Oh, let it come in. Music is a healing force of the universe\u2026 sometimes not understood [but felt], let it come in.\u201d The idea is to let music flow through you, not block it off. Accept peace and the mysteries of the world.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>Universal Tonality <\/em>is now available for purchase on&nbsp;<a href=\"https:\/\/williamparker.bandcamp.com\/album\/universal-tonality\" target=\"_blank\" rel=\"noreferrer noopener\">Bandcamp.&nbsp;<\/a>More information on Parker can be found on <a href=\"http:\/\/www.williamparker.net\/\">his website.<\/a><\/strong> <strong>Cisco Bradley\u2019s biography of Parker, <em>Universal Tonality: The Life and Music of William Parker can be purchased <a href=\"https:\/\/www.dukeupress.edu\/universal-tonality\">from Duke University Press.<\/a><\/em><\/strong><\/p>\n\n\n\n<p>Photo credit: Peter Gannushkin<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We continue our conversation with William Parker by further discussing his philosophy on music, Universal Tonality (Centering\/AUM Fidelity, 2022) and lessons learned from Cecil Taylor. You can read part one here. PostGenre: You have also indicated that music is played for the earth and not for people. Does that relate to your earlier statement that [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5181,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":31,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[582],"tags":[],"class_list":["post-5179","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/10\/William_Parker_by_Peter_Gannushkin-02-Corr_cropped-780x5251-1.jpg?fit=750%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-1lx","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3650,"url":"https:\/\/postgenre.org\/staging\/4567\/migration-silence-william-parker\/","url_meta":{"origin":5179,"position":0},"title":"Review: William Parker&#8217;s &#8216;Migration of Silence into and Out of the Tone World [Volumes 1-10]&#8217;","author":"John Chacona","date":"January 10, 2022","format":false,"excerpt":"Has there ever been a musician whose musical imagination is as universal and as omnivorous as William Parker's? Perhaps Alexander Scriabin, a composer and virtuoso instrumentalist whose unfinished \"Mysterium\" was conceived to be performed over a week's time by an orchestra, choir, dancers, visuals, and incense in the foothills of\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/01\/William_Parker_AUM-18-RS-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/01\/William_Parker_AUM-18-RS-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/01\/William_Parker_AUM-18-RS-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/01\/William_Parker_AUM-18-RS-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5156,"url":"https:\/\/postgenre.org\/staging\/4567\/singing-together-parker-i\/","url_meta":{"origin":5179,"position":1},"title":"All Singing Together: A Conversation with William Parker (Part One)","author":"Rob Shepherd","date":"October 24, 2022","format":false,"excerpt":"Some recordings are fun listening experiences. Things you can put on, enjoy the groove, and go about your day. William Parker\u2019s Universal Tonality (Centering\/AUM Fidelity, 2022) \u00a0is not one of these albums. Do not misconstrue that statement. The album is enjoyable and enlightening. But those looking for something short and\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/10\/William_Parker_by_Peter_Gannushkin-300-768x1024-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/10\/William_Parker_by_Peter_Gannushkin-300-768x1024-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/10\/William_Parker_by_Peter_Gannushkin-300-768x1024-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/10\/William_Parker_by_Peter_Gannushkin-300-768x1024-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":6544,"url":"https:\/\/postgenre.org\/staging\/4567\/something-bigger-jbl\/","url_meta":{"origin":5179,"position":2},"title":"Something Bigger: A Conversation with James Brandon Lewis on Mahalia Jackson","author":"Rob Shepherd","date":"August 17, 2023","format":false,"excerpt":"Often, many place a wall between the secular and the religious, as though neither influences the other. In reality, both can find value in one another\u2019s efforts to find or provide meaning to the world. James Brandon Lewis, the son of a science teacher and a pastor, is uniquely positioned\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/08\/a2845957738_101.jpg?fit=810%2C540&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/08\/a2845957738_101.jpg?fit=810%2C540&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/08\/a2845957738_101.jpg?fit=810%2C540&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/08\/a2845957738_101.jpg?fit=810%2C540&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10709,"url":"https:\/\/postgenre.org\/staging\/4567\/review-armageddon-flower-perelman-shipp\/","url_meta":{"origin":5179,"position":3},"title":"Review: Ivo Perelman and the Matthew Shipp String Trio\u2019s \u2018Armageddon Flower\u2019","author":"Jim Hynes","date":"June 17, 2025","format":false,"excerpt":"If you have not yet read the two-part interview with saxophonist Ivo Perelman and pianist Matthew Shipp regarding Armageddon Flower (TAO Forms, 2025), it provides important context to the recording. The album features a quartet with those two joined by bassist William Parker and violist Mat Maneri, in a chamber-like,\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2607-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2607-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2607-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2607-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10574,"url":"https:\/\/postgenre.org\/staging\/4567\/perelman-shipp-armageddon-flower-ii\/","url_meta":{"origin":5179,"position":4},"title":"Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on \u2018Armageddon Flower\u2019 (Part Two)","author":"Rob Shepherd","date":"June 4, 2025","format":false,"excerpt":"We continue our conversation with Ivo Perelman and Matthew Shipp on \u2018Armageddon Flower\u2019 (TAO Forms, 2025). You can read Part One here. https:\/\/youtu.be\/jzsg2n04-hY?feature=shared PostGenre: As far as focusing on the heart, does that go back to getting out of the way, too? Obviously, you need mental and technical skills to\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/06\/img_2243-1.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1638,"url":"https:\/\/postgenre.org\/staging\/4567\/charlie-parker-100th\/","url_meta":{"origin":5179,"position":5},"title":"Five Non-Traditional Tributes to Charlie Parker","author":"Rob Shepherd","date":"August 29, 2020","format":false,"excerpt":"On August 29, 1920, Charles Parker Jr. was born in a home at 852 Freeman Avenue, Kansas City, Kansas. The name of the street was also fortuitous as he would be the one to free music from its confines to a higher plane of expression. 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