{"id":6143,"date":"2023-06-27T20:53:25","date_gmt":"2023-06-28T01:53:25","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=6143"},"modified":"2023-07-06T21:17:45","modified_gmt":"2023-07-07T02:17:45","slug":"shakti-zakir-hussain-ii","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/shakti-zakir-hussain-ii\/","title":{"rendered":"Relationships Through Music: A Conversation with Zakir Hussain on Shakti at 50 (Part Two)"},"content":{"rendered":"\n<p>We <a href=\"https:\/\/postgenre.org\/staging\/4567\/shakti-zakir-hussain-i\/\">continue<\/a> our conversation with Maestro Hussain with a focus on how <em>This Moment<\/em> (Abstract Logix, 2023) differs from prior Shakti releases and, in the process, explores the band&#8217;s past, present, and future. <\/p>\n\n\n\n<p><strong>PostGenre: One thing that stands out on <em>This Moment<\/em> is the particularly strong connection between you and Selvaganesh. It sounds like you were playing and responding to each other in the same room. But, in reality, you recorded each of your parts remotely. It seems like that level of communication would be difficult when you were in different places.<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Zakir Hussain: Yeah, unless you&#8217;ve grown up with [the music], and it&#8217;s been part of your DNA. Selvaganesh also helped co-produce the record this time because he&#8217;s not only a great percussionist but also a very fine producer and composer. He composes music for films in India, has his own recording studio, and understands the modern technical aspects of recording and all that stuff. His input sonically has been great in making this album what it is.<\/p>\n\n\n\n<p>Selva and I found a way to be on Zoom with each other when we were laying down the rhythm tracks. I would play while he would watch and say, &#8220;Why not try this or why not try that?&#8221; And then I would do that, and he would say, &#8220;Okay, let me put my part on.&#8221; Then he would put his part on, and watched, listened, and said, &#8220;How about this and how about that?&#8221; So that part of the record was done at the same time with him in India and me in California, eye to eye, just like we would on stage. Yes, there&#8217;s a latency, so we couldn&#8217;t play together, but we could play one after another and in pretty much real-time and help each other.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/track=3720238902\/album=65516749\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: John\u2019s guitar part also makes use of technology. Unlike in past Shakti albums, John uses the MIDI guitar fairly extensively on <em>This Moment<\/em>. Why the added electronic element on this one?<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>ZH: The circumstances in which we put this album together is what made John explore those sounds more. Normally, when we play, we do it live. Most of Shakti&#8217;s recordings were live, with <em>A Handful of Beauty <\/em>(Columbia, 1976) and <em>Natural Elements<\/em> (Columbia, 1977) being the only studio albums. Usually, we just sat down and played a song, and then it was done. But because <em>This Moment <\/em>is a studio album, we had a lot of time to revisit things and give them a second, third, or even fifth look and see if there was anything we could do to color it differently. The pandemic gave us an expanse of time to approach the music in a more compositional way, as opposed to an improvisational one. And once that graph was laid out, and the grid was right in front of us, we injected Shakti&#8217;s core element of improvisation as a quintet.<\/p>\n\n\n\n<p>That is where John\u2019s use of the MIDI guitar comes from. The recording process allowed John to experiment; to sit at home in front of his computer and share these ideas as they keep falling and cascading out of his mind. It is the same thing with the rhythmic scatting on the album. Selva and I scat in an orchestral and arranged manner, not just a spontaneous thing, and that comes from the same opportunities and process of experimentation.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"120\" style=\"position: relative; display: block; width: 100%; height: 120px;\" src=\"\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=1637615866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/\" allowtransparency=\"true\" frameborder=\"0\"><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: Do you feel your experience with Tabla Beat Science previously made you more comfortable working in non-acoustic settings?<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>ZH: As I said earlier, we as a group bring to our collective experience our own experiences from other various interactions. Whether it is Tabla Beat Science or what I have done with Mickey Hart, I can bring those electronic, heavily rhythmic and interesting rhythmic pattern elements into this concoction with John, Shankar, Ganesha, and Selva.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: Since you mentioned Mickey Hart, like with Shakti, you have been working with him for a long time.&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>ZH: What&#8217;s interesting is that when the first Shakti album was released, I started [the Tal Vadya Rhythm Band], which a few years later Mickey Hart would join. We ultimately made an album called <em>Diga<\/em> (Round Records, 1976), which was like the predecessor to where we ended up on the Planet Drum and Global Drum projects. So, in the same year as Shakti, the [groundwork] for another very strong relationship in my life was being cemented. Now, fifty years down the road, those same two relationships are still going. Planet Drum came out earlier this year [ed. <em>In the Groove<\/em> (Valley Entertainment, 2022) came out last summer; close enough], and now Shakti. As I told you I love working with people for decades.&nbsp;<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio\"><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_LMSw3pad4hk\"><div id=\"lyte_LMSw3pad4hk\" data-src=\"\/\/i.ytimg.com\/vi\/LMSw3pad4hk\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/LMSw3pad4hk\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/LMSw3pad4hk\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio\">What&#8217;s interesting also is that the new record, <em>As We Speak, <\/em>with B\u00e9la Fleck, Edgar Meyer, and Rakesh Chaurasia was also released recently. It&#8217;s amazing to have such long relationships in which the music flows and moves forward. I cannot express how lucky I am to be part of these experiences and these creative processes shown on new records.&nbsp;<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_cTsE_8JNhqE\"><div id=\"lyte_cTsE_8JNhqE\" data-src=\"\/\/i.ytimg.com\/vi\/cTsE_8JNhqE\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/cTsE_8JNhqE\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/cTsE_8JNhqE\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio\"><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>The title <em>This Moment<\/em> builds upon that idea. With John and I advancing in age, all we can do is enjoy the moment we are in and thank our lucky stars that we got this far holding hands together and still in the music. And now we are enjoying our butts being kicked by these young punks.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: <em>[Laughing]. <\/em>Do you feel that as you continue to tour and perform together &#8211; in person and not across Zoom, the group will continue to evolve and change?&nbsp;<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>ZH: I&#8217;m sure it will evolve and change further. I&#8217;m also sure that different versions of the group will happen. It&#8217;s possible that somewhere along the line, in the next few years, John and I will move onward to other things while people like Selva, Shankar Bhadega, and Ganesh carry on with the Shakti thing, which is as it should be.<\/p>\n\n\n\n<p>I mean, John is almost 82 years old, and he&#8217;s had a comeback in a way. His hand where he holds his pick was almost gone. He couldn&#8217;t even hold a pick a few years ago. The thought then was that he wouldn\u2019t be able to play anymore. We had talked about how it was too bad we couldn\u2019t get to play Shakti again. But then, through focus and treatments, he was able to get to a point where he can work again.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: Which is incredible. I was at the Austin show on what was planned to be his final US tour. He sounded great, but it seemed like things were over for him musically. Now, he is, fortunately, still going strong.&nbsp;<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>ZH: It has been a boon for all of us. But God knows how long that will go. I am 73. Somewhere along the line, especially for drummers or percussionists, you can&#8217;t play like you used to 20 years ago. And across the stage from me is this young punk who&#8217;s kicking my butt and playing all this stuff. I&#8217;ve got to keep up with him and huff and puff my way through.\u00a0<\/p>\n<\/blockquote>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_pEQWnDARLqU\"><div id=\"lyte_pEQWnDARLqU\" data-src=\"\/\/i.ytimg.com\/vi\/pEQWnDARLqU\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/pEQWnDARLqU\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/pEQWnDARLqU\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>We\u2019re going to go for a while, and then we&#8217;ll see what happens. We did a small tour in India, and it was great fun. But after every concert, John and I sit together and say, &#8220;God these kids I hate them.&#8221; <em>[laughing]. <\/em>They&#8217;re so good, so fantastic, so amazing, so perfect when it comes to making the Shakti experience come out there and be alive again.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: So Shakti is not just you, John, and the other artists working with you?<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>ZH: The idea of Shakti is the experience. That joy. That ecstasy that happens when musicians come and work together for a long time. That is the central idea. There are no fences. There are no boundaries. All it takes is a willing, open heart and a mindset open to the injection of suggestions, ideas, and visions. And if that idea can get across to people, we can create stuff that would astound people in its universality. That&#8217;s what Shakti represents. Shakti is not just John and I and the music we make.&nbsp;<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-embed-aspect-4-3 wp-has-aspect-ratio\"><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_38RqK5GRhTI\"><div id=\"lyte_38RqK5GRhTI\" data-src=\"\/\/i.ytimg.com\/vi\/38RqK5GRhTI\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/38RqK5GRhTI\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/38RqK5GRhTI\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>When Shakti\u2019s first album [<em>Shakti with John McLaughlin<\/em> (Columbia, 1976)] came out, there was no New Age music. There was no world music. I remember, after we had recorded the album, [producer] Clive Davis had John and I in his office. We handed him the master tape, and Clive asked John, \u201cSo, what do you call this music?\u201d We had no clue. We had just played music. As far as we were concerned, it was music without a name needed. And then Clive said, &#8220;But John, we have to put it in some bin. We have to put a label on it and have the PR team promote it in a certain way. So, what is it? What is it?\u201d John said, &#8220;We don&#8217;t know. Call it whatever you want to. For us, it&#8217;s just music.&#8221; That kinda laid the ground for what many now call world music. It\u2019s gratifying and satisfying to have been part of the inception of a musical idea that brings or encompasses an understanding of music in a global tongue.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: Do you feel that desire to avoid labels is part of what keeps people talking about Shakti almost a half-century later? It does not seem people are drawn solely to the merger of jazz and Indian music. For example, you are also on John Handy and Ali Akbar Khan\u2019s <em>Karuna Supreme<\/em> (MPS, 1975), which is an excellent record but does not have the legacy of your work with Shakti.&nbsp;<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>ZH: Yeah, but if we had continued with the group on <em>Karuna Supreme<\/em>, it may have evolved into something more interesting. That didn&#8217;t happen. An extended interaction could have brought forward ideas or possibilities that were not allowed the opportunity to come to fruition.&nbsp;<\/p>\n<\/blockquote>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_oJSO_LfEw2g\"><div id=\"lyte_oJSO_LfEw2g\" data-src=\"\/\/i.ytimg.com\/vi\/oJSO_LfEw2g\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/oJSO_LfEw2g\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/oJSO_LfEw2g\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>What&#8217;s interesting about Shakti is that because of the injection of so many different musicians coming at certain points in John\u2019s and my lives, Shakti has remained relevant and valid because the music represents an idea, not just a song. The music is a way to communicate. A way to interact. A way to move forward on a more universal level where so many different thought processes could come together and connect to the world as one thought. Because Shakti is not just the music, it remains valid today and will still be tomorrow.&nbsp;<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: However, Shakti also does not seem to ignore the past. At certain moments on <em>This Moment, <\/em>particularly at the beginning of \u201cBending the Rules\u201d, John\u2019s MIDI guitar sounds reminiscent of the flute part on your album <em>Making Music <\/em>(ECM, 1987).&nbsp;&nbsp;<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>ZH: Hariprasad Chaurasia\u2019s flute.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n<p><iframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/making-music\/1443933481?i=1443933946\" height=\"175\" frameborder=\"0\"><\/iframe><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>PG: Yes. And while John\u2019s not trying to copy the part, it does seem to be a nod to that record, as if saying that project is also part of Shakti\u2019s music.&nbsp;<\/strong><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>ZH: Working with Hariprasad inspired John to try to find a way to bring that sound to his guitar. Over the years, he has developed that sound and loves it so much. It&#8217;s great that we have that. In a way, it pays homage to that organic sound that comes from the wind going through the bamboo. There are organic elements like that that have been transformed and brought Shakti\u2019s music to where we are today. Sounds that fit right in with what&#8217;s happening and yet maintain the core sound and feeling of Shakti.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_PyF_76aj8fo\"><div id=\"lyte_PyF_76aj8fo\" data-src=\"\/\/i.ytimg.com\/vi\/PyF_76aj8fo\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/PyF_76aj8fo\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/PyF_76aj8fo\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>We have also now gone full circle back to Shakti\u2019s original sound by adding the violin. When Shakti first started, it was violin, guitar, and percussion. Coming back now with the violin in place kind of completes the circle. It sonically elevates our sound to a place reflective of today while leaving the possibilities open for it to move forward. If we are willing to shape ourselves for this moment of our lives, then we can keep reshaping ourselves for whatever comes our way in the future.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><em><strong>This Momen<\/strong><\/em><strong><em>t is now available on Abstract Logix. It can be purchased on <a href=\"https:\/\/shakti50.bandcamp.com\/album\/this-moment\">Bandcamp<\/a>. Shakti will be touring Europe through June and July, 2023 and the United States in August and September, 2023. More on the tour can be found <a href=\"https:\/\/www.shakti50.com\/tour\/\">here.<\/a><\/em><\/strong> <strong><em>Read more on Hussain on his <a href=\"https:\/\/zakirhussain.com\/\">website.<\/a><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We continue our conversation with Maestro Hussain with a focus on how This Moment (Abstract Logix, 2023) differs from prior Shakti releases and, in the process, explores the band&#8217;s past, present, and future. PostGenre: One thing that stands out on This Moment is the particularly strong connection between you and Selvaganesh. It sounds like you [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6134,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":68,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[582],"tags":[],"class_list":["post-6143","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/Image1.jpeg?fit=750%2C500&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-1B5","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6115,"url":"https:\/\/postgenre.org\/staging\/4567\/shakti-zakir-hussain-i\/","url_meta":{"origin":6143,"position":0},"title":"Relationships Through Music: A Conversation with Zakir Hussain on Shakti at 50 (Part One)","author":"Rob Shepherd","date":"June 25, 2023","format":false,"excerpt":"In the summer of 1970, a guitarist continually seeking new sounds visited the House of Musical Traditions, a musical instrument store in Greenwich Village with a significant collection from around the globe. He was particularly fascinated by Indian instruments. The twenty-eight-year-old John McLaughlin requested of the proprietor that if a\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/Zakir-Hussain-Press-Crop-1-1200x675-1.jpg?fit=750%2C478&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/Zakir-Hussain-Press-Crop-1-1200x675-1.jpg?fit=750%2C478&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/Zakir-Hussain-Press-Crop-1-1200x675-1.jpg?fit=750%2C478&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/Zakir-Hussain-Press-Crop-1-1200x675-1.jpg?fit=750%2C478&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":364,"url":"https:\/\/postgenre.org\/staging\/4567\/review-charles-lloyds-8-kindred-spirits-live-from-the-lobero\/","url_meta":{"origin":6143,"position":1},"title":"Review: Charles Lloyd&#8217;s &#8216;8: Kindred Spirits (Live from the Lobero)&#8217;","author":"Rob Shepherd","date":"February 26, 2020","format":false,"excerpt":"For one unfamiliar with Charles Lloyd\u2019s illustrious discography, an octogenarian NEA Jazz Master may seem like an odd focal point for a site focused on music that pushes beyond categorical lines. However, the saxophonist has spent his entire career defying convention. From his early sideman recordings with Chico Hamilton to\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"Charles Lloyd","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/2019CharlesLloyd_image01.jpg?fit=800%2C533&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/2019CharlesLloyd_image01.jpg?fit=800%2C533&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/2019CharlesLloyd_image01.jpg?fit=800%2C533&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/02\/2019CharlesLloyd_image01.jpg?fit=800%2C533&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2783,"url":"https:\/\/postgenre.org\/staging\/4567\/newport-2021-lineup-selections\/","url_meta":{"origin":6143,"position":2},"title":"Five Genre-Defying Selections from the Newport Jazz Festival\u2019s 2021 Lineup","author":"Rob Shepherd","date":"June 9, 2021","format":false,"excerpt":"After a year canceled by the COVID-19 pandemic, the historic Newport Jazz Festival has announced it will be presenting the 2021 Festival at its home for the past four decades, Fort Adams State Park. To ensure safety, however, it will be scaled back from its usual scope. Four stages will\u2026","rel":"","context":"In &quot;Lists&quot;","block_context":{"text":"Lists","link":"https:\/\/postgenre.org\/staging\/4567\/category\/lists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/06\/newportjazzpresents750.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/06\/newportjazzpresents750.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/06\/newportjazzpresents750.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2021\/06\/newportjazzpresents750.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9557,"url":"https:\/\/postgenre.org\/staging\/4567\/no-isolation-dave-holland-ii\/","url_meta":{"origin":6143,"position":3},"title":"No Isolation: A Conversation with Dave Holland (Part Two)","author":"Rob Shepherd","date":"September 4, 2024","format":false,"excerpt":"We continue our conversation (check out part one here) with NEA Jazz Master Dave Holland by digging into his solo works, bluegrass music, music from around the world, and more. PG: Since musical relationships are very important to you, it would be interesting to know more about your solo bass\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9533-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9533-1.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9533-1.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/09\/img_9533-1.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9508,"url":"https:\/\/postgenre.org\/staging\/4567\/no-isolation-dave-holland-i\/","url_meta":{"origin":6143,"position":4},"title":"No Isolation: A Conversation with Dave Holland (Part One)","author":"Rob Shepherd","date":"September 1, 2024","format":false,"excerpt":"Ludwig van Beethoven once noted, \"Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend.\" Such knowledge includes a unified understanding of humanity in which we all, to some extent, influence one another. 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