{"id":682,"date":"2020-04-09T21:58:47","date_gmt":"2020-04-10T02:58:47","guid":{"rendered":"https:\/\/postgenre.org\/staging\/4567\/?p=682"},"modified":"2020-07-14T00:29:22","modified_gmt":"2020-07-14T05:29:22","slug":"review-takahrio-izumikawas-life-is-your-thoughts","status":"publish","type":"post","link":"https:\/\/postgenre.org\/staging\/4567\/review-takahrio-izumikawas-life-is-your-thoughts\/","title":{"rendered":"Review: Takahiro Izumikawa\u2019s \u2018Life is Your Thoughts\u2019"},"content":{"rendered":"\n<p>There is a Japanese proverb dating back to at least the 16th Century: \u4e00\u671f\u4e00\u4f1a . Roughly translated, it means \u201ceach moment only once\u201d and is intended to convey the fleetingness of life. The focus on the current moment, however, does not mean the nation ignores its past. Instead, it often melds ancient traditions and contemporary ones. The Tokyo skyline is replete with modern skyscrapers but is also the home of the Sens\u014d-ji Temple, which was built almost fourteen-hundred years ago. Similarly, although the country\u2019s culture has changed significantly over time, some arts- like calligraphy or origami-&nbsp; have deep historical roots as well. On  <em>Life is Your Thoughts<\/em> (Ropeadope Records, 2020), pianist Takahiro Izumikawa evokes this unique ethos of his homeland alongside other musical forms from around the world that have influenced him. The result shows its reverence to the artist\u2019s background while transcending it.&nbsp;<\/p>\n\n\n\n<p>This is perhaps best seen on the title track. On a superficial level, \u201cLife is Your Thoughts\u201d appears to be heavily reliant on contemporary Western music. It seemingly conjures the Soulquarians\u2019 blurring of jazz, R&amp;B, and hip hop including rapping in English. Because of this, in many ways, it would sound appropriately placed alongside the works of other artists Izumikawa has collaborated with during his career, including Keyon Harrold, YEBBA, and Maurice Brown.&nbsp;<\/p>\n\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=663081786\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/track=555034347\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/takahiroizumikawa.bandcamp.com\/album\/life-is-your-thoughts\">Life Is Your Thoughts by Takahiro Izumikawa<\/a><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p>However, repeat listening reveals the piece includes older Japanese melodies and vocal techniques. The song\u2019s lyrics additionally reflect the nation\u2019s oldest extant prose narrative, the \u201cTale of the Bamboo Cutter.\u201d Predating most science fiction, it tells of Princess Kaguya, a beautiful woman who was the focus of many potential suitors, including the Emperor. Instead of marrying any of them, she yearned to return to her home on the moon, a feat she ultimately accomplished. Her tearfulness as she departed can be heard on the piece.&nbsp;<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_NM9ObFClDpg\"><div id=\"lyte_NM9ObFClDpg\" data-src=\"\/\/i.ytimg.com\/vi\/NM9ObFClDpg\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/NM9ObFClDpg\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/NM9ObFClDpg\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p>\u201cHigan\u201d appears to take its name from the Higa Prefecture, a sub-region which formally dates back to 1872 and under different names to the late fifth century. It is perhaps best known for its Bunraku puppet theaters, an art form in which music plays a central role. Traditionally, it was provided by a chanter\/singer, called the tayu, and an artist playing the shamisen, a three-stringed traditional instrument. The two musicians play a central role in providing voices for the puppets\u2019 characters and their emotions. They also support the performance\u2019s narrator.&nbsp;<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper fourthree\" style=\"width:420px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_1qcBSAwQVpw\"><div id=\"lyte_1qcBSAwQVpw\" data-src=\"\/\/i.ytimg.com\/vi\/1qcBSAwQVpw\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/1qcBSAwQVpw\" rel=\"nofollow\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/i.ytimg.com\/vi\/1qcBSAwQVpw\/0.jpg?resize=420%2C295&#038;ssl=1\" alt=\"YouTube video thumbnail\" width=\"420\" height=\"295\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:420px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p>With its emphasis on electronica and jazz, more modern forms, Bunraku performances may seem far divorced from Izumikawa\u2019s song. But more thorough comparisons expose the adoption of similar rhythms between the two as well as a shared idea of using music to convey one\u2019s feelings.&nbsp;<\/p>\n\n\n\n<p>A more interesting facet of the remaining pieces on <em>Life is Your Thoughts<\/em> is that while subtle influences of traditional Japanese music remain throughout, at certain points he flips the concept and jazz &#8211; a style which has existed in Japan since the 1920\u2019s- becomes the older form.&nbsp; \u201cIntroduction\u201d and \u201cNo Satisfaction\u201d hide it behind the sounds of synthesizers masquerading as a string orchestra. On \u201cMoving Up\u201d it emerges from the shadow of EDM and dub. On the closer \u201cWho You\u2019ll Make Me Be,\u201d it secretly guides an otherwise distracting pop vocal piece.&nbsp;<\/p>\n\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=663081786\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/track=1699382030\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/takahiroizumikawa.bandcamp.com\/album\/life-is-your-thoughts\">Life Is Your Thoughts by Takahiro Izumikawa<\/a><\/iframe>\n\n\n\n<p><br \/>On \u201cWalk Alone\u201d, jazz comes to the fore. Inspired by his last few years living in the city, the pianist brings the listener into a small New York club presenting a soulful piano trio. Even here, there are subtle hints of electronic and traditional Japanese inspirations between solos.&nbsp;<\/p>\n\n\n\n<p>Throughout, Izumikawa often sounds reminiscent of the great Herbie Hancock both in terms of his phrasing and in his fearlessness towards painting with a broad musical palette. This is not to say, however, that <em>Life is Your Thoughts<\/em> can be attributed to anyone else. Although the album\u2019s background spreads across different eras and cultures, he weaves these threads into a tapestry that exhibits the artistic mind of its creator far more than its components. <\/p>\n\n\n\n<p><em><a href=\"https:\/\/ropeadope.com\/artists#\/takahiro-izumikawa\/\">Life is Your Thoughts will be released on April 10, 2020, on Ropeadope Records.<\/a> <\/em><\/p>\n\n\n\n<p>Tracklist: 1. Introduction, 2. No Satisfaction, 3. Life is Your Thoughts, 4. Higan, 5. Trigger, 6. Shigan, 7. Walk Alone, 8. Moving Up, 9. Interlude, 10. Close Again, 11. Who You&#8217;ll Make Me Be<\/p>\n\n\n\n<p>Personnel: Takahiro Izumikawa (piano, keyboards, programming (1,2,4)), Parker McAllister (bass (3,5,6)), Natalie Oliveri (vocals (10), background vocals (3,8))), Dan Noguchi (background vocals (3,5), Guitar (5)), Joe Blaxx (drums (3,6)), Marshall York (drums (5,9)), Sarah Kang (background vocals (6,11)), Demetrius Richardson (rap (3)), Jermaine Holmes (vocals (3)), Kei Owada (background vocals (3)), Anna Toribuchi (background vocals (3)), Yasunobu Uezu (background vocals (3)), Ruby Choi (background vocals (5)), Marcos Varela (bass (7)), Jay Sawyer (drums (7)), Bajaha (vocals (8)), Maya Hatch (vocals (11)).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There is a Japanese proverb dating back to at least the 16th Century: \u4e00\u671f\u4e00\u4f1a . Roughly translated, it means \u201ceach moment only once\u201d and is intended to convey the fleetingness of life. The focus on the current moment, however, does not mean the nation ignores its past. Instead, it often melds ancient traditions and contemporary [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":686,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":182,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[431,421,425,423,426,414,429,418,133,427,419,420,424,430,5,422,417,415,416,428],"class_list":["post-682","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-anna-toribuchi","tag-bajaha","tag-dan-noguchi","tag-demetrius-richardson","tag-electronica","tag-japan","tag-jay-sawyer","tag-jermaine-holmes","tag-joe-blaxx","tag-kei-owada","tag-marcos-varela","tag-marshall-york","tag-natalie-oliveri","tag-parker-mcallister","tag-ropeadope","tag-ropeadope-records","tag-ruby-choi","tag-sarah-kang","tag-takahrio-izumikawa","tag-yasunobu-uezu"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/04\/0203.jpg?fit=1500%2C1001&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/peRkRR-b0","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1621,"url":"https:\/\/postgenre.org\/staging\/4567\/christian-scott-atunde-adjuah-axiom\/","url_meta":{"origin":682,"position":0},"title":"Review: Christian Scott aTunde Adjuah&#8217;s &#8216;Axiom&#8217;","author":"Rob Shepherd","date":"August 27, 2020","format":false,"excerpt":"In the field of philosophical logic, an axiom serves as a starting point from which other statements are derived. It is regarded as an essentially true foundation for further developments built off of it. Originating from the Greek word \u1f00\u03be\u03af\u03c9\u03bc\u03b1 (ax\u00ed\u014dma), the term suggests worthiness and equal balance as it\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/ERA_CHRISTIANSCOTT_DESERT_304-e1598512625624.jpg?fit=751%2C594&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/ERA_CHRISTIANSCOTT_DESERT_304-e1598512625624.jpg?fit=751%2C594&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/ERA_CHRISTIANSCOTT_DESERT_304-e1598512625624.jpg?fit=751%2C594&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/08\/ERA_CHRISTIANSCOTT_DESERT_304-e1598512625624.jpg?fit=751%2C594&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":737,"url":"https:\/\/postgenre.org\/staging\/4567\/review-aaron-parks-little-big-ii-dreams-of-a-mechanical-man\/","url_meta":{"origin":682,"position":1},"title":"Review: Aaron Parks&#8217; &#8216;Little Big II: Dreams of a Mechanical Man&#8217;","author":"Rob Shepherd","date":"May 3, 2020","format":false,"excerpt":"In ancient Greek mythological lore, Hephaestus, the god of technology, created a giant bronze automaton named Talos who was powered by ichor, the blood of the gods. It was Talos' job to protect the island of Crete from invaders by throwing boulders at incoming ships and crushing anyone who washed\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"Aaron Parks","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/05\/BW.P-ROOF.3.18.APARKS-001.jpg?fit=1000%2C697&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/05\/BW.P-ROOF.3.18.APARKS-001.jpg?fit=1000%2C697&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/05\/BW.P-ROOF.3.18.APARKS-001.jpg?fit=1000%2C697&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2020\/05\/BW.P-ROOF.3.18.APARKS-001.jpg?fit=1000%2C697&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":5964,"url":"https:\/\/postgenre.org\/staging\/4567\/clouser-mexico-city-experiment\/","url_meta":{"origin":682,"position":2},"title":"Conduit : A Conversation with Todd Clouser on The Mexico City Experiment","author":"Rob Shepherd","date":"June 5, 2023","format":false,"excerpt":"The fifth outing in Ropeadope\u2019s\u00a0Experiment\u00a0series is markedly different from its predecessors. While all releases to date adopt a general ethos of giving maximum freedom to its participants, an ad hoc collection of those from the host city, prior output has primarily emphasized a particular native subsect of music.\u00a0The Philadelphia Experiment\u00a0(Ropeadope,\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/a4176533136_101.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/a4176533136_101.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/a4176533136_101.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/a4176533136_101.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2023\/06\/a4176533136_101.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3974,"url":"https:\/\/postgenre.org\/staging\/4567\/bridging-space-flood\/","url_meta":{"origin":682,"position":3},"title":"Bridging the Space Between: A Conversation with Alexander Flood","author":"Rob Shepherd","date":"February 15, 2022","format":false,"excerpt":"One can summarize much of the COVID-19 pandemic in one word: isolation. Travel restrictions made walls between countries seem higher. Shutdowns and social distancing only further underscored divides within local communities. And quarantine itself was the direct removal of individuals from those around them. With this backdrop, South Australian drummer\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/02\/AlexanderFlood51.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/02\/AlexanderFlood51.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/02\/AlexanderFlood51.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2022\/02\/AlexanderFlood51.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8686,"url":"https:\/\/postgenre.org\/staging\/4567\/engagement-lakecia-benjamin\/","url_meta":{"origin":682,"position":4},"title":"Engagement: A Conversation with Lakecia Benjamin on &#8216;Phoenix Reimagined (Live)&#8217;","author":"Rob Shepherd","date":"June 29, 2024","format":false,"excerpt":"There is something special about a live recording compared to one edited in the studio. An increased openness to risk and chance creates a palpable energy that is difficult to recreate in a more controlled setting. This is particularly true for improvised music, where art is crafted in a fleeting\u2026","rel":"","context":"In &quot;Interviews&quot;","block_context":{"text":"Interviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/interviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/06\/9d6d406a-8e4f-4274-a7cb-b38cd2b58350.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/06\/9d6d406a-8e4f-4274-a7cb-b38cd2b58350.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/06\/9d6d406a-8e4f-4274-a7cb-b38cd2b58350.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2024\/06\/9d6d406a-8e4f-4274-a7cb-b38cd2b58350.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":11411,"url":"https:\/\/postgenre.org\/staging\/4567\/review-sarah-elizabeth-charless-dawn\/","url_meta":{"origin":682,"position":5},"title":"Review: Sarah Elizabeth Charles\u2019s \u2018Dawn\u2019","author":"Jim Hynes","date":"October 7, 2025","format":false,"excerpt":"While it\u2019s been done in pop, appearing noticeably pregnant on an album cover is a rarity for improvisation-based music. Indeed, vocalist and composer Sarah Elizabeth Charles\u2019 Dawn (Ropeadope, 2025) may be one of the first. The album\u2019s cover is striking - the artist in a stunning silhouette, leaving no doubt\u2026","rel":"","context":"In &quot;Album Reviews&quot;","block_context":{"text":"Album Reviews","link":"https:\/\/postgenre.org\/staging\/4567\/category\/reviews\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_1935.jpg?fit=750%2C500&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_1935.jpg?fit=750%2C500&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_1935.jpg?fit=750%2C500&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/postgenre.org\/staging\/4567\/wp-content\/uploads\/2025\/10\/img_1935.jpg?fit=750%2C500&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/comments?post=682"}],"version-history":[{"count":5,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/682\/revisions"}],"predecessor-version":[{"id":1163,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/posts\/682\/revisions\/1163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media\/686"}],"wp:attachment":[{"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/media?parent=682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/categories?post=682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/postgenre.org\/staging\/4567\/wp-json\/wp\/v2\/tags?post=682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}