The Willpower of Notes: A Conversation with Eyvind Kang on ‘Riparian’

Over the last half-century, a growing number of artists and theorists have explored the concept of ecomusicology, a theoretical approach to music that emphasizes the relationship between man and nature as manifested through sound. Initially developed from the environmental movement of the 1960s and 1970s, ecomusicology focuses less on whether a particular sound comes from […]