Guitarist John Scofield and NEA Jazz Master bassist Dave Holland are not only both masters of their respective instruments but incredibly prolific. Versatile too, especially Holland. Since both artists’ rise – a decade apart – through their times with Miles Davis, they have respectively explored a wide area of music. That includes intimate duo settings. […]
At the time of the first Newport Jazz Festival in 1954, there were two primary ways to enter the city on Aquidneck Island. From the North, travelers would cross the Mount Hope Bridge. But most traffic came from the West, where one would invariably need to take a ferry or other watercraft ashore. While there […]
Despite its rough shape, the new site was at a fantastic location. Near the JT Connell Highway, it had sufficient space for both a large stage – more than a third bigger than the prior one – and extensive audience seating. It also allowed for convenient parking, a frequent concern at Freebody Park due to […]
By 9:18 PM on the evening of July 17, 1954, Eddie Condon’s tribute to Dixieland finally began its delayed performance. Next was vocalist Lee Wiley, a jam session, and then a series of musicians who in hindsight left an indelible mark of music: the Modern Jazz Quartet with Horace Silver filling in for John Lewis, […]
Throughout history, musicians have used the direst of circumstances, including widespread pandemics, to expand their artistic boundaries and examine unexplored sonic territories. As European society collapsed during the era of the Black Death, composers presented new complex forms – the rondeau, the virelai, and the ballade. By 1365, the last of these would become one […]
This is the final segment of our four-part series celebrating the legacy of the landmark Bitches Brew on its Fiftieth Anniversary. Our prior pieces emphasized the album’s compositions, production techniques, and recent “jazz” albums it influenced. Each adopts the list format and follows two general guidelines: that the artist presented still performs today, and that […]
This is the penultimate chapter of our four-part series celebrating the legacy of the landmark Bitches Brew on its Fiftieth Anniversary. Our first piece focused on the album’s compositions, the second on production techniques, and our forthcoming final feature will emphasize its influence on “non-jazz” artists. Each adopts the list format and follows two general […]
This is the second of our four-part series of lists celebrating the legacy of the landmark Bitches Brew on its Fiftieth Anniversary. Our first piece focused on the compositions while forthcoming ones will emphasize the album’s influence on subsequent “jazz” and “non-jazz” artists. Each list follows two general guidelines: that the artist presented still performs today, […]
On March 30, 1970, Miles Davis shocked the world with his groundbreaking Bitches Brew (Columbia Records, 1970). Although the trumpeter had been increasingly trending towards merging jazz with rock since at least Miles in The Sky (Columbia Records, 1968), Brew destroyed any divide between the two. At the time, some close-minded critics accused him of […]
Recorded mostly in 1985, the height of Miles Davis’ most critically maligned era, Rubberband is unlikely to be appreciated by one who generally disfavors the artist’s 1980s oeuvre. However, for a listener open to Davis’ music from that period, there is much to enjoy. Full appreciation partly requires an understanding of the album’s history. At […]
