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Review: Nduduzo Makhathini’s ‘Modes of Communication: Letters from the Underworlds’

Due to the nation’s rich jazz history, it may appear surprising that a 2020 release – Nduduzo Makhathini’s Modes of Communication: Letters from the Underworlds (Blue Note Records, 2020) – is long-standing labels’ first by a South African musician. While the pianist will receive much coverage based on this fact alone, that singular focus improperly […]

Review: Dave Liebman’s Expansions Group’s ‘Earth’

Scientists estimate that the earth vibrates at varying frequencies between 7.83 and 33.8 Hz. Of course, music also consists of rhythmic waves, though they are limited to our unaided hearing range from 20 to 20,000 Hz. As a result, many of our planet’s tones are wholly incapable of being perceived. Earth, the latest Expansions album […]

Review: Captain Supernova’s ‘The Voyage Never Ends…’

In his early writings, philosopher Søren Kierkegaard utilized various pseudonyms to present distinctive viewpoints and to interact with each other in complex dialogues. Throughout its history, jazz musicians have also adopted similar approaches – particularly relying on cosmic iconography – to better push their personal creative boundaries. One recent example is the three members of […]

Review: Miles Davis’ ‘Rubberband’

Recorded mostly in 1985, the height of Miles Davis’ most critically maligned era, Rubberband is unlikely to be appreciated by one who generally disfavors the artist’s 1980s oeuvre. However, for a listener open to Davis’ music from that period, there is much to enjoy. Full appreciation partly requires an understanding of the album’s history. At […]