Interviews

Front-Row Seat: A Conversation with Jason Miles

By the early 1980s, artists had too much freedom to express themselves through sound. The consequences of avant-garde experimentalism were…

11 months ago

Subliminal Input: A Conversation with Jon Irabagon on ‘Server Farm’

Computer scientist Alan Kay once noted, “Some people worry that artificial intelligence will make us feel inferior, but then, anybody…

12 months ago

Bloom: A Conversation with Ellen Fullman and Theresa Wong

Western music is built around concepts of melody and harmony - the idea that one form of sonic expression should…

12 months ago

Protecting the History: A Conversation with Ebo Taylor

Many define “jazz” as the meeting of African rhythms and European harmonies. In a sense, this narrative is accurate -…

12 months ago

Sound Navigation: A Conversation with Ava Mendoza on ‘The Circular Train’

The process of mining - digging deep into the earth to find an essential material - dates back at least…

1 year ago

Always There: A Conversation with George Burton

Far too often, people tend to compartmentalize and localize matters of concern. However, such an approach minimizes the true scale…

1 year ago

Going Beyond What We Know: A Conversation with Evan Parker and Matt Wright on Trance Map

In the late 1850s, two decades before Thomas Edison’s phonograph, French inventor Édouard-Léon Scott de Martinville created the first sound…

1 year ago

Dream House: A Conversation with Kalia Vandever

Western literature has long noted the disconnection between perception and reality. In 1175, French monk Alain de Lille "Do not…

1 year ago

Normal Give or Take: A Conversation with Fred Frith (Part Two)

We continue our conversation with Fred Frith (read part one here) with a focus on his work with homemade instruments,…

1 year ago

Normal Give or Take: A Conversation with Fred Frith (Part One)

When first learning about music, students are often taught to classify instruments by their sound. In the abstract, this basic…

1 year ago