Review: Eric Harland’s ‘Vipassana II’

2 days ago
Jim Hynes

Twelve years have elapsed since drummer and composer Eric Harland released the first installment of Vipassana (Ropeadope, 2014). The music took many by…

Review: Altin Sencalar’s ‘Natural Rhythm’

5 days ago

Natural Rhythm (Posi-Tone, 2025) is the seventh album by composer and trombonist Altin Sencalar. The album features unorthodox takes on jazz…

Review: Harry Skoler’s ‘Echoes’

6 days ago

Despite the instrument‘s long history in improvised music, the clarinet is often still an outlier instrument in contemporary jazz. Yet,…

Between Beauty and Horror: A Conversation with David Torn

2 weeks ago

Jean-Michel Basquiat once noted that “Art is how we decorate space, music is how we decorate time.” But such a…

Review: New Jazz Underground’s ‘Hoodies’

2 weeks ago

The chordless trio, and especially the saxophone trio, continues to thrive in increasingly adventurous ways. New Jazz Underground (“NJU”), a…

Remembering Miles Davis at 100: A Conversation with Marcus Miller

2 weeks ago

Few figures have shaped the course of modern music as much as Miles Dewey Davis III. His chameleonic career can…

Review: Joe Lovano’s ‘Paramount Quartet’

2 weeks ago

The performance by Joe Lovano’s Paramount Quartet at the 2025 Big Ears Festival was revelatory, in some ways the polar…

Review: Chris Potter’s ‘Alive with Ghosts Today’

2 weeks ago

Most listeners don’t necessarily associate saxophonist and composer Chris Potter’s work as sociologically or historically focused. Yet, the saxophonist played a…

Review: Jamile and Vinicius Gomes’s ‘Boundless Species’

3 weeks ago

The drum-less duo of vocalist Jamile and guitarist Vinicius Gomes, joined by bassist Joe Martin, puts a new spin on…

Opening Your Heart: A Conversation with DoYeon Kim on ‘Wellspring’

3 weeks ago

Legend tells that Korea’s plucked zither, the gayageum, was developed sometime in the sixth century by King Gashil of the…