Album Reviews

Review: Kurt Elling & Yellowjackets ‘Play Weather Report Alive in Europe + Bonus Studio Recordings’

Decades after its disbanding, Weather Report’s legacy remains as significant as ever. Songs like “Birdland” and “Black Market” have increasingly…

3 days ago

Review: Linda Sikhakhane’s ‘LINDA’

With LINDA (Blue Note, 2026), acclaimed South African saxophonist and composer Linda Sikhakhane delivers his fifth album. His second for…

2 weeks ago

Review: Sullivan Fortner’s ‘Leave That in There’

An indelible memory of Sullivan Fortner comes from the 2023 Blue Note at Sea, when the pianist lead a trio…

2 weeks ago

Review: Rob Dixon’s ‘Naptown Soul’

When one thinks of the improvised music powerhouse cities of the Midwest, Chicago and Detroit often first come to mind.…

3 weeks ago

Review: Miguel Zenon and Luis Perdomo’s ‘El Arte del Bolero, Vol. 3’

The ongoing duo of alto saxophonist Miguel Zenon and pianist, Luis Perdomo, has reached its third installment with El Arte…

4 weeks ago

Review: Joe Zawinul Music Odyssey’s ‘Zawinul Legacy Band 3.0 Live at Grafenegg’

The tunes of Weather Report have long seemed destined to endure beyond the slog of much of the jazz-fusion that…

1 month ago

Review: Henry Threadgill Zooid’s ‘Cut You Where You Was’

August 28, 2026, is a big day for NEA Jazz Master Henry Threadgill with two albums released under his name.…

1 month ago

Review: Henry Threadgill, Vijay Iyer & Dafnis Prieto’s ‘Fifteen’

August 21, 2026 is a big day for Henry Threadgill as he releases two albums. One, Cut You Where You…

1 month ago

Review: L’Rain ‘fata morgana’

L'Rain's "birthday" is not a straightforward celebration. She moves from loneliness to a plea for self-love amidst a sultry ambiance.…

1 month ago

Review: Nicholas Payton and Butcher Brown’s ‘A Supreme Blue’

Sometimes a grand project can emerge from a single riff, or even a quote in an improvised solo. A Supreme…

1 month ago