Album Reviews

Review: Gregory Hutchinson’s ‘Kind of Now: The Pulse of Miles Davis’

Just about everywhere you turn in the jazz universe in 2026, there are albums and tours celebrating the centennial birthdates…

3 days ago

Review: Clovis Nicolas’s ‘Blues in Blueprint’

Seldom will one hear a full album of blues on a jazz recording today, particularly performed as imaginatively as on…

4 days ago

Review: Adam O’Farrill’s ‘Elephant’

Most are probably familiar with Adam O’Farrill for his sidemen work, including with Hiromi’s Sonicwonder, Mary Halvorson’s Amyrillis sextet, Anna…

4 days ago

Review: Jon Irabagon’s ‘Saturday’s Child’ and ‘Focus Out’

Prolific saxophonist, composer, and bandleader Jon Iragabon released two albums simultaneously on March 13, 2026. First is Focus Out (Irabagast,…

1 week ago

Review: Irreversible Entanglements’ ‘Future Present Past’

Future Present Past (Impulse!, 2026)  is Irreversible Entanglements’ second release for the legendary label after a five-year gap between albums.…

2 weeks ago

Review: Miroslav Vitous’s ‘Mountain Call’

With Mountain Call (ECM, 2026), Miroslav Vitous suddenly reemerges on Manfred Eicher’s label after a decade long absence. During the…

1 month ago

Review: Luke Norris’s ‘Moment From The Past’

Saxophonist and composer Luke Norris has a penchant for experimentation, merging the acoustic and electronic to create interesting soundscapes. His…

1 month ago

Review: Michael Formanek’s ‘New Digs’

Michael Formanek is perhaps best known for his work with the trio Thumbscrew, alongside guitarist Mary Halvorson and drummer Tomas…

2 months ago

Review: Mark Turner’s ‘Patternmaster’

Patternmaster (ECM, 2026) is tenor saxophonist Mark Turner’s follow-up to his highly acclaimed Return from the Stars (ECM, 2022). It…

2 months ago

Review: Willy Rodriguez’s ‘In the Unknown (I Will Find You)’

Two years ago, drummer, composer, and bandleader Willy Rodriguez stunned improvised music audiences and critics alike with his leader debut,…

2 months ago