Album Reviews

Review: Marshall Allen’s ‘101: An Aural Odyssey’

Even well into his second century, practically ageless wonder Marshall Allen continues to record, perform, and defy any conventional logic.…

1 day ago

Review: Nicole Zuraitis’ ‘The Devil I Knew’

As a vocalist, pianist, and songwriter Nicole Zuraitis is a triple threat. Yet the two-time Grammy-winner often goes criminally undermentioned…

6 days ago

Review: Your Brother’s Keeper and Gary Bartz’s ‘Where Rivers Meet’

Even well into the second half of his eighties, Gary Bartz remains one of the most powerful and evocative alto…

2 months ago

Review: Helen Sung Big Band’s ‘Oracles’

Pianist and composer Helen Sung delivers her first big band album with Oracles (Sunnyside, 2026). The seventeen-piece big band is under the conduction…

2 months ago

Review: James Brandon Lewis Quartet’s ‘Omni’

Most press releases for new albums proclaim how their latest offering is the artist’s “most personal statement yet” or the…

2 months ago

Review: Lakecia Benjamin’s ‘We Dream’

 We begin with a question. When is the optimal time for a rising artist to invite a bevy of guests…

2 months ago

Review: Steven Bernstein’s ‘ResoNation Trio’ and ‘Ultra Resonance’

Trumpeter. Composer. Bandleader. Arranger. Conductor. Steven Bernstein is many things, with those five descriptors only scratching the surface of his capabilities.…

2 months ago

Review: Ambrose Akinmusire and Mary Halvorson’s ‘Slo-Mo Neon Luminate Hoverings’

The pairing of trumpeter/composer Ambrose Akinmusire and guitarist/composer Mary Halvorson seems almost pre-destined. They are two of our most inventive…

2 months ago

Review: Alvaro Torres Trio’s ‘Mairena’

Since 2023, the Alvaro Torres trio - pianist Torres, bassist Masa Kamaguchi, and drummer Kresten Osgood - has uniquely merged…

2 months ago

Review: Tyshawn Sorey’s ‘Members… Don’t!’

Drummer, composer, and arranger Tyshawn Sorey has put together a top-shelf quintet for a blistering, intense, live double-LP reimagining of…

2 months ago