Album Reviews

Review: Miguel Zenon and Luis Perdomo’s ‘El Arte del Bolero, Vol. 3’

The ongoing duo of alto saxophonist Miguel Zenon and pianist, Luis Perdomo, has reached its third installment with El Arte…

23 hours ago

Review: Joe Zawinul Music Odyssey’s ‘Zawinul Legacy Band 3.0 Live at Grafenegg’

The tunes of Weather Report have long seemed destined to endure beyond the slog of much of the jazz-fusion that…

5 days ago

Review: Henry Threadgill Zooid’s ‘Cut You Where You Was’

August 28, 2026, is a big day for NEA Jazz Master Henry Threadgill with two albums released under his name.…

1 week ago

Review: Henry Threadgill, Vijay Iyer & Dafnis Prieto’s ‘Fifteen’

August 21, 2026 is a big day for Henry Threadgill as he releases two albums. One, Cut You Where You…

2 weeks ago

Review: L’Rain ‘fata morgana’

L'Rain's "birthday" is not a straightforward celebration. She moves from loneliness to a plea for self-love amidst a sultry ambiance.…

2 weeks ago

Review: Nicholas Payton and Butcher Brown’s ‘A Supreme Blue’

Sometimes a grand project can emerge from a single riff, or even a quote in an improvised solo. A Supreme…

3 weeks ago

Review: ‘Peace Anthems’

In only a few short years, Red Hook Records has gone from start up to deliverer of some of the…

4 weeks ago

Review: Marshall Allen’s ‘101: An Audio Odyssey’

Even well into his second century, practically ageless wonder Marshall Allen continues to record, perform, and defy any conventional logic.…

4 weeks ago

Review: Nicole Zuraitis’ ‘The Devil I Knew’

As a vocalist, pianist, and songwriter Nicole Zuraitis is a triple threat. Yet the two-time Grammy-winner often goes criminally undermentioned…

1 month ago

Review: Your Brother’s Keeper and Gary Bartz’s ‘Where Rivers Meet’

Even well into the second half of his eighties, Gary Bartz remains one of the most powerful and evocative alto…

2 months ago