Album Reviews

Review: Chris Potter’s ‘Alive with Ghosts Today’

Most listeners don’t necessarily associate saxophonist and composer Chris Potter’s work as sociologically or historically focused. Yet, the saxophonist played a…

2 days ago

Review: Jamile and Vinicius Gomes’s ‘Boundless Species’

The drum-less duo of vocalist Jamile and guitarist Vinicius Gomes, joined by bassist Joe Martin, puts a new spin on…

3 days ago

Review: ‘Matthew Stevens’

The eponymous release (Candid, 2026) by guitarist Matthew Stevens is not a solo guitar album. He has already released one of those, Pittsburgh (Whirlwind,…

6 days ago

Review: Reverso’s ‘Between Two Silences’

If there was ever a prototypical album to fit this site’s subhead, “Music Beyond Category”, Reverso’s Between Two Silences (Alternate…

1 week ago

Review: Phil Haynes’s ‘Terra’

Phil Haynes keeps pushing ahead, often in unexpected directions. Terra (Corner Store Jazz, 2026) is less a revolutionary setting than…

2 weeks ago

Review: Dave Douglas’s ‘Transcend’

We have barely caught our collective breaths. Only three months after trumpeter and composer Dave Douglas released his outstanding Four…

2 weeks ago

Review: Jason Moran, BlankFor.ms and Marcus Gilmore’s ‘Shards’

Shards (Red Hook, 2026) is the follow-up to Refract (Red Hook, 2023) by the trio of pianist Jason Moran, electronic…

3 weeks ago

Review: Javier Nero Jazz Orchestra’s ‘Alkebulan’

With Alkebulan (Outside in Music, 2026), the Javier Nero Jazz Orchestra returns to explore the diasporic roots of its leader…

3 weeks ago

Review: Lo Steele’s ‘Only a Drop’

Lauren “Lo” Steele’s debut, Only a Drop (Little Village), is in some respects the female equivalent of Kurt Elling’s Superblue, though invariably even…

3 weeks ago

Review: Gregory Hutchinson’s ‘Kind of Now: The Pulse of Miles Davis’

Just about everywhere you turn in the jazz universe in 2026, there are albums and tours celebrating the centennial birthdates…

4 weeks ago