Album Reviews

Review: Lakecia Benjamin’s ‘We Dream’

 We begin with a question. When is the optimal time for a rising artist to invite a bevy of guests…

2 months ago

Review: Steven Bernstein’s ‘ResoNation Trio’ and ‘Ultra Resonance’

Trumpeter. Composer. Bandleader. Arranger. Conductor. Steven Bernstein is many things, with those five descriptors only scratching the surface of his capabilities.…

2 months ago

Review: Ambrose Akinmusire and Mary Halvorson’s ‘Slo-Mo Neon Luminate Hoverings’

The pairing of trumpeter/composer Ambrose Akinmusire and guitarist/composer Mary Halvorson seems almost pre-destined. They are two of our most inventive…

3 months ago

Review: Alvaro Torres Trio’s ‘Mairena’

Since 2023, the Alvaro Torres trio - pianist Torres, bassist Masa Kamaguchi, and drummer Kresten Osgood - has uniquely merged…

3 months ago

Review: Tyshawn Sorey’s ‘Members… Don’t!’

Drummer, composer, and arranger Tyshawn Sorey has put together a top-shelf quintet for a blistering, intense, live double-LP reimagining of…

3 months ago

Review: David Sanchéz’s ‘Tambó’

A careful observer may notice that many of Ropeadope’s recent releases are tied to the Third Way Cultural Alliance (TWCA), a…

3 months ago

Review: Eric Harland’s ‘Vipassana II’

Twelve years have elapsed since drummer and composer Eric Harland released the first installment of Vipassana (Ropeadope, 2014). The music took many by…

3 months ago

Review: Altin Sencalar’s ‘Natural Rhythm’

Natural Rhythm (Posi-Tone, 2025) is the seventh album by composer and trombonist Altin Sencalar. The album features unorthodox takes on jazz…

3 months ago

Review: Harry Skoler’s ‘Echoes’

Despite the instrument‘s long history in improvised music, the clarinet is often still an outlier instrument in contemporary jazz. Yet,…

3 months ago

Review: New Jazz Underground’s ‘Hoodies’

The chordless trio, and especially the saxophone trio, continues to thrive in increasingly adventurous ways. New Jazz Underground (“NJU”), a…

3 months ago