Album Reviews

Review: Altin Sencalar’s ‘Natural Rhythm’

Natural Rhythm (Posi-Tone, 2025) is the seventh album by composer and trombonist Altin Sencalar. The album features unorthodox takes on jazz…

4 weeks ago

Review: Harry Skoler’s ‘Echoes’

Despite the instrument‘s long history in improvised music, the clarinet is often still an outlier instrument in contemporary jazz. Yet,…

4 weeks ago

Review: New Jazz Underground’s ‘Hoodies’

The chordless trio, and especially the saxophone trio, continues to thrive in increasingly adventurous ways. New Jazz Underground (“NJU”), a…

1 month ago

Review: Joe Lovano’s ‘Paramount Quartet’

The performance by Joe Lovano’s Paramount Quartet at the 2025 Big Ears Festival was revelatory, in some ways the polar…

1 month ago

Review: Chris Potter’s ‘Alive with Ghosts Today’

Most listeners don’t necessarily associate saxophonist and composer Chris Potter’s work as sociologically or historically focused. Yet, the saxophonist played a…

1 month ago

Review: Jamile and Vinicius Gomes’s ‘Boundless Species’

The drum-less duo of vocalist Jamile and guitarist Vinicius Gomes, joined by bassist Joe Martin, puts a new spin on…

1 month ago

Review: ‘Matthew Stevens’

The eponymous release (Candid, 2026) by guitarist Matthew Stevens is not a solo guitar album. He has already released one of those, Pittsburgh (Whirlwind,…

1 month ago

Review: Reverso’s ‘Between Two Silences’

If there was ever a prototypical album to fit this site’s subhead, “Music Beyond Category”, Reverso’s Between Two Silences (Alternate…

1 month ago

Review: Phil Haynes’s ‘Terra’

Phil Haynes keeps pushing ahead, often in unexpected directions. Terra (Corner Store Jazz, 2026) is less a revolutionary setting than…

2 months ago

Review: Dave Douglas’s ‘Transcend’

We have barely caught our collective breaths. Only three months after trumpeter and composer Dave Douglas released his outstanding Four…

2 months ago