Review: ‘Matthew Stevens’

3 weeks ago

The eponymous release (Candid, 2026) by guitarist Matthew Stevens is not a solo guitar album. He has already released one of those, Pittsburgh (Whirlwind,…

Review: Reverso’s ‘Between Two Silences’

3 weeks ago

If there was ever a prototypical album to fit this site’s subhead, “Music Beyond Category”, Reverso’s Between Two Silences (Alternate…

Moving as One: A Conversation with Satoko Fujii and Myra Melford

3 weeks ago

In the Internet Age, we are continually surrounded by words. Statements inundate our every waking moment. But it is rare…

Review: Phil Haynes’s ‘Terra’

4 weeks ago

Phil Haynes keeps pushing ahead, often in unexpected directions. Terra (Corner Store Jazz, 2026) is less a revolutionary setting than…

Review: Dave Douglas’s ‘Transcend’

4 weeks ago

We have barely caught our collective breaths. Only three months after trumpeter and composer Dave Douglas released his outstanding Four…

Finding Through the Unknown: A Conversation with Willy Rodriguez

1 month ago

Where do we go from here? Though we all exist on a linear timescale, humans have always wondered about the…

Review: Jason Moran, BlankFor.ms and Marcus Gilmore’s ‘Shards’

1 month ago

Shards (Red Hook, 2026) is the follow-up to Refract (Red Hook, 2023) by the trio of pianist Jason Moran, electronic…

Letting the Silence In: A Conversation with Nate Wooley

1 month ago

Louis Armstrong once noted that “music is life itself.” Expression through sound is a requisite and inescapable part of human…

Review: Javier Nero Jazz Orchestra’s ‘Alkebulan’

1 month ago

With Alkebulan (Outside in Music, 2026), the Javier Nero Jazz Orchestra returns to explore the diasporic roots of its leader…

Review: Lo Steele’s ‘Only a Drop’

1 month ago

Lauren “Lo” Steele’s debut, Only a Drop (Little Village), is in some respects the female equivalent of Kurt Elling’s Superblue, though invariably even…