Unlimited World of Possibilities: A Conversation with Joe Morris (Part One)

2 months ago

The guitarist, bassist, and philosopher of improvisation discusses freedom, language, and discovering an unlimited world of musical possibilities.

Review: Ambrose Akinmusire and Mary Halvorson’s ‘Slo-Mo Neon Luminate Hoverings’

2 months ago

The pairing of trumpeter/composer Ambrose Akinmusire and guitarist/composer Mary Halvorson seems almost pre-destined. They are two of our most inventive…

Review: Alvaro Torres Trio’s ‘Mairena’

2 months ago

Since 2023, the Alvaro Torres trio - pianist Torres, bassist Masa Kamaguchi, and drummer Kresten Osgood - has uniquely merged…

Review: Tyshawn Sorey’s ‘Members… Don’t!’

2 months ago

Drummer, composer, and arranger Tyshawn Sorey has put together a top-shelf quintet for a blistering, intense, live double-LP reimagining of…

Keeping the Flame Burning: A Conversation with Hannah Marks

2 months ago

New York City. The metropolis is more than a living space for over eight and a half million. It is…

Review: David Sanchéz’s ‘Tambó’

2 months ago

A careful observer may notice that many of Ropeadope’s recent releases are tied to the Third Way Cultural Alliance (TWCA), a…

Review: Eric Harland’s ‘Vipassana II’

2 months ago

Twelve years have elapsed since drummer and composer Eric Harland released the first installment of Vipassana (Ropeadope, 2014). The music took many by…

Review: Altin Sencalar’s ‘Natural Rhythm’

3 months ago

Natural Rhythm (Posi-Tone, 2025) is the seventh album by composer and trombonist Altin Sencalar. The album features unorthodox takes on jazz…

Review: Harry Skoler’s ‘Echoes’

3 months ago

Despite the instrument‘s long history in improvised music, the clarinet is often still an outlier instrument in contemporary jazz. Yet,…

Between Beauty and Horror: A Conversation with David Torn

3 months ago

David Torn reflects on beauty, horror, and the strange emotional landscapes that emerge when sound transcends genre.