Review: New Jazz Underground’s ‘Hoodies’

3 months ago

The chordless trio, and especially the saxophone trio, continues to thrive in increasingly adventurous ways. New Jazz Underground (“NJU”), a…

Remembering Miles Davis at 100: A Conversation with Marcus Miller

3 months ago

Few figures have shaped the course of modern music as much as Miles Dewey Davis III. His chameleonic career can…

Review: Joe Lovano’s ‘Paramount Quartet’

3 months ago

The performance by Joe Lovano’s Paramount Quartet at the 2025 Big Ears Festival was revelatory, in some ways the polar…

Review: Chris Potter’s ‘Alive with Ghosts Today’

3 months ago

Most listeners don’t necessarily associate saxophonist and composer Chris Potter’s work as sociologically or historically focused. Yet, the saxophonist played a…

Review: Jamile and Vinicius Gomes’s ‘Boundless Species’

3 months ago

The drum-less duo of vocalist Jamile and guitarist Vinicius Gomes, joined by bassist Joe Martin, puts a new spin on…

Opening Your Heart: A Conversation with DoYeon Kim on ‘Wellspring’

3 months ago

Legend tells that Korea’s plucked zither, the gayageum, was developed sometime in the sixth century by King Gashil of the…

Review: ‘Matthew Stevens’

3 months ago

The eponymous release (Candid, 2026) by guitarist Matthew Stevens is not a solo guitar album. He has already released one of those, Pittsburgh (Whirlwind,…

Review: Reverso’s ‘Between Two Silences’

3 months ago

If there was ever a prototypical album to fit this site’s subhead, “Music Beyond Category”, Reverso’s Between Two Silences (Alternate…

Moving as One: A Conversation with Satoko Fujii and Myra Melford

3 months ago

In the Internet Age, we are continually surrounded by words. Statements inundate our every waking moment. But it is rare…

Review: Phil Haynes’s ‘Terra’

3 months ago

Phil Haynes keeps pushing ahead, often in unexpected directions. Terra (Corner Store Jazz, 2026) is less a revolutionary setting than…